Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Wild Pink, "Mount Erie"


Wild Pink “Lake Erie” Yolk in the Fur (out now on Tiny Engines) Though I’m about six months late to the NYC trio’s outstanding second LP, I’m extremely glad that I finally found it. While their AM Radio sound has been relentlessly compared to War on Drugs, frontman John Ross is such Read more

Mitski, "Two Slow Dancers"


Mitski "Two Slow Dancers" Be The Cowboy (out 08.17 on Matador) Every slow dance with someone you care about feels like a moment suspended in time. I mean, that's the point, right? Your hands are tied, your bodies are connected, and even your gaze is limited. Mitski, the fantastic New York songwriter, Read more

Future, "Hate the Real Me"


Future "Hate the Real Me" Beastmode 2 (out now on Epic) The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015's legendary "Beast Mode" tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over Read more

Hot Jam of the Day (04.20.12): The Walkmen, “Heaven”

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The Walkmen
“Heaven”
Heaven
(Fat Possum)

I admit that I’m a little late on this one, and honestly it’s because it has taken me a few days to figure out whether I actually like this song. Don’t get me wrong, over the last decade the very well dressed NYC via DC quartet have carved out a unique sound, delivered countless spellbinding shows (note: if you aren’t sure whether you like the Walkmen, go see them live. You’ll get it), and wrote one of the best songs of my lifetime. I’m a fan. But I’ve never really been able to quite figure out where I’m supposed to put them in the Pantheon. I keep being told that they are transcendent, but they’ve never spoken to me in the way that groups like the National, Beach House, and LCD Soundsystem do, which is actually the problem I have with them.

For whatever reason, they’ve been portrayed as game changers, when really they are just a very good rock band with an interesting sound that was never quite able to capture the generation in the way that many thought they would. They seemed to have mellowed with age, but, like the best parts of their pretty-damn-good last album Lisbon, “Heaven” is a competent performance from a band whose 75% is better than most other’s best.

[soundcloud url=”http://api.soundcloud.com/tracks/41162024″ iframe=”true” /]

Hot Jams of the Day (04.20.12): Jesse Boykins III & Full Crate “See With Me” and “Her Throne”

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Jesse Boykins III & Full Crate
“Come See Me”/”Her Throne”
Single (KilaWattMusic)

Like the Weeknd? You in to Frank Ocean? If you are a sentient being under the age of 39, I’m assuming the answer to both questions is yes. You should meet Jesse Boykins III. I think you guys will get along great. The Chicago-cum-Brooklyn troubadour joins forces with Dutch down-tempo R&B producer Full Crate (see: his excellent work with fellow Oranjeman, Mar) for a swoon inducing two song set. Boykins’ emotive falsetto is  reminiscent of British singer Sampha and is a perfect match for Crate’s dreamy, suffocating synths. Both are simply too talented to be toiling under the radar for much longer, but even if the mainstream never wakes up, you feel pretty confident that both parties will continue cranking out progressive, fascinating baby makin’ music. Exquisite.

[soundcloud url=”http://api.soundcloud.com/tracks/42995426″ iframe=”true” /]

[soundcloud url=”http://api.soundcloud.com/tracks/42995261″ iframe=”true” /]

Hot Jam of the Day (04.19.12): Jessie Ware, “110%”

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Jessie Ware
“100%”

This alluring, soulful South London native wriggled her way into my earbuds early last year via her collaboration with SBTRKT mouthpiece Sampha, the devastating “Valentine’s Day.” Though she hasn’t yet achieved the stateside notoriety that Sampha has, it became clear that she wasn’t a one-off when she released the impossibly sexy, simmering “Running,” a few months ago. Excellent as they both were, neither can touch this track. Ware’s effortlessly sexy, (dare I say?) Aaliyah-ish delivery is a perfect match for the beat’s spacey synths, busy hi hats, and screwed vocal sample. Ware has all the tools to be a big, huge, gigantic star, and if this and “Running” are anything to go by, her debut LP is going to be one to remember.

[soundcloud url=”http://api.soundcloud.com/tracks/42986441″ iframe=”true” /]

Also check out “Running”

[soundcloud url=”http://api.soundcloud.com/tracks/36508318″ iframe=”true” /]

Hot Jam of the Day (04.17.12): Beach House, “Lazuli”

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Beach House
“Lazuli”
Bloom (Sub Pop)

I’ve been trying to hold off on listening to this album before its release date, but each new song is making that harder and harder to do. As impossible as topping their perfect-in-every-way 2010 LP Teen Dream seemed two months ago, judging by its two pre-release singles — this and the stunning “Myth” — it now seems impossible that Bloom is going to be anything other than an absolute classic. The thing that has stood out most about the two tracks is Victoria Legrand’s progression as a vocalist. She was always a dreamy powerhouse, but she has just continued to get better and better and now has to be considered one of the most important of modern music. I’m already looking forward to talking myself into paying some rando from Craigslist $75 for a ticket to their inevitably sold-out summer 2012 tour.

