Hot Jam of the Day: T-Pain, "Textin' My Ex" (f/ Tiffany Evans)


T-Pain “Textin’ My Ex” (f/ Tiffany Evans) Oblivion Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a Read more

Images & Words: SOPHIE, "It's Okay To Cry"


SOPHIE "It's Okay to Cry" Digital Single Every once in a while, somebody puts out something that takes your breath away. "It's Okay to Cry" is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is Read more

Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz chords Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Images & Words: Stormzy, "4PM in London"


Stormzy "4PM in London" Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous "4PM in London" was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy's got the rare ability to Read more

Columns

The Round-Up: The Best Albums of October 2017

Posted on by TP1.COM in Columns, The Round-Up | Comments Off on The Round-Up: The Best Albums of October 2017

Screen Shot 2017-11-12 at 5.34.52 PMKelela
Take Me Apart
Warp Records
The album I was most excited to hear this year, the 34 year-old’s Warp debut simultaneously delivered the goods and left me a little lukewarm. The more time I’ve spent with it, the more I realize that any disappointment I had was my fault, not hers.

“Take Me Apart” is unarguably excellent — a futuristic R&B odyssey that deftly amps up her pop ambitions without alienating the alternative club sound that made her so exciting in the first place. That said, after her stunning debut “Cut 4 Me” (my favorite mixtape of 2013) and TMA’s incredible first single, “LMK,” I was definitely guilty of overstanning and saddling the disc with unrealistic expectations. That said, the further I get away from the hype, the more I fall in love with this record. Get back to me in December.

Hottest Jams: “LMK” “Frontline”

Screen Shot 2017-10-20 at 2.28.31 PMGrizzle
Consort
Liminal Sounds
The most exciting instrumental grime debut since MssingNo’s classic 2013 EP, “Consort” is a delirious, 20 minute funhouse ride, dripping with adhesive melodies and pounding, nimble rhythms. Each track undulates gracefully in between movements, deftly building to monstrous crescendos that creep up behind you. Rising Tottenham MC ShaqyDread also comes through with a couple of tasty verses on “Sermon,” which proves that the Manchester producer’s stellar sound is just as potent with a vocalist in the mix.

Hottest Jams: “Consort” “Eleusis”


kelsea-ballerini-smile-press-2016-billboard-1548Kelsea Ballerini

Unapologetically
Black River
To my ears, the 24 year-old is the biggest young talent in country music. Preaching a bold, uncompromising message in a genre dogged by the Nashville scene’s misogynistic roots, “Unapologetically” gleefully shits on lame dudes (“Get Over Yourself,” “Miss Me More”) without letting them sabotage her joy (“Roses”) or stop her from telling her own, unique story (“In Between”). Easily one of the best country records of the year.

Hottest Jams: “Roses” “In Between”

Screen Shot 2017-11-12 at 5.45.59 PMJulien Baker
Turn Out The Lights
Matador
The 22 year-old’s long-awaited second LP lived up to every ounce of the hype. It is a gorgeous, heartbreaking collection of carefully-crafted, subtle indie folk. She sings about mental illness, heartbreak, and loss with a clarity and incisiveness that is truly rare. And though darkness is around every corner, she always manages to let just enough light in, often in the form of stunning, late-song climaxes. Just an incredible talent.

Hottest Jams: “Appointments” “Sour Breath”

offset-21-savage-metro-boomin21 Savage, Offset, Metro Boomin
Without Warning

Slaughter Gang
Instead of sitting back and riding the waves of their brilliant recent LPs, the Atlanta MCs got back at it and dropped a surprise project, guided by the steady hand of Metro Boomin. The 24 year-old’s skeletal style is the ideal canvas for the pair, and Offset’s nimble, loquacious flow is the perfect foil for 21’s minimalist raps.

Hottest Jams: “Ghostface Killers” (f/ Travis Scott) “Darth Vader”

Screen Shot 2017-11-12 at 5.52.37 PMThe Weather Station
The Weather Station

Paradise of Bachelors
When you think about folk music, what adjectives come to mind? Calming, windswept, pastoral, therapeutic. Tamara Lindeman brand of folk has traces of all those things, but it’s also much different. It’s fierce, rugged, and powerful — more Ani DiFranco than Cat Stevens. The Toronto native’s fantastic fourth album is the most impressive of her career, outfitting her gorgeous, warm vocals with an arsenal of sticky melodies, fingerpicked guitars, swelling strings, and thought provoking lyrics.

