Wet, "There's A Reason"

Wet “There’s a Reason” Digital Single I’ve gone back and forth about the subtle stylistic shift that the Brooklyn group has made on their first single as a duo. After enjoying widespread acclaim early in their career, their debut LP was met with tepid reviews, which mostly complained about their dogged commitment Read more

The Round-Up: The Best Tracks of January and February

I've been a little slow to get cranked back up in 2018, but I quickly realized that a shitload of great music has dropped in January and February. Here's a quick wrap-up of a few of my favorites. Bad Gyal “Internationally” Worldwide Angel (out now on Puro) It sounds hyperbolic, but Read more

Grouper, "Parking Lot"

Grouper "Parking Lot" Grid of Points (out 04.27 on Kranky) Every time Liz Harris drops a new track, it's up to us to savor it and appreciate it for the little miracle that it is. It may sound like hyperbole, but everything she's put our since her wonderfully shut-in 2007 LP Cover the Read more

Swae Lee, "Hurt To Look" (f/ Rae Sremmurd)

Swae Lee "Hurt To Look" Swaecation (out soon on Ear Drummers) Sremm Season is rapidly approaching, and on Wednesday, the venerable Mississippi brothers treated us to the first three tasters from their upcoming triple disc. Each of the three deserve some shine. "Powerglide" is the kind of airy, hyperactive banger that they Read more

Kacey Musgraves, "Space Cowboy"

Kacey Musgraves “Space Cowboy” Golden Hour (out 03.30 on UMG) Very few country artists can crush my heart like the 29 year-old Texan. Whether it’s the swooning, wedding-worthy, “Late To The Party” (one of my Top 5 Songs of 2015) or the heartfelt, sad-sack tale about small-town life “Merry Go ‘Round,” Read more

Images & Words: Mabel x Not3s, “Fine Line”

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Screen Shot 2018-01-31 at 12.01.22 PMMabel x Not3s
“Fine Line”

Digital Single
Mabel and Not3s both appeared on my “Best Songs of 2017” list as solo artists, so it’s not surprising that their second single together is an absolute heater. “Fine Line” has more crossover potential than anything either artist has released before, bringing an anthemic, radio-ready chorus to go with their signature, lithe, Afropop and R&B infused sound. Though Not3s is a rising star in his own right, Mabel sounds incredible here, and it’s starting to feel like she’s the next UK artist who will make true waves in the American pop landscape. Probably my favorite song of this young year.

Images & Words: George Fitzgerald & Lil Silva, “Roll Back”

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Screen Shot 2018-01-30 at 12.40.26 PMGeorge Fitzgerald & Lil Silva
“Roll Back”

All That Must Be (out in March on Domino)
Though it got roasted by the ever-reliable FACT, I’m not mad about this cinematic slow-burner. Built around Silva’s swelling, arpeggiated synths, which wouldn’t sound out of place in an 80’s sci-fi flick, “Roll Back” is dripping with the kind of sweet nostalgia that always seems to get under my skin. Fitzgerald’s vocals are a bit tinny, but they aren’t the main focus here and don’t submarine the well-crafted arrangement.

Chromeo, “Bedroom Calling” (f/ The-Dream)

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“Bedroom Calling” (f/ The-Dream)
Head Over Heels (out soon on Atlantic)

It’s fitting that this track dropped the day after Bruno Mars swept the Grammys, because it wouldn’t have sounded out of place on “24K Magic.” To my ears, Chromeo has always been held back by the lack of a powerful, charismatic vocalist like Bruno, which would bring a human touch to their slick robo-pop. Luckily for us, the Canadian duo outsourced the vocals here, and King Terius delivers, coming through with a vintage, buoyant performance.

