Hot Jam of the Day: T-Pain, "Textin' My Ex" (f/ Tiffany Evans)


T-Pain “Textin’ My Ex” (f/ Tiffany Evans) Oblivion Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a Read more

Images & Words: SOPHIE, "It's Okay To Cry"


SOPHIE "It's Okay to Cry" Digital Single Every once in a while, somebody puts out something that takes your breath away. "It's Okay to Cry" is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is Read more

Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz chords Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Images & Words: Stormzy, "4PM in London"


Stormzy "4PM in London" Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous "4PM in London" was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy's got the rare ability to Read more

Hot Jam of the Day: How to Dress Well, “Strong Enuff”

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Screen Shot 2017-04-24 at 5.13.02 PMHow to Dress Well
“Strong Enuff”

Our First 100 Days (for Stereogum)
To this day, there’s still nothing that sounds like Tom Krell’s early, pre-Love Remains work. And though his development has been extremely impressive, it’s nice to hear him lurking back in those sonic swamps on this gorgeous Sheryl Crow cover. Krell has always been a wizard at reinterpreting pop songs and dragging them to unexpected emotional places. “Strong Enuff” is another example of this, fitting in well with other magical versions of R. Kelly’s “I Wish,” Janet’s “Again,” and Smog’s “Teenage Spaceship,” among others.

Hot Jam of the Day: War on Drugs, “Thinking of a Place”

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Screen Shot 2017-04-21 at 7.39.30 PMWar on Drugs
“Thinking of a Place”
Digital Single
“Thinking of a Place” is first new piece of original music from the Philly group since Lost in the Dream — one of the best albums of 2014. And, my god, was it worth the wait. An expansive and beautiful mid-tempo ballad, it features some of Adam Granduciel’s richest and most melodic songwriting.

Over windswept acoustic strums and a restorative lead riff, Granduciel yearns for a fading connection with an affecting restlessness and melancholy. You can feel him reaching for something that he can’t quite grab and trying to find his way back to a place that doesn’t exist anymore. Most rock songs have no right to go on for 11 minutes, but this one could go on for twice as long. Just stunning.

The War On Drugs – Thinking Of A Place from Record Store Day on Vimeo.

Stream This Shit: Kara-Lis Coverdale, Grafts

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Screen Shot 2017-04-21 at 3.07.11 PMKara-Lis Coverdale
Grafts
Boomkat
Rejoice! The ever-reliable Montreal musician dropped a characteristically contemplative surprise album yesterday. Across three aqueous tracks, Coverdale blends soothing synth drones with splotches of piano, which forms a masterful mood that ebbs and swells for 22 gorgeous minutes.

Hot Jam of the Day: Julianna Barwick, “Wade In”

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new-web-juliannabarwick_0Julianna Barwick
“Wade In”
Our First 100 Days (for Stereogum)
Though Julianna Barwick’s music tends to glide ethereally above the clouds, this cut feels grounded, anchored down tightly and rooted in concrete. It isn’t surprising that she wrote a song like this for a compilation about the president. And it’s easy to imagine her sitting at her piano, shaken but not defeated. Though “Wade In” is heavy and doleful, there’s still hope and beauty seeping through the cracks. As there always is.

Hot Jam of the Day: Playboi Carti, “Magnolia”

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Screen Shot 2017-04-20 at 11.47.07 AMPlayboi Carti
“Magnolia”
Playboi Carti (Interscope)
It’s mid-April. The weather’s warming up. And it’s about that time we start thinking about songs of the summer. “Magnolia” — the best moment from the 21-year old rising star’s debut LP — is an early candidate for the crown. For three exhilarating minutes, Carti rides a magical wave of delayed synths, provided by the previously unknown Pierre Bourne. What he lacks as a lyricist, Carti makes up for in raw charisma, dropping a handful of quotable bars that I’m looking forward to hearing blasting out of windows all summer long.

The Round-Up: The Best Songs of the First Quarter

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It’s insane that 2017 is already one quarter over, but it’s been a tremendous three months of music. Here are a few of the best tracks I’ve heard this yera. For both of our sakes, I’m going to (try to) keep my write-ups Tweet length (LOL).

Screen Shot 2017-04-14 at 11.27.55 AMStormzy
“100 Bags”
Gang Signs & Prayer (#Merky)
“Dear Mama” for the year 2017, “100 Bags” is a rare beacon of unobstructed light in these turbulent times. The Londoner makes the song cry for four breathtaking minutes, sharing the boundless, genuine love he has for his Mumzy. “Take a selfie, show ’em how you look mum. Flex on ’em, let ’em know that we’re good mum” is easily my favorite line of the year and makes you root so hard for both of them.

Frank Ocean
“Chanel”
Digital Single
In a world increasingly obsessed with living in black and white, ambiguity is rarer and more important than ever. On “Chanel,” Frank refuses to adhere to anybody’s labels or expectations, gleefully weaving together macho flexes, references to gay sex, drug talk, and ernest affirmations of love without breaking a sweat. It’s subtle but unflinching, inviting listeners to dig a little deeper and not turn away from the grey areas that color all of our lives.

