Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Wild Pink, "Mount Erie"


Wild Pink “Lake Erie” Yolk in the Fur (out now on Tiny Engines) Though I’m about six months late to the NYC trio’s outstanding second LP, I’m extremely glad that I finally found it. While their AM Radio sound has been relentlessly compared to War on Drugs, frontman John Ross is such Read more

Mitski, "Two Slow Dancers"


Mitski "Two Slow Dancers" Be The Cowboy (out 08.17 on Matador) Every slow dance with someone you care about feels like a moment suspended in time. I mean, that's the point, right? Your hands are tied, your bodies are connected, and even your gaze is limited. Mitski, the fantastic New York songwriter, Read more

Future, "Hate the Real Me"


Future "Hate the Real Me" Beastmode 2 (out now on Epic) The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015's legendary "Beast Mode" tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over Read more

ThunderTapes

Posted on by TP1.COM in MixTape | 1 Comment

It’s Cold Outside, but It’s Warm in Here: December 2013

It’s been a while since I’ve made one of these, but hopefully this is worth the wait.

It was a long, fucking freezing winter. This is some of the music that kept me warm.

Tracklist:
ライフmidi // soundtest initialization theme
atlantis // paradise
lontalius // gatorade + water me
mssngno // xe3
karma kid // in my arms (maths time joy rmx)
drake // from time (ruddyp rmx)
jonn hart // who booty? (jeftuz rmx)
ciara + iamnobodi // overdose
johnbear + bria // call me your lover
justin bieber // hold tight (figgy rmx)
zap mama // yaku (planet giza edit)
ballout x yung gleesh x capo // what u got (tommy kruise remix)
partynextdoor // persian rugs (the north virus rmx)
cyril hahn // getting there
idle mind // wrecking ball + clarity
e+e // emotion
情報デスクvirtual // ☆angelbirth☆

Cherish the Chez: December 2012

You do this to me, and I oblige.

trax:
how to dress well/cold nites (slowed&throed)
ciara/deuces (korallreven rework)
hackman/forgotten notes
disclosure/latch (f/ sam smith)
manid diaz/trust fall (jensen sportag remix)
airbird/free mind
the system/don’t disturb this groove (tp screwed vocal remix)
wham!/everything she wants (morgan geist mix)
goldroom/fifteen (f/ chela)
リフト/私はあなたの腕の中に属している
saint lou lou/maybe you (cfcf remix)
how to dress well/running back to you (live)

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Everyday Is Like Sade: June 2012

Just in time for summer, it’s my pleasure to share another mixtape with you guys.

May you spend the summer with the sun in your eyes and the wind in your hair.

Everyday is Like Sade (Side A)

Everyday Is Like Sade (Side B)

trax:
side a:
the-dream:fancy
cassie:king of hearts(richard x rmx)
mario:let me love you(lapalux rmx)
disclosure:boiling
jessie ware:running(disclosure rmx)
purity ring:obedear
gang colours:fancy restaurant
giselle:silk(cosmic kids rmx)

side b:
jyrome good:where i left off
shlohmo/r. kelly/ nico jaar:rained the whole time (hemsworth blend)
javeon mccarthy:precious
bondax:only you know
ciara:ride (masterpiece rmx)
just friends (jaar+spielberg):avalanche

You can also download it all as one file here.

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The Visions In Our Minds: April 2012

The Visions In Our Minds (Side A)

trax:
side a:
julianna barwick:cloudbank
arts&crafts:heartbroken
keep shelly in athens:our own dream
onra (f/reggie b):high hopes
games:back in time
brenmar:temperature rising
erothug:the girl is mine
flight facilities x michael brun x paris fz x simo t:crave you (remix)
evian christ:myd
land kal:further

The Visions In Our Minds (Side B)

side b:
the-dream:roc
nico jaar (f/ scout larue):with just one glance
evy jane:sayso
aaliyah x leagues:go (remix)
araabmuzik:i remember
john talbot (f/pional):destiny
aluna george:you know you like it
lapalux (f/py):moments
usher x diplo:climax
nite jewel:visions

