Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Wild Pink, "Mount Erie"


Wild Pink “Lake Erie” Yolk in the Fur (out now on Tiny Engines) Though I’m about six months late to the NYC trio’s outstanding second LP, I’m extremely glad that I finally found it. While their AM Radio sound has been relentlessly compared to War on Drugs, frontman John Ross is such Read more

Mitski, "Two Slow Dancers"


Mitski "Two Slow Dancers" Be The Cowboy (out 08.17 on Matador) Every slow dance with someone you care about feels like a moment suspended in time. I mean, that's the point, right? Your hands are tied, your bodies are connected, and even your gaze is limited. Mitski, the fantastic New York songwriter, Read more

Future, "Hate the Real Me"


Future "Hate the Real Me" Beastmode 2 (out now on Epic) The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015's legendary "Beast Mode" tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over Read more

Warren Wolfe, “Careful U”

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Warren Wolfe
“Careful U”
Digital Single
Released as an unfinished demo on SoundCloud, “Careful U” is my favorite thing the rising Brooklyn singer-songwriter has put out yet. Though he’s best known for his gorgeous, aching falsetto, he dials back the vocals here, using his angelic voice as hypnotic window dressing rather than the main focus. The result is a swirling slice of dark-wave that wouldn’t sound out of place on a packed dance-floor. Whether it’s a one-off or a sign of a stylistic pivot to come, it’s an encouraging sign that Wolfe won’t be tied down to one particular sound.

Clara La San, “Unplanned”

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claralasan-1Clara La San
“Unplanned”

Good Mourning (out now on OCLONES)
I’m not proud of it, but somehow I completely missed the UK singer’s long-awaited debut mixtape when it dropped back in late November. So to make up for that oversight, I wanted to write about one of my favorite tracks on it — this emotional ode to mixing things up in a relationship. “Unplanned” highlights La San’s soft, evocative vocals and subtle songwriting, which are in abundance all over the exquisite, “Good Mourning.”

Images & Words: Mabel x Not3s, “Fine Line”

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Screen Shot 2018-01-31 at 12.01.22 PMMabel x Not3s
“Fine Line”

Digital Single
Mabel and Not3s both appeared on my “Best Songs of 2017” list as solo artists, so it’s not surprising that their second single together is an absolute heater. “Fine Line” has more crossover potential than anything either artist has released before, bringing an anthemic, radio-ready chorus to go with their signature, lithe, Afropop and R&B infused sound. Though Not3s is a rising star in his own right, Mabel sounds incredible here, and it’s starting to feel like she’s the next UK artist who will make true waves in the American pop landscape. Probably my favorite song of this young year.

Images & Words: George Fitzgerald & Lil Silva, “Roll Back”

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Screen Shot 2018-01-30 at 12.40.26 PMGeorge Fitzgerald & Lil Silva
“Roll Back”

All That Must Be (out in March on Domino)
Though it got roasted by the ever-reliable FACT, I’m not mad about this cinematic slow-burner. Built around Silva’s swelling, arpeggiated synths, which wouldn’t sound out of place in an 80’s sci-fi flick, “Roll Back” is dripping with the kind of sweet nostalgia that always seems to get under my skin. Fitzgerald’s vocals are a bit tinny, but they aren’t the main focus here and don’t submarine the well-crafted arrangement.

Chromeo, “Bedroom Calling” (f/ The-Dream)

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chromeo-color-1200x520Chromeo
“Bedroom Calling” (f/ The-Dream)
Head Over Heels (out soon on Atlantic)

It’s fitting that this track dropped the day after Bruno Mars swept the Grammys, because it wouldn’t have sounded out of place on “24K Magic.” To my ears, Chromeo has always been held back by the lack of a powerful, charismatic vocalist like Bruno, which would bring a human touch to their slick robo-pop. Luckily for us, the Canadian duo outsourced the vocals here, and King Terius delivers, coming through with a vintage, buoyant performance.

Images & Words: 03 Greedo, “Never Bend”

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https_cdn.evbuc.comimages354975762160791799801originalO3 Greedo
“Never Bend”

Money Changes Everything (out now on Golden Grenade Empire)
Not gonna lie, I slept on 03 Greedo last year, but I’m not going to make the same mistake twice. The Watts rapper is one of the most unique, exciting new voices rising today, pairing soulful crooning and sticky bars for a sound that is as bluesy as it is joyous. My favorite track, “Never Bend,” is a perfect example of that dichotomy, as Greedo revels in his resilience without running away from the pain that revealed it. One of the most exciting young artists around.

Mt. Si, “911”

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0006957000_10Mt. Si
“911”

911 (out 02.16 on Cascine)
Any project that features Kisses frontman Jesse Kivel and Michael David from Classixx is going to be smooth as all hell. Throw in the angelic vocals of Superhumanoids’ Sarah Chernoff, and you might as well just close your eyes and melt into your sonic beachside chaise lounge. New single, “911,” features remarkably deep and lush synths, which belie Chernoff’s lyrics which touch on anxiety in the digital age.

CFCF, “Self Service”

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cfcf_051614CFCF
“Self Service”

Self Service EP
Though much of Mike Silver’s work is quiet and piano-based, he’s always had a few house bangers in his locker, and new single “Self Service” is aimed straight at the dance floor. For six buoyant minutes, the cut bubbles and bobs along the surface with warm keys, a steady backbeat, and some well-played “oooh’s.”

Daniel Avery, “Slow Fade”

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Daniel Avery
“Slow Fade”

Slow Fade (out now on Phantasy Sound)
It’s been more than four years since the Bournemouth native dropped his gorgeous, dark techno debut LP, “Drone Logic,” but he’s finally back with a new EP that is sure to be a delight. Lead single, “Slow Fade,” is just the kind of sublime track that Avery made his name off. Built around aqueous synths and a low-key backbeat, it builds slowly before subtly resolving to engulfing climax. I can’t wait to dig deeper into this project.

Troye Sivan, “The Good Side”

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troye-sivanTroye Sivan
“The Good Side”

Digital Single
On his quietly excellent, autobiographical debut “Blue Neighborhood,” the Aussie made the jump from YouTube star to budding pop-star. The disc was an intimate look at first love — from the intoxicating early days to that unique brand of teenage heartbreak that sets in when it’s over. Though the record shot Sivan’s career into the stratosphere, what became of the man who inspired it?

“The Good Side” is Sivan’s attempt to reach back out to his first love and thank him for the part he played in Sivan’s life and recent success. No doubt, it’s an awkward situation, but the 22 year-old handles it with tenderness and grace, apologizing for the way he capitalized on their relationship without talking down to him. I’d imagine some will find this condescending, which is understandable. But to me, it’s a sincere attempt to reconcile that tricky moment when one’s art mirrors the difficult parts of life.