Hottest Jams: “Thirty” “Power”

Screen Shot 2017-11-12 at 5.54.03 PMSlaughter Beach, Dog
Birdie

Lame-O
Jake Ewald’s main band, Modern Baseball, has had a tumultuous 18 months, and you can hear it on his pleasant, soft solo album. An intoxicating brew of sweetness, sadness, and safety (think: coming home for summer from college), “Birdie” is built around Ewald’s kind, warm vocals and considerate songwriting. It’s the kind of record that is so relatable that it’s almost guaranteed to transport you back to some specific moment of your young life.

Hottest Jams: “Phoenix” “Acolyte”

Screen Shot 2017-11-12 at 5.58.39 PMKing Krule
The OOZ

True Panther
King Krule played two nights in Brooklyn last week, and secondary market tickets were going for about $400. That’s an insane price for a guy who is making legitimately fucking weird, genre-less music. The OOZ is easily his strangest project yet, pairing behind-the-beat jazz chords and lonely synths with howling vocals and lyrics so opaque it’s hard to tell whether they’re poetry or pure gibberish. Somehow, it all works, and the more time you spend with it, the easier it is to see what all the fuss is about.

Hottest Jams: “Logos” “Lonely Blue”

Screen Shot 2017-11-12 at 6.03.30 PMColleen
A flame my love, a frequency

Thrill Jockey
The specter of death looms large over the shapeshifting French composer’s excellent sixth album. She was in Paris on the night of the horrifying 2015 terror attacks and worked on much of this album while a loved one was battling a crippling illness. Her deep lyrical examinations are balanced by her soothing vocals and fields of oceanic, ambient synths, which swell to capture the fear that envelops our modern times and recede to highlight the isolation.

Hottest Jams: “Winter Dawn” “Separating”

Screen Shot 2017-11-12 at 6.02.07 PMFuture x Young Thug
Super Slimey
Epic
Though it disappointingly didn’t make much of a dent in today’s uber-saturated market, Thugger and Future’s collaborative LP is far from a throwaway (get it? get iiiit?). Thug, especially, sounds rejuvenated here (Future’s been pretty consistent recently), which isn’t surprising considering that both artists tend to bring out the best in each other (think: 2014’s classic “Chanel Vintage”). Standout track “Three” is the best example of this, as they both snap on their verses with Thug recapturing some of the unpredictable magic that made his early work so compelling.

Hottest Jams: “Three” “Cruise Ship”



Screen Shot 2017-11-12 at 6.04.44 PMCircuit Des Yeux
Reaching For Indigo
Drag City
Nobody, I mean nobody, sings like Haley Fohr. Her expressive baritone toes the line between emotive and performative — constantly flirting with community theater melodrama without ever falling into it. “Reaching for Indigo” is arguably her most direct effort yet, pairing experimental folk instrumentation with legitimately catchy hooks (see: lead single, “Black Fly”) and overwhelming crescendos. A true one-off.

Hottest Jams: “Black Fly” “Paper Bag”

Screen Shot 2017-11-12 at 6.10.36 PMLil Durk
Signed To The Streets 2.5
Only The Family
Admittedly, this isn’t Durk’s most vital project of the this year, but this tape is worth writing about because it underlines what an incredible 2017 the Chicago MC is having. Along with a handful of excellent loosies, STTS2.5 is his third quality project of the year and is a reminder that very few artists are making better melodic street rap in 2017 than the 25 year-old.

Hottest Jams: “Make it Out” “India”

Screen Shot 2017-11-12 at 6.12.58 PMJessie Ware
Glasshouse

PMR
A welcome bounce back from 2014’s uninspiring, “Tough Love,” “Glasshouse” recaptures much of the magical quiet storm of her glorious early work. Now 33 with a family of her own, Ware writes about the joy and melancholy of growing into a real-life adult with insight and emotion. Her voice is still a rare instrument, especially when it’s given room to operate. And thankfully, “Glasshouse” is gleefully short of the overcooked arrangements that bogged down her last record.

Hottest Jams: “First Time” “Midnight”

Screen Shot 2017-11-12 at 6.16.57 PMCitizen
As You Please
Run For Cover
Though they tend to get lumped into the fourth-wave emo crowd, to my ears, the Ohio group’s excellent third LP sounds a lot more like the 90’s radio-rock that I grew up on than Mineral or Rites of Spring or something. I mean, its pre-release singles lifted melodies from Nirvana and the Primitive Radio Gods; it doesn’t get much more mid-90’s MTV than that. Label it however you want, but the record is an impressive collection of rock-solid, guitar-driven songwriting, elevated by Mat Kerekes’ muscular vocals.

