Tierra Whack, "Only Child"


Tierra Whack "Only Child" Digital Single Tierra Whack's 2018 debut "Whack World" was one of the most promising debut albums I've heard in a very long time. However, I found it super hard to write about (and ultimately, fall in love with), because of her decision to chop all the tracks off Read more

CFCF, "Closed Space"


CFCF "Closed Space" Liquid Colours (out 03.01) Though I haven't listened to it as much as his ree-fucking-dick-u-lus J.Lo remix (aka: the best song of 2019 so far), the first single from Montreal mainstay Michael Silver's new album is an instant keeper. It kicks off with luxurious beds of neo-geo synths that Read more

Sade, "The Big Unknown"


Sade "The Big Unknown" Windows Soundtrack (out now on Sony) Though she's only a few months shy of her 60th birthday, Helen Folasade Adu remains a force like nobody else. On the stunning "The Big Unknown," Sade proves that her quiet storm is still a Category 5, as she glides effortlessly over oceanic, Read more

Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Hot Jam of the Day (05.13.12): Best Coast, “How They Want Me To Be”

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Best Coast
“How They Want Me To Be”
The Only Place (Mexican Summer)

Without a doubt, no album has taken me off guard this year like the shimmering sophomore LP from the divisive Eagle Rock duo. As I’ll get into more when I review The Only Place later this week, it’s just such a huge step forward for the group. Channeling one of her heroes, Stevie Nicks, oft-derided vocalist/songwriter Bethany Cosentino dials back the reverb and really lets her voice shine, and the result is absolute magic. Cosentino paints an articulate, affecting reflection of what it’s like being a reluctant Internet celebrity. When she sings, “cuz when I wake up in the morning or the middle of night, I wonder who’s there and what they’ve said. But when I wake up in the morning or the middle of the night, I look at you and I know it’s alright,” it gives us an insight into who she is in a way that nothing she’s ever done has. An absolute standout from an incredibly special album.

Best Coast: “How They Want Me To Be”

Hot Jam of the Day (05.12.12): Jacques Greene & Ango, “Untitled

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Jacques Greene & Ango
“Untitled”
Unreleased

Montreal-based post-dubstep producer Jacques Greene has made a career of creating moods rather than songs. Airy, spacious cuts like “Another Girl” bubble and build in a way that pop songs just don’t. All of this makes his recent collaboration with mercurial Canadian vocalist Ango all the more spellbinding, as it is a decidedly non-pop take on the traditional typical pop/R&B formula. Driven by Ango’s smooth vocal and a typically urbane drum machine line, it starts out as another (admittedly potent) example of the bedroom R&B that is blowing up right now. About halfway through, it takes a totally unexpected left turn, which is pure Jacques Greene. Superb.

Jacques Greene: “Untitled”

And, the brilliant “Another Girl”…..

[soundcloud url=”http://api.soundcloud.com/tracks/11100445″ iframe=”true” /]

Hot Jam of the Day (05.11.12): Ice Choir, “Teletrips”

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Ice Choir
“Teletrips”
Afar (Underwater Peoples)

This, the first single from Brooklyn synth-pop outfit Ice Choir’s debut LP, jives well with the fantastic “Two Rings” 7″ that was released earlier this year. Led by the Pains Of Being Pure At Heart’s Kurt Feldman, Ice Choir lionizes a totally different part of 80’s pastiche than TPOBPAT, focusing on the warm, keyboard-driven sounds of pop radio instead of the moody, shoegazey alternative sound of the time. Like the devastating “Two Rings,” “Teletrips” pairs a rock-solid bass riff and plenty of twinkling synth filigree with a dreamy vocal melody and Feldman’s classic tenor. If you aren’t a fan of 80’s pop, you should probably skip this, but if you are, you’ll love Ice Choir.

[soundcloud url=”http://api.soundcloud.com/tracks/45947349″ iframe=”true” /]

And, “Two Rings”.
[soundcloud url=”http://api.soundcloud.com/tracks/29284983″ iframe=”true” /]

STREAM ME!: Beach House’s Incredible New Album, Bloom

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NPR always gets the best streams, and one week before its release, they are giving us another: Beach House’s ridiculously excellent fourth album, Bloom. I really don’t need to sell this. It’s just fantastic. It will make your life better. Just listen to it. Do it. Do it now.

Stream available here.

Hot Jam of the Day (05.07.12): Teen Daze, “What You Feel”

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Teen Daze
“What You Feel”
All of Us, Together (B-Side) (Lefse)

Thanks to the Internet, trends come and go incomprehensibly quickly, and if you don’t heed Tim Gunn’s advice, you might end up on the wrong side of Heidi Klum’s mantra (and this week’s award for unnecessarily cryptic pop culture metaphor goes to….). Though chillwave ruled the blogosphere just a few years ago, it is damn near retro nowadays, and while it’s a relentlessly nostalgia-focused genre, its artists are going to need to look to the future if they are going to remain relevant.