————————————————————————————–
Wake Me When It’s Over: December 2011
For that winter when I really needed it.

trax:
side a:
the-dream/wake me when it’s over
cam’ron f. vado/girls cry
air france/it feels good to be around you
ford&lopatin/joey rodgers
holy ghost/wait and see (richard x rmx)
clams casino/i’m god
shabazz palaces/are you…can you…will you
poolside/do you believe
keep shelly in athens/running out of you

side b:
curren$y/#jetsgo
m83/midnight city
chad valley/portuguese solid summer
azari&iii/hungry for the power
araabmuzik/feelin’ so hood, lost in a maze
the weeknd/loft music
lana del rey/video games
the-dream/wake me when it’s over (reprise)

The Best 51 Tracks of 2011

Posted on by TP1.COM in Columns, Featured | 1 Comment

So here it goes. Better late than never, these are my favorite 51 songs of 2011. If you’ve read my previous work, you’ll know how this works. It’s basically a countdown from 51 to 1. Here’s a link to a Spotify playlist that will allow you to get all of the songs in one place. As always, I am incredibly grateful for anybody who reads my tiny corner of the interwebz, and hopefully there will be something new and interesting for everybody.

And without further ado…

51. Drake
“Look What You’ve Done”
Take Care (Young Money)

It feels fitting to start this list off with a track from the biggest commercial album of the year. I went back and forth a lot about what track to choose, but I settled on this one because it highlights Young Angel’s underrated storytelling and the disc’s dreamy, sublime production mostly courtesy of Noah “40” Shebib (the real star of Take Care), though this isn’t one of his tracks. Drake is at his best over these type of airy beats, as he has the rare ability to be easy to relate to, even though he lives a life we could never imagine. Remember, this is a dude who made having sex “four times this week” into a point of vulnerability, even though many of his listeners haven’t had sex four times in the past four years.

[soundcloud url=”http://api.soundcloud.com/tracks/29801200″ iframe=”true” /]

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Hot Jam of The Day (04.06.12): A$AP Rocky (f/ H-Town All-Stars), “Purple Swag” (Remix)

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A$AP Rocky (f/ Paul Wall, Bun B, Killa Kyleon)
“Purple Swag” (H-Town All-Stars Remix)
Live Love Purple

To deride Harlem’s rising star A$AP Rocky for leaning too much on a sound that isn’t his own would be missing the point completely. Harlem may be more than 2,000 miles away from Houston’s syrup-soaked south side, but in the internet age, it really doesn’t matter. If the world’s leading Chillwave scholar can reside in one of the most decidedly un-chill locales on the planet, A$AP can be inspired by whomever he wants. And while Rocky relies heavily on his influences, he is always quick to big up his inspirations. He shows love to three of his biggest inspirations by getting out of the way entirely, letting three of Clutch City’s most diverse voices get their shine on. You can’t be mad at that.

[soundcloud url=”http://api.soundcloud.com/tracks/40838550″ iframe=”true” /]

And just for the hell of it, here’s one of my favorite ever H-Town (by way of Port Arthur) tracks.

Hot Jam of the Day (04.06.12): Kanye West, “Theraflu”

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Kanye West
“Theraflu”
Unreleased

Most of what’s been written about Kanye’s scathing pre-G.O.O.D. Friday single centers around a throwaway line about a B-List reality star. However, those only interested in Kimye’s potential future are forgetting the most important thing: this cut is all about the past. On “Theraflu,” the Chicago MC is back to his rampant, ferocious pre-808’s best, spitting line after line of his patented “sophisticated ignorance.” As a rule, an angry Kanye is a good Kanye, and while he is capable of crafting some of the most fascinating conceptual work on the planet, nobody can deliver a fuck you track quite like him.

[soundcloud url=”http://api.soundcloud.com/tracks/42276409″ iframe=”true” /]

And because it’ll probably get taken down in the next 18 minutes, here’s another example of new Kanye channeling old Kanye: 2011’s in-fucking-credible “Mama’s Boyfriend.”