Hottest Jams: “In The Middle of It All” “World”

Screen Shot 2017-11-12 at 6.19.35 PMTy Dolla Sign
“Beach House 3”

Atlantic
Though he still hasn’t really found the mega-smash single to elevate him to the very top level as a solo artist, the 32 year-old is still one of the most consistent R&B singers around. I like Ty best as a mid-tempo balladeer, as his slightly raspy voice adds a nice touch of edge to ultra-smooth production. Tracks like “Droptop in the Rain” and “All The Time” scratch that itch and provide a nice balance to the rest of the club-friendly setlist.

Hottest Jams: “Droptop in the Rain” (f/ Tory Lanez) “All The Time”

The Round-Up: 10 Albums Released in February That You Must Hear

Posted on by TP1.COM in Columns, Featured, The Round-Up | Comments Off on The Round-Up: 10 Albums Released in February That You Must Hear

We just said goodbye to an incredible month of music. One with the strongest slate of releases that I can remember in a really long time. Of all the interesting releases that dropped this month, ten stood out above the rest. Here’s my round-up of them.

Screen Shot 2017-03-02 at 3.05.00 PMStormzy
Gang Signs & Prayer
#Merky
In a month that yielded a clutch of excellent LPs, nothing could touch the South London MC’s gorgeous, gospel-tinged epic. Over 16 diverse, consistent tracks, the big man (né Michael Omari) vacillates between sticky, booming bangers (“Big For Your Boots,” “Mr Skeng,” “Cold”), heart- wrenching confessionals (“Lay Me Bare,” “100 Bags”), and even a few gooey love songs (“Velvet,” “Cigarettes & Cush”). The result is an impressive, fully-formed statement that leaves you feeling closer to the artist and reeling from his incredible talent and storytelling. An early favorite for Album of the Year.

Hottest Jams: “100 Bags,” “Big For Your Boots,” “Lay Me Bare”

Stream it on Spotify.

Screen Shot 2017-03-02 at 3.14.53 PMFuture
FUTURE // HNDRXX
Freebandz / Epic
After enjoying one of the all-time hot streaks from the middle of 2014 through the end of 2015, the indomitable Atlanta native was showing signs of slowing down last year. However, he came through with a pair of triumphant projects this month. Though the first is a solid, yet uneven effort, HNDRXX is an exhilarating return to form. Melodic, confessional, and full of earworms, it feels like his most well-rounded, focused work since his legendary trilogy of Monster, Beast Mode, and 56 Nights. Future Vandross > All.

Hottest Jams: “Fresh Air,” “Incredible,” “Solo” (HNDRXX)
“Mask Off,” “Feds Did A Sweep,” “Draco” (FUTURE)

Stream HNDRXX on Spotify.

Screen Shot 2017-03-02 at 3.14.08 PMJens Lekman
Life Will See You Now
Secretly Canadian
On most other months, the venerable Swede’s fourth LP would have topped a list like this, but timing has never been his strong suit. That said, Life Will See You Now is a phenomenal feat with ten tracks that could only be penned by a master storyteller. Whether he’s dealing with the perils of masculinity (“How Can I Tell Him”), crippling anxiety (“Postcard #17), or a struggling friend (“Hotwire the Ferris Wheel”), he always writes with a rare empathy, offering penetrating insight into the lives of his characters and, often, his listeners as well.

Hottest Jams: “How Can I Tell Him,” “Dandelion Seed,” “Wedding in Finistére”

Stream it on Spotify.

Screen Shot 2017-03-02 at 3.13.24 PMSampha
Process
Young Turks
This month has produced so many great records that it’s almost hard to remember that the 28 year-old’s beautiful debut dropped back on February 3rd. Process was a couple years in the making, and you can tell. He begins the record exhausted and anxiety-ridden, feeling like a plastic bag that is melting in the summer sun. Longing for home, he takes us on the road with him to his new life as an adult and shares nostalgic daydreams about the piano he grew up with. It’s a beautiful, affecting journey that ends as they often do… back home at the place where it all started.

Hottest Jams: “(No One Knows Me) Like the Piano,” “Plastic 100°C,” “What Shouldn’t I Be?”

Stream it on Spotify.

rs-ryan-adams01-4b269365-c7e6-47af-82f7-d2b9388ffe9bRyan Adams
Prisoner
PAX-AM
The strongest Ryan Adams record in a decade, Prisoner finds the 42 year-old writing himself out of the post-divorce rubble, inspired by Tunnel of Love, Tom Petty, and Johnny Marr. Though Prisoner has a clutch of the kind of crushing, quiet moments you’d expect from an Adams break-up record (“Shiver and Shake,” “We Disappear”), they are well-balanced by mid-tempo tunes (“Haunted House,” “Prisoner”) and noisey AM radio rockers (“Do You Still Love Me?,” “Anything I Say to You”). In fact, the latter tracks are kinda the most intriguing part of Prisoner. As he sounds surprisingly refreshed and primed for the next phase of his life and career. And that’s something worth celebrating.