OMB Peezy
“Lay Down”

Digital Single
Born in Alabama but based in Northern California, OMB Peezy takes cues from both regions to cook up a hell of a stew. “Lay Down” matches Bay Area slap with a Southern drawl for a throwback sound that is also purely modern.

Jens Lekman
“How Can I Tell Him”
Life Will See You Now (Secretly Canadian)
The Swede’s gorgeous fourth LP is full of affecting storytelling, but nothing hits quite as close to home as his struggle to reconcile his love for a friend with outdated, damaging notions of masculinity.

future-net-worth-getty_573x300Future
“Fresh Air”
HNDRXX (FreeBandz)
It came out in February, but “Fresh Air” is pure NYC summer. It’s a crackling anthem, built to bump out of cars, apartments, and sweaty ass clubs. God knows we need as many of those as we can get.


MoStack
“Let It Ring”
Digital Single
The next name to know in the popping UK rap scene. MoStack’s breakthrough single glides like a summer breeze, bridging Afrobeats, dancehall, and the North London sound with ease.

RunTown
“Mad Over You”
Digital Single
As African influence spreads across the music world, don’t forget to check out the source. The 27 year-old Nigerian’s gorgeous, sashaying love song has a palpable warmth that is hard to find in modern music.

J Hus 
“Did You See”
Common Sense (out 05.12)
He kept it low-key last year, but the Londoner is primed to drop his proper debut (even though, oh my god, download The 15th Day) and take over 2017. Already getting love on both sides of the Atlantic, his earworm flow and wavey melodies should be the sound of the summer.

Khalid
“American Teen”
American Teen (RCA)

While I’m not sure I love the record as much as many do, its lead single is a heavenly bit of nostalgic pop. The El Paso singer’s pristine vocal captures the freedom and fear of being young.

Don-E ft. Nado
“You Alright Yeah?”
Digital Single
Sunshine in a bottle, the anonymous Londoner’s first single features a nuclear hook that will dig its hook into your brain and leave you asking everyone you see, “You alright, yeah? How’s your mum? She good, yeah?” It just feels so goddamn good.

KWAYE
“Cool Kids”

Digital Single
The best debut pop single of the year, the London vocalist slides through an ultra-slinky, guitar-driven quiet storm, making a strong statement about acceptance in a truly stylish manner.

DaVido
“If”
Digital Single
Already a mega-star in Africa and Europe, the Nigerian vocalist looks poised to make the jump across the Atlantic. “If” is yet another example of the boundless joy his sound delivers.

Chief Keef
“Reload” Feat. Tadoe & Ballout
Digital Single
Though the blogosphere is mostly ignoring him these days, the 21 year-old continues to crank out esoteric, experimental work for his loyal army of fans. On “Reload,” Keef turns the trap house into a Super Mario Bros ghost house, riding triumphantly through dramatic, off-kilter church organs.

Dave
“Samantha” (f/ J Hus)
Digital Single
The rising Londoners link up for a gospel-tinged ballad that pairs Zeytoven-ish piano noodling with the duo’s trademark melodic vocals and personal bars. Though they seem like quite different characters, they sound perfect together.

Jacques Greene
“True” (f/ How to Dress Well)

Feel Infinite (out now)
The MTL producer’s debut LP is full of highlights, but nothing tops his reunion with longtime collaborator, Tom Krell. The Chicago vocalist sounds back to his best, floating over a slice of characteristically emotional house.

Sampha
(No One Knows Me) Like The Piano
Process (Young Turks)
The most aesthetically perfect song of 2017, this beautiful track is more than an homage to the first piano Sampha ever ran his fingers over; it’s a testament to the way that music can help you find your identity and figure out who you are.

Screen-Shot-2017-04-12-at-13.43.27-970x550Mr. Mitch
“VPN” (f/ Palmistry)

Devout (out 04.21 on Planet Mu)
While I remain undecided about dancehall tourist/weepy softboi, Palmistry, “VPN” is all about the glorious synth arrangement, courtesy of the always innovative Mr. Mitch. Devout is shaping up to be one of the albums of the year.

Ryan Adams
“Shiver and Shake”
Prisoner (PAX AM)
“Shiver and Shake” is the most powerful moment from his best record in more than a decade. Adams is at his lowest point, grappling to rebuild a life that heartbreak has reduced to rubble, as “Tunnel of Love” plays in the background.

Father John Misty
“Pure Comedy”
Pure Comedy (Sub Pop)
FJM is A LOT, and somehow the record is even more. But “Pure Comedy” is a powerful distallation of how sharp his pen can be and how strong his voice almost always is.

Jean-Michel Blais & CFCF
“In a Landscape – Rework”
Cascades (Arts & Crafts)
The two Montrealers’ collaborative EP is full of minimalistic, contemplative piano interplay. Their take on John Cage’s modal masterpiece reinterprets the cinematic splendor of the timeless original.