 

And just cause it’s great, here the incredible first single from Bloom, “Myth.”
[soundcloud url=”http://api.soundcloud.com/tracks/39109061″ iframe=”true” /]

Hot Jam of the Day (04.16.12): Disclosure, “Boiling” (f/ Sinead Harnett)

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Disclosure
“Boiling” (f/ Sinead Harnett)
The Face EP (Greco-Roman)

After a run of successful singles, the fraternal post-dubstep duo of Guy and Howard Lawrence has finally prepared a full meal for us to sink our teeth into. The South London duo’s debut EP drops on June 4th on the label of burgeoning Berlin/London forward-thinking dance collective Greco-Roman. It’s led by this airy, surprisingly vocal-rich single that sounds a little bit like Burial remixing a particularly moody Araabmuzik track on a heavy dose of demerol. Like their influences (the aforementioned Burial, Mount Kimbie, early James Blake), the brothers have an impressive sense of sonic space and geometry, resulting in the kind of sparsly engulfing tracks that have allowed the uniquely British sound to resonate in car stereos and dancefloors around the world. Easily one of my most anticipated debuts of the year.

[soundcloud url=”http://soundcloud.com/disclosuremusic/boiling-feat-sinead-harnett”]

Hot Jam of the Day (04.13.12): Black Vanilla, “Woman on Woman”

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Black Vanilla
“Woman on Woman”
Unreleased

Here’s what we know about Black Vanilla.

1. It’s more than one guy, and one of those guys is definitely the guy behind shadowy, R&B outfit Guerre.

2. This Black Vanilla is not this Black Vanilla.

3. They are from somewhere in Australia.

4. They released one of the sexiest weirdo R&B singles of recent times.

That is all that is known about Black Vanilla.

Woman on Woman

Hot Jam of the Day (04.12.12): Sean Blackthorn, “[One] Night”

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Sean Blackthorn
“[One] Night”

The man behind one of my favorite tracks of 2012 — the sparse, emotive “The Spirits” — is back with yet another sparse, stunning slow jam. When (not if) he blows up, he’ll inevitably be lumped in with progressive, bedroom R&B troubadours like the Weeknd, Frank Ocean, and to a lesser extent, How To Dress Well. While this is excellent company to be in, in Blackthorn’s limited work so far he has brought his own distinctive sound to the genre. It’s unclear what instruments he is playing (if any), but his work has a very live feel to it, while acts like the Weeknd and Frank Ocean feel very much like studio creations. Think of him as a sort of Maxwell to the Weeknd’s R. Kelly (stylistically, not sonically). Either way, “[One] Night” is another extremely powerful, soulful track from this young Canadian who looks set to have an incredible future ahead of him. I can’t wait to see where it goes.

Hot Jam of the Day (04.11.12): Yuck, “Chew”

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Yuck
“Chew”
Single (Fat Possum)

The 75% British, 25% American quartet’s self-titled debut was one of the best of last year. Though the group wore (and still wears) its influences — Sonic Youth, Dinosaur Jr., Smashing Pumpkins — prominently on the tattered sleeve of its cardigan, the group burrowed out their own sound, thanks mostly to their excellent songwriting. The disc is chock-full of mature, fuzzy guitar pop with undeniable hooks. Songwriters Daniel Blumberg and Max Bloom aimed for my fifth grade heart and scored a direct hit. “Chew” is a slightly noisier take on more of the same, and anybody who loves 90’s alt rock should really sit up and take notice.

[soundcloud url=”http://api.soundcloud.com/tracks/42838337″ iframe=”true” /]

Hot Jam of the Day (04.10.12): Lost in the Trees, “Golden Eyelids”

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Lost in the Trees
“Golden Eyelids”
A Church That Fits Our Needs (-ANTI, 2012)

Sometimes an album comes around that is just really fucking beautiful. It may not be particularly original or speak to you on a deeper level, but it is just really aesthetically pleasing. The sophomore LP from North Carolina’s foremost freak folk collective, Lost in the Trees, is just this sort of album. Blending backwoods-style nylon stringed guitars, lush strings, jangly percussion, and soaring vocal harmonies, Lost in the Trees would be the perfect sunny house band should Sufjan Stevens ever decide to start his own hippy commune (potential name: The Joy Ecstatic).

[soundcloud url=”http://api.soundcloud.com/tracks/37504596″ iframe=”true” /]

Watch the Video after the Jump.

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Hot Jam of the Day (04.09.12): Waka Flocka Flame, “I Don’t Really Care” (f/ Trey Songz)

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Waka Flocka Flame
“I Don’t Really Care”
Triple F Life: Friends, Fans, And Family

Waka Flocka Flame is the Tyson Chandler of hip-hop. Though both have recently attained superstar status, neither have changed their game at all and are more than happy to put on their hard hats and bang bodies down low. Even when he’s greeted with a radio-friendly club track like this (or 2010’s immortal “No Hands”), the young ATLien just can’t stop himself from going hard in the paint. That’s what makes this collaboration with Trey Songz — the NBA’s Ray Allen (all finesse, great teammate/set-up man, not quite good enough to win a title on his own) — so fulfilling. Waka’s lunchpail flow is a perfect foil to Songz’s sweet stroke, giving the crooner plenty of space to get his shine while holding it all together with two of his trademark, HAM verses. The result is a track that is smooth enough for the radio and hard enough for his core fans.

[soundcloud url=”http://api.soundcloud.com/tracks/39156813″ iframe=”true” /]