Hottest Jams: “Prisoner,” “Shiver & Shake,” “Haunted House”

Stream it on Spotify.

Screen Shot 2017-03-02 at 3.19.18 PMTeen Daze
Themes For Dying Earth
Flora
Jamison Isaak’s sixth album is one of the most surprising efforts of the year. I’d really only ever known him as a sort of chillwave also-ran, but Themes for a Dying Earth is a gorgeous collection of lush, affecting ambient indie-pop with hushed but heartfelt vocals. The record sounds like a foggy morning in the mountains, inspired by the perma-hazy British Columbia wilderness it was recorded in. It’s both a tribute to the beauty of Isaak’s surroundings and also a quiet warning about what’s at stake as we continue to bury our heads in the sand as our planet suffers.

Hottest Jams: “First Rain” (f/ S Carey), “Cycle,” “Dream City”

Screen Shot 2017-03-02 at 3.23.49 PMVagabon
Infinite Worlds
Father/Daughter
Lætitia Tamko’s proper debut is fresh, vibrant, and packed with affecting and daring songwriting. From its gut-wrenching leadoff track, “Embers,” that explores power dynamics in relationships to its heartbreaking finale, “Alive and A Well,” Infinite Worlds is a powerful collection from an artist with a unique and necessary voice. The disc’s eight tracks feature an interesting mix of piercing, fingerpicked folk, alongside crashing rock moments and electronic touches. Tamko is one of an exciting new batch of young female singer-songwriters like Julien Baker, Georgia Maq, Mitski, and Michelle Zauner (Japanese Breakfast). It’s a generation of artists who don’t fit into old ideas about what folk is supposed to sound like and who is allowed to make it.

Hottest Jams: “Fear & Force,” “Embers,” “Alive And A Well”

Hear it on Spotify.

Screen Shot 2017-03-02 at 3.26.39 PMElbow
Little Fictions
Polydor
Ryan Adams isn’t the only old favorite who dropped a rejuvenated effort this month. The Manchester crooners are coming up on their 20th year in existence, and they toasted the anniversary with one of the strongest albums of their career. They’ve always been at their best when they’re balancing melancholia with hope, crafting weirdly anthemic ballads that work as well in a quiet pub as the Glastonbury Festival. Tracks like “Magnificent (She Says)” and “All Disco” feel like they hit that mark and hint that they’re not content to continue as a mere nostalgia act.

Hottest Jams: “Gentle Storm,” “Magnificent (She Says),” “Kindling”

Kingdom-RotatorKingdom
Tears in the Club
Fade to Mind
The Fade to Mind mainman has been an important member of the LA club scene for the better part of a decade, but Tears in Club still feels like a maiden statement. The disc is 50%  pop-oriented tracks that feature exciting young vocalists like SZA, Syd, and Shacar, and 50% instrumental, hyper-melodic dance tracks. Though I tend to gravitate to the former, they are well framed by the latter, resulting in a compelling, versatile body of work.

Hottest Jams: “Down 4 Whatever” (f/ SZA), “Nothin” (Club Mix)” (f/ Syd), “What is Love” (f/ SZA)

Stream it on Spotify.

Screen Shot 2017-03-02 at 3.30.44 PMVermont
II
Kompakt
We’ll finish off the list with a lovely ambient effort from Danilo Plessow and Marcus Worgull. II is packed with warm, swirling synths that set a placid, wintery mood. Though percussion is at a minimum, you can really hear Balearic influences in the synth melodies, and it’s easy to picture yourself looking out the window in Vermont and dreaming of warmer climes.

Hottest Jams: “Norderney,” “Demut,” “Chanang”

Stream it on Spotify.

The Round-Up: The Best Records of the Second Quarter

Posted on by TP1.COM in Columns, Featured | Comments Off on The Round-Up: The Best Records of the Second Quarter

Instead of just rolling through the best of June, let’s round up the finest music of the second quarter of 2016. Coming off last week’s Best Tracks list, here are my favorite albums of the year.