Hot Jam of the Day (04.04.12): jj, “Beautiful Life”

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jj
“Beautiful Life”
jj n° 4 (2012)

It’s always a good morning when you wake up to an email from the Sincerely Yours folks. It means your day is going to start with a new, enigmatic slice of (mostly) Swedish pop magic. My excitement was magnified by the email I received this morning, thanks to its subject line: “l to the o to the.” Hoping it would be another warped take on a track by The-Dream — SY released Sail A Whale’s ghostly re-work of “Love King” a couple years ago — I (virtually) tore into it.

Though it’s decidedly not Terius-related, I was pleased to hear a typically shimmering, expansive new cut from the label’s most famous artists, the mysterious jj. The duo continues with their American radio-rap obsession, vocalist Elin Kastlander celestially blows “dro in this bitch” (to the extent that such a thing is possible) over a trademark  Joakim Benon arraignment: carefree, sparse, and just-a-little-bit Balearic.

[soundcloud url=”http://api.soundcloud.com/tracks/42001334″ iframe=”true” /]

Sail a Whale’s “Love (The-Dream) King”

[soundcloud url=”http://api.soundcloud.com/tracks/8048241″ iframe=”true” /]

Hot Jam of the Day (04.03.12): Dent May, “Best Friend”

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Dent May
Best Friend
Do Things (Paw Tracks)

Dent May seems like a fucking weirdo. Not like a check-out-how-weird-I-am/play-one-on-TV type weirdo. But, like a legitimately weird as fuck, weirdo. If the Jackson, Mississippi-based singer-songwriter owns less than six cats, it’s only because his mother doesn’t let him keep them in the house or it’s because he’s already set them on fire. Ok, that’s probably taking it a bit far, but his twisted take on 60’s pop-rock and  Sexy People-style promo photos make it hard not to draw those kinds of conclusions. He thrust himself into the pop music zeitgeist with one of 2009’s best songs, the glorious, piano-driven “Eastover Wives,” which doubled as a inch-perfect slice of Beach Boys-era nostalgia and a bizarrely cautionary tale about the dangers of women getting involved in sex and marriage too young. This, the first single from the long-awaited Do Things, is more of the same, an ode to a best friend that is so earnest and cheesy, I almost thing he’s fucking with us. But I doubt it.

[soundcloud url=”http://api.soundcloud.com/tracks/41348119″ iframe=”true” /]


Album Review: Chromatics, Kill For Love

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Chromatics
Kill For Love
Italians Do It Better (2012)

Johnny Jewel and his suddenly red-hot label Italians Do It Better have never been big on minimalism. His recently-released Scenes From An Imaginary Film that was, wasn’t, definitely was, totally wasn’t could have been the original soundtrack to the Gos’ Academy Award-nominated Drive clocks in at a cool 37 tracks, and his label’s flagship group, Glass Candy, are known for their slinky, frenetic nu-wave cuts that often come run north of the 7-minute mark. So it came as no surprise to anybody that the full version of Night Drive, the I.D.I.B. debut from the Portland-based quartet, Chromatics, came in at Metallica-esque 79 minutes and 33 seconds.

While many (myself included) thought Night Drive dragged in places, it didn’t stop the quartet from biting off another huge mouthful with their 80-minute follow-up, Kill For Love, a particularly risky move considering that the Internet has given us the attention spans of amoebas. Incredibly, it’s an altogether engaging, listenable affair that is filler-free and coherent. They’ve always had a knack for genre bending, but they take it to the next level here. Striking a potent balance between sexy 80’s darkwave (the superlative title track, “Lady”), moody down-tempo melancholia (“Into the Black,” “Candy”), driving 80’s guitar rock (“The Page”), and left-fielders (the instrumental “The Eleventh Hour,” “Running From The Sun”), the album expertly toes the line between sounding fresh and exciting without being disjointed.

