Tierra Whack, "Only Child"


Tierra Whack "Only Child" Digital Single Tierra Whack's 2018 debut "Whack World" was one of the most promising debut albums I've heard in a very long time. However, I found it super hard to write about (and ultimately, fall in love with), because of her decision to chop all the tracks off Read more

CFCF, "Closed Space"


CFCF "Closed Space" Liquid Colours (out 03.01) Though I haven't listened to it as much as his ree-fucking-dick-u-lus J.Lo remix (aka: the best song of 2019 so far), the first single from Montreal mainstay Michael Silver's new album is an instant keeper. It kicks off with luxurious beds of neo-geo synths that Read more

Sade, "The Big Unknown"


Sade "The Big Unknown" Windows Soundtrack (out now on Sony) Though she's only a few months shy of her 60th birthday, Helen Folasade Adu remains a force like nobody else. On the stunning "The Big Unknown," Sade proves that her quiet storm is still a Category 5, as she glides effortlessly over oceanic, Read more

Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Wild Pink, “Mount Erie”

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Wild Pink
“Lake Erie”
Yolk in the Fur (out now on Tiny Engines)
Though I’m about six months late to the NYC trio’s outstanding second LP, I’m extremely glad that I finally found it. While their AM Radio sound has been relentlessly compared to War on Drugs, frontman John Ross is such a more emotionally direct songwriter than Adam Granduciel. And his illustrative lyrics are a beautiful foil for their windswept, expansive guitar rock.

“Lake Eerie” is a potent example of just how good Wild Pink is when both elements of their sound are hitting on all cylinders. The first thing you notice is the gorgeous, reverb-soaked arrangement — the kind of thing that just screams “open road, windows down.” But after a few spins, Ross’ lyrics start to dig in. A coming of age story, the New Yorker considers the journey we all take from adolescence to adulthood and why we never really change.

The 1975, “TooTimeTooTimeTooTime”

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The 1975
“TooTimeTooTimeTooTime”
A Brief Inquiry into Online Relationships (out in October on Dirty Hit)
Though it lacks the drama of the stunning “Love It If We Made It” and the bite of “Give Yourself a Try,” the 1975’s weightless new single showcases the playful side that has been one of their core elements since the beginning. Slathered in auto-tune, frontman Matty Healy blithely details the games that we play in the early days of a relationship. The new record is meant to be all about modern romance, and this one is as relatable as they come.

Images & Words: City Girls, “Period (We Live)”

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City Girls
“Period (We Live)”

Period (out now on QC)
Though JT, one half of the exciting Miami duo, is behind bars on a minor fraud charge, City Girls aren’t planning on slowing down. This week, they dropped a video for the drumline-driven title track from their incredible debut. The clip highlights the rich South Florida culture that they represent and highlights the effortless charisma and endless bars that make them a good bet to outlast JT’s legal setback.

Mitski, “Two Slow Dancers”

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Mitski
“Two Slow Dancers”

Be The Cowboy (out 08.17 on Matador)
Every slow dance with someone you care about feels like a moment suspended in time. I mean, that’s the point, right? Your hands are tied, your bodies are connected, and even your gaze is limited. Mitski, the fantastic New York songwriter, captures the transportive moment of a last dance — the way it can silence even life’s cruelest realities for a few minutes. An absolutely magical ballad.

Images & Words: Ruston Kelly, “Faceplant”

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Ruston Kelly
“Faceplant”

Dying Star (out 09.07 Rounder)
If you’re like me and have a soft spot for early Ryan Adams (specifically, Whiskeytown), Ruston Kelly’s sadsack alt-country will locate it and stick its talons straight through it. “Faceplant,” the fourth single off his second big project, is an honest, unflinching look at a time in his life where he was getting fucked up and fucking up, delivered through dusty, languid acoustic guitars. Though it’s far from a new sound, Kelly is a quality storyteller and songwriter and has a rich, affecting voice.

Future: “Translator”

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Future
“Translator”

Digital Single
Fresh off one of his best projects, Fewtch is keeping the momentum going with a pair of tasty loose singles. Though “Scammalot” is a solid schemer’s anthem, the ultra-smooth “Translator” is the pick. The delirious vocal melodies recall a few of his classics — “Neva End” and “Magic” —  and this cut doesn’t nothing to dampen the feeling that the big man is well and truly back.

Images & Words: DJ Khaled, “No Brainer” (f/ Justin Bieber, Quavo, Chance the Rapper)

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DJ Khaled
“No Brainer” (f/ Justin Bieber, Quavo, Chance the Rapper)
Father of Asahd (out in 2018 on Epic)
Though the perennial Dad of the Year’s new star-studded single has been panned by some joyless outlets, “No Brainer” is the exact kind of breezy, summer blockbuster that Khaled and co. are so apt at cranking out. The Michael Bay of music, Khaled’s not going to be winning any gold statuettes with this one, but his A-list cast comes through with solid performances and enough easy charisma to keep his worldwide audience hooked. He really is THE BEST (at what he does).

Images & Words: Foxing, “Nearer My God”

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Foxing
“Nearer My God”

Nearer My God (out 08.10 on Triple Crown)
Though the St. Louis quartet has never hid their sonic ambitions, it feels like they’re REALLY shooting for the stars on their hyped third LP. First single, “Slapstick,” hinted at that, but the disc’s title track really underlines their widescreen ambitions. Vocalist Conor Murphy puts forth a sky-scraping vocal performance here, stretching his pained tenor right along with the ecstatic arrangement which wouldn’t sound out of place on an m83 record.

Images & Words: Blood Orange, “Jewelry” & “Charcoal Baby”

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Blood Orange
“Jewelry” / “Charcoal Baby”

Negro Swan (out 08.24 on Domino)
Devonté Hynes returns with the first two tracks from his upcoming fourth LP as Blood Orange. Both tracks are affecting slices of the unique sound that he’s crafted, which features pieces of soul, R&B, indie rock, jazz, and pop. Though I’m trying not to get too carried away at this stage, both tracks feel important and could be big pieces of a truly special collection.

Images & Words: Tyler, The Creator x A$AP Rocky, “Potato Salad”

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Tyler, The Creator x A$AP Rocky
“Potato Salad”
Digital Single
This super easy new single reminds me of two of my favorite videos: Odd Future’s freewheeling “Oldie” and A$AP Mob’s Pitchfork freestyle. Though both guys are capable of crafting thought-provoking music (especially, Tyler), they are both so potent when they’re having fun on toss-off tracks like this. I’d love to hear an entire project with the two of them going bar for bar.