A chillwaver who is doing just that is Vancouver’s Teen Daze. From the bits of the ridiculously chillwaveily-titled All of Us, Together that have been released, Daze has turned up the Balearic influence and focused on songcraft, resulting in a deft, yet marked change in direction from his surprisingly excellent past EPs 2010’s Four More Years and 2011’s A Silent Planet. Though this dancefloor-friendly cut doesn’t make the album, it serves as a good example of how far he’s come and a reminder of why so many are so excited to finally hear his first proper LP.

[soundcloud url=”http://api.soundcloud.com/tracks/45189729″ iframe=”true” /]

Listen to “The Future,” a lovely pre-release cut from All of Us, Together.

[soundcloud url=”http://api.soundcloud.com/tracks/42010656″ iframe=”true” /]

Hot Jam of the Day (05.06.12): CFCF, “Exercise #5 (September)”

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CFCF
“Exercise #5 (September)”
Exercise (Paper Bag)

I like everything I post on this site, but this is especially brilliant. Inspired by legendary composers Ryuichi Sakamoto and Phillip Glass, the prolific Canadian producer’s new album is a swirling, icy collection of emotive piano-driven pieces. Like a filmless film score, Exercise nails the transformative, evocative quality that made the aforementioned artists so special, and after a few listens, I defy you not to get lost in Exercise’s fascinating world. This, the only track on the album with vocals, works so well in the context in the album, beacuse the warm, comforting vocals of CFCF (né Mike Silver) form the perfect contrast to the rest of his sparse, often-chilly compositions. This is really, really special.

[soundcloud url=”http://api.soundcloud.com/tracks/44402238″ iframe=”true” /]

Watch Silver perform an arresting version of the song below (courtesy of Yours Truly).

Yourstru.ly Presents: CFCF – September from Yours Truly on Vimeo.

Hot Jam of the Day (05.05.12): Cassie, “King of Hearts” (Richard X Remix)

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Cassie
“King of Hearts” (Richard X Remix)
Unreleased

Like many others, I was tipped off to singer/actor/model/awful-hair-haver Cassie Ventura’s impeccable new single by Kanye West’s remix that came out a few months ago. At first listen, it was imminently clear that its success was due to the near-perfect original, not Mr. West’s studio trickery. Remix extraordinaire Richard X’s version betters the Louis Vuitton Don’s, simply because he understands how special Ventura’s original is. He gets out of the way and lets Cassie do her thing, resulting in that perfect remix where it makes the original track even better. Delish.

Hot Jam of the Day (05.04.12): 2:54, “Creeping”

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2:54
“Creeping”
2:54 (Fat Possum)

From one excellent guitar-driven band to another, the debut full-length from the moody duo of Colette and Hannah Thurlow is just a few short weeks away and looks to be a corker. Hypnotic, expansive, and full of hooks, “Creeping” is a perfect example of what has made them one of the most talked about groups both in their native UK and stateside. Since they hit the scene with their debut EP, 2011’s mesmeric Scarlet, the group has shown that they possess a melodic maturity and guile that belies their youth. Though they don’t really sound like the XX, the similarities are very apparent, and I wouldn’t be surprised if they broke through in a similar fashion in the second half of 2012. Roll on May 28.

[soundcloud url=”http://api.soundcloud.com/tracks/44971771″ iframe=”true” /]

Watch the group’s video for “Scarlet.”

Hot Jam of the Day (05.01.12): Japandroids, “The House That Heaven Built”

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Japandroids
“The House the Heaven Built”
Celebration Rock (Polyvinyl)

Nowadays, truly excellent, young guitar-driven rock bands are really tough to find, which makes Japandroids all the more special. Coming off the back of their life-affirming debut, 2009’s Post-Nothing, the Canadian duo is back for a similarly jugular-focused follow-up: the enormous, actually-even-better Celebration Rock. Though the album isn’t out for another few weeks, you can always sink your teeth into its lead single, the anthemic, relentless “The House That Heaven Built.” If you don’t like this, you won’t like them, which, frankly, sucks for you.

[soundcloud url=”http://api.soundcloud.com/tracks/44943657″ iframe=”true” /]

Hot Jam of the Day (04.30.12): Sigur Ros, “Varuo” (Radio Edit)

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Sigur Rós
“Varúð” (Radio Edit)
Valtari (XL)

Fresh off the heels of “Ekki Múkk,” the predictably stunning lead single from the group’s sixth LP Valtari, the Icelanders return with a fresh new slab of expansive, etherial magic. Though “Varúð” jives very well with their signature, crescendo-heavy sound, like “Ekki Múkk,” it is a slightly more stripped down version of the Sigur Rós we all know and fell so hopelessly in love with years ago. Vocalist Jón “Jónsi” Þór Birgisson’s falsetto is as evocative as ever and is perfectly framed by a typically celestial, dramatic melody. Valtari was always going to be one of Thunder Penguin’s most anticipated albums of 2011, but if the rest of it lives up to its first two singles, it’s also going to be one of the best.

[soundcloud url=”http://api.soundcloud.com/tracks/44821305″ iframe=”true” /]

Check out the visuals for “Ekki Múkk.”