While vocalist Ruth Radelet’s confident, alluring coo is one of the album’s key driving forces, she takes a back seat on its most fascinating track, the sparse, detached “These Streets Will Never Look the Same.” It’s indicative of what makes Chromatics so special; just as soon as you think you’ve got their sound pinned, they hit you with a sprawling, auto-tuned slow burner that manages to sound nothing like the group, while simultaneously sounding like something only they could have made.

[soundcloud url=”http://api.soundcloud.com/tracks/41479829″ iframe=”true” /]

It may have taken the group five long years to unleash a successor to Night Drive, but after a few spins through the LP, you’ll know why. They could have released a nicely-packaged, 10-song synth-pop album, and nobody would have complained. But that just wouldn’t be Chromatics, Johnny Jewel, or Italians Do It Better. It also wouldn’t have been this versatile, this enigmatic, or this remarkable. It also certainly wouldn’t have been one of the best albums of 2012.

Full Album Stream After the Jump.

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Hot Jam of the Day (04.02.12): Dirty Projectors, “Gun Has No Trigger”

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Dirty Projectors
“Gun Has No Trigger”
Swing Lo Magellan (Domino)

These Brooklyn-based indie-rock experimentalists’ are the purveyors of one of the most anticipated albums of 2012. Their 2009 breakthrough Bitte Orca was a breathtaking, frenetic affair that highlighted the mufti-faceted collective’s inspiring, fascinating take on pop music. This, the lead single off said album, is the group at their glorious best. While sparse is never going to be considered the group’s primary M.O., they nail it here, as band leader/vocalist David Longstreth’s strained howl is perfectly framed by some impossibly mellifluous oooh’s from Amber Coffman and Angel Deradoorian and a naked-except-for-drums accompaniment. I don’t think it’s given us much of a clue about the album’s sonic direction, unless “awesome” counts.

[soundcloud url=”http://api.soundcloud.com/tracks/41218921″ iframe=”true” /]

Hot Jam of the Day (03.30.12): Jai Paul, “Jasmine”

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Jai Paul
“Jasmine” (Demo)
From Upcoming Release on XL

Somebody forgot to tell soulful British crooner Jai Paul that this is the Internet age, and if you are a young artist with a bit of buzz, you are supposed to release new tracks music about every 3.6 seconds. It’s hard to believe that it’s taken Paul nearly two years to follow up on the buzz from his unfuckwitable (see what I’ve done there?) breakthrough single “BTSU” (which was actually written all the way back in 2007), but the wait was certainly worth it. “Jasmine” is a moody, groovy slow burner that comes as a less robotic take on Daft Punk’s classic “Something About Us.” Above anything, it shows that the enigmatic vocalist is no one-trick pony, and hopefully 2012 will be the year that we finally get to hear a full-length from him.

[soundcloud url=”http://api.soundcloud.com/tracks/41479635″ iframe=”true” /]

Hot Jam of the Day (03.29.12): Elite Gymnastics, “Here, in Heaven 4 & 5” (CFCF Rework)

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Elite Gymnastics
“Here, in Heaven 4 & 5” (CFCF Rework)
Ruin 4

I can’t remember a track in recent years that has undergone as many fascinating incarnations, as “Here, in Heaven,” the ghostly centerpiece of the KPOP-obsessed Minneapolis natives’ breakthrough debut LP. “Here, in Heaven 1” is a chaotic, claustrophobic affair, while its second manifestation is a shadowy, murky slowjam that would make a perfect last dance at Morticia Addams’ first post-Gomez eHarmony marriage. We’ve heard How To Dress Well (né Tom Krell) lend his signature falsetto to a typically sparse, typically affecting version, and now we’re treated to Canadian synth-meister CFCF’s instrumental, ethereal re-work that builds to an impossibly beautiful climax.

Vegas has the over-under at 8 versions of this song by February 2013, and I’m pounding the over. And, honestly, as long as artists this creative and talented keep tackling it, I’ll keep listening.

[soundcloud url=”http://api.soundcloud.com/tracks/40739134″ iframe=”true” /]

Check out HTDW’s stunning version. Originals after the jump.

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