Phoebe Bridgers
“Smoke Signals”
Digital Single (Pax Am)
The rising LA folk singer’s breakthrough single captures the darkness and light of old Hollywood monster movies, telling a story that is both spooky and alluring.

Migos
“T-Shirt”
Culture (Quality Control)
The jewel of the standout commercial rap release of 2017, “T-Shirt” highlights the group’s unmatched lyrical interplay and Quavo’s underrated hook-writing chops.

AJ x Deno
“Ride or Die”
Digital Single
Like an increasing number of young artists, it all started for 14 year-old Londoner Deno Driz on Instagram. Unlike many others, his youthful, elastic tenor (think: early Chris Brown) works just as well in a real recording studio as it does on social media. A young star in the making.

The XX
“Replica”
I See You (Young Turks)
In recent interviews, bassist/vocalist Oliver Sim has bravely disclosed his struggles with hereditary alcoholism. And he sums it up beautifully on this heartrending track, asking “do I chase the night or does the night chase me?”

grouper-ws-710-385Grouper
“I’m Clean Now”
Paradise Valley (YELLOWELECTRIC)
At the end of one of the most chaotic years in recent history, the angel Liz Harris came down from on high to bless us with one of the most peaceful, soothing songs of her career. If only 2017 sounded like this.

Calvin Harris
“Slide” (f/ Frank Ocean, Migos)
Digital Single
The Scot’s first two albums are two of my guiltiest pleasures, so I can’t say “Slide” is a total surprise. That said, I did not see Harris being the man behind one of the strongest pop tracks of the year so far.

RaeLynn
“Love Triangle”

WildHorse
T. Swift probably isn’t ever coming back to Nashville, but there’s a ton of talented young singers who are here to fill that void. The 22 year-old’s debut LP is full of polished, sharp songwriting like this windswept, heartfelt ballad about divorce.

SahBabii
“Pull up with ah Stick” (f/ Loso Loaded)
Digital Single
One of the stickiest, sweetest melodies of the year, the Atlanta native’s breakout single is yet another example of the positive way Young Thug has impacted the sound of the city’s young creators.

(Sandy) Alex G
“Bobby”
Rocket (out 05.19 on Domino)
I’ve never really been an Alex G guy, but his recent pivot toward a dustier, less noisy sound has worked a treat for me. “Bobby” is a cutting look at the way neuroses can keep people from the ones they love.

SamHuntSam Hunt
“Drinkin’ Too Much”

Digital Single
“Marvin’s Room” with a twang. I don’t know exactly what the former quarterback/current fuckboi is up to here, but it certainly sounds like nothing else coming out of Nashville.

Images & Words: Nite Jewel, “The Answer”

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nite-jewel-nathanael-turner-the-hundredsNite Jewel
“The Answer”

Real High (out 05.05 on Gloriette)
Despite releasing a pair of interesting albums just last year, longtime TP fave Ramona “Nite Jewel” Gonzalez is gracing us with another project in May. Though the disc’s second pre-release track, “The Answer,” is the kind of glossy, dreamy pop that she’s cranked out for years, it’s far from a retread. And it’s fantastic to listen to an artist who has stayed true to an aesthetic, while constantly developing her sound and songwriting chops.

Hot Jam of the Day: Mount Kimbie, “We Go Home Together” (f/ James Blake)

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Screen Shot 2017-04-03 at 1.50.13 PMMount Kimbie
“We Go Home Together” (f/ James Blake)
Digital Single
It’s been nearly five years. But the highly influential Londoners are back with their ol’ pal James, and they brought a gorgeous, organ-kissed love song with them. Though it doesn’t feature their signature, innovative percussion, it boasts one of the duo’s strongest ever melodies. And Blake sounds revitalized here, pushing his tenor into its upper register and pulling all of the emotion out of it. Hopefully, a third LP beckons.

Images & Words: KWAYE, “Cool Kids”

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Screen Shot 2017-03-31 at 12.12.32 PMKWAYE
“Cool Kids”
Digital Single
The clip for the 22 year-old Londoner’s lead single is the rare example of a video that captures and enhances exactly what is special about a track. “Cool Kids” is an addictive, airy slice of pop that is inspired by the 80s but still feels ultra-modern. Director Billy Boyd Cape turns London tower blocks into moving art pieces, gliding around kids as their feet glide beautifully across the concrete. One of the most striking debuts of the year.

Images & Words: Teengirl Fantasy, “Seeds” (f/ Khalif Jones)

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teengirl-fantasy-music-to-search-to-1415975295-840x472Teengirl Fantasy
“Seeds” (f/ Khalif Jones)

8AM (out now on Planet Mu)
On the standout from their third LP, the Brooklyn electronic duo links up with Khalif Jones (aka Le1f) for a gorgeous, seductive ode to the end of the night. Though they rarely collaborate with vocalists, nearly all of their best tracks feature them, and “Seeds” is no exception. Producers Logan Takashi and Nick Weiss give Jones a deep, sparse arrangement to play with. And though he is known for his up-tempo bars, Jones changes gears and takes on an alluring, slow-winding croon that guides us from the club back to the bedroom.