Images & Words: 03 Greedo, “Never Bend”

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https_cdn.evbuc.comimages354975762160791799801originalO3 Greedo
“Never Bend”

Money Changes Everything (out now on Golden Grenade Empire)
Not gonna lie, I slept on 03 Greedo last year, but I’m not going to make the same mistake twice. The Watts rapper is one of the most unique, exciting new voices rising today, pairing soulful crooning and sticky bars for a sound that is as bluesy as it is joyous. My favorite track, “Never Bend,” is a perfect example of that dichotomy, as Greedo revels in his resilience without running away from the pain that revealed it. One of the most exciting young artists around.

Mt. Si, “911”

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0006957000_10Mt. Si

911 (out 02.16 on Cascine)
Any project that features Kisses frontman Jesse Kivel and Michael David from Classixx is going to be smooth as all hell. Throw in the angelic vocals of Superhumanoids’ Sarah Chernoff, and you might as well just close your eyes and melt into your sonic beachside chaise lounge. New single, “911,” features remarkably deep and lush synths, which belie Chernoff’s lyrics which touch on anxiety in the digital age.

CFCF, “Self Service”

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“Self Service”

Self Service EP
Though much of Mike Silver’s work is quiet and piano-based, he’s always had a few house bangers in his locker, and new single “Self Service” is aimed straight at the dance floor. For six buoyant minutes, the cut bubbles and bobs along the surface with warm keys, a steady backbeat, and some well-played “oooh’s.”

Daniel Avery, “Slow Fade”

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Daniel Avery
“Slow Fade”

Slow Fade (out now on Phantasy Sound)
It’s been more than four years since the Bournemouth native dropped his gorgeous, dark techno debut LP, “Drone Logic,” but he’s finally back with a new EP that is sure to be a delight. Lead single, “Slow Fade,” is just the kind of sublime track that Avery made his name off. Built around aqueous synths and a low-key backbeat, it builds slowly before subtly resolving to engulfing climax. I can’t wait to dig deeper into this project.

Troye Sivan, “The Good Side”

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troye-sivanTroye Sivan
“The Good Side”

Digital Single
On his quietly excellent, autobiographical debut “Blue Neighborhood,” the Aussie made the jump from YouTube star to budding pop-star. The disc was an intimate look at first love — from the intoxicating early days to that unique brand of teenage heartbreak that sets in when it’s over. Though the record shot Sivan’s career into the stratosphere, what became of the man who inspired it?

“The Good Side” is Sivan’s attempt to reach back out to his first love and thank him for the part he played in Sivan’s life and recent success. No doubt, it’s an awkward situation, but the 22 year-old handles it with tenderness and grace, apologizing for the way he capitalized on their relationship without talking down to him. I’d imagine some will find this condescending, which is understandable. But to me, it’s a sincere attempt to reconcile that tricky moment when one’s art mirrors the difficult parts of life.

Mount Eerie, “Distortion”

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29-ogMount Eerie
Now Only (out 03.16 on P.W. Elverum & Sun)
Less than a year since his stunning LP, “A Crow Looked At Me” (my 3rd favorite album of 2017), Phil Elverum is back with another project. And if its rambling, powerful lead single is anything to go off, it is going to be a doozy. Over beautiful but messy beds of classical guitar, the 39 year-old touchingly sings about his late wife, fears about fatherhood, an early pregnancy scare, his great grandfather, and countless other subjects in between. Though some have compared it to Mark Kozelek’s stream-of-consciousness recent work, to my ears it is a totally unique sound that makes its 11-minute runtime feel like it’s over in a snap. I can’t wait to hear the rest of the this album.

Jorja Smith, “Let Me Down” (f/ Stormzy)

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Screen Shot 2018-01-12 at 11.02.27 AMJorja Smith
“Let Me Down” (f/ Stormzy)

Digital Single
Two of Britain’s biggest talents link up for a dramatic, yearning piano ballad. Though I’m never going to complain about a Stormzy verse, its the 20 year-old vocalist who is the star of the show, gliding dramatically over sedated, Adele-ish pianos. Smith wrote “Let Me Down” as her version of a Bond Theme, and my god, you can feel it. Her voice aches as she accepts her places as somebody else’s afterthought. It’s a heartbreaker, but it’s also triumphant.