Beyoncé
Lemonade
Parkwood / Columbia
The album that stopped the world on its axis (and made me and my girlfriend 40 minutes late to a dinner), Beyoncé’s incredible, genre-spanning sixth effort needs no endorsement from me. Without a doubt, it’s one of the best albums of the year, but you probably knew that. As I’m sure I’ll be writing about it in December, I’ll spare you for now. All hail.
Hottest Jams: “Love Drought” “Pray You Catch Me”

The Hotelier
Goodness
Tiny Engines
Another album that I’m sure to be writing about in December, the Worcester, MA quartet’s follow-up to 2014 masterpiece Home, Like Noplace Is There, isn’t as bleak as its predecessor but packs just as much catharsis. The “emo” label never really fit right and isn’t even close now, as the group has established themselves as much more than a nostalgia act. Goodness is a dense, varied collection that is equal parts grit and grace, meshing melodic riffs with crashing drums and Christian Holden’s distressed tenor to absolute perfection. Easily, one of the best indie rock albums of the last few years.
Hottest Jams: “Soft Animal” “Opening Mail For My Grandmother”

Anderson .Paak
Malibu
Steel Wool
For all the rave reviews, big tours, and TV appearances, I still somehow feel like the Oxnard native’s beautiful second LP hasn’t gotten its due. In short, this thing should make Paak one of the biggest artists in the country. Over 60 engaging minutes, he proves that he can do just about everything well. He sings with the easy confidence of a seasoned soul singer. He raps with depth, cadence, and touch. He plays jazzy, swinging drums that drive the album forward. And, more than anything, he demonstrates his incredible gift as a storyteller, crafting Malibu into a living, breathing world that it’s impossible not to get sucked into. To me, this is cut from the same cloth and absolutely deserves to be in the same echelon as recent classics like To Pimp a Butterfly, Channel Orange, Lemonade, and the like.
Hottest Jams: “The Season / Carry Me” “Heart Don’t Stand a Chance”

Read more

Images & Words: Wet, “Weak” (Live on the Tonight Show)

Posted on by TP1.COM in Columns, Featured, Hot Jam of the Day | Comments Off on Images & Words: Wet, “Weak” (Live on the Tonight Show)

Wet
“Weak” (Live on the Tonight Show)
Don’t You (out 01.29 on Columbia)
I don’t normally write about live performances, but I was just so struck by how far the Massachusetts trio has come in the last two and a half years. I first wrote about Wet in September of 2013, after falling in love with their debut single, the crushing break-up ballad, “No Lie.” A few months later, I caught (what I think was) their first ever gig in Brooklyn. They seemed uncomfortable in the spotlight that night, but you couldn’t hear in the way they played. Vocalist Kelly Zutrau stood out, stoically pushing through her nerves to deliver a heartfelt, affecting performance. Guitarist Marty Sulkow added beautiful counter-melodies to the sparse arrangements, while Joe Valle, their most energetic performer, banged away at a skeletal electric drum-kit.

As good as they were that night, I never thought that in just two years, I would be seeing them perform on Network TV. Their performance on Fallon was assured and confident, like a band that has been doing TV shows for years. Again, Zutrau was especially impressive. Much of Wet’s magic comes from the amount of negative space in their arrangements. That space often leaves Zutrau’s voice totally exposed, maximizing its impact but also the pressure placed on it. On what must have been the most stressful performance of their career, she came up trumps, confidently staying in tune and adding an emotional wallop to one of the strongest songs of their glittering young career. The performance isn’t just a reminder of how far they’ve come; it’s an exciting indicator of just how far they can go.

First Quarter of 2015 Mini Round-Up: The Best Songs I Missed

Posted on by TP1.COM in Columns, Featured | Comments Off on First Quarter of 2015 Mini Round-Up: The Best Songs I Missed

It’s been a busy three months for me, and while I’ve still had time to listen, I haven’t been able to keep up with what has turned into a blinding first quarter. Here are a handful of my favorite songs that I haven’t been able to write about.

Stormzy
“Know Me From”
Digital Single
Like a lot of American teenagers, I was enamored by the exciting world of grime thanks to early efforts from The Streets and Dizzee Rascal. Unlike a lot of American teenagers, it stuck, and it’s still sticking as tightly as ever. Original Pirate Material remains one of my three favorite albums, and it has led me to discover heavyweights like Wiley, Skinnyman, Kano, and Roots Manuva, as well as less celebrated folks like the Mitchell Brothers, Sway, Tempa T, and Devlin.

For that reason, I’ve loved the recent American interest in grime. A wicked new wave of producers, as well as artists like Skepta, JME, Novelist, AJ Tracey, and Stormzy guarantee the genre’s bright future. The breakthrough banger from the 21 year-old Londoner is probably my favorite song of the year so far, and hopefully, it will continue to grow the genre enough to finally kick off the US grime takeover that I predicted in the late 90s… or at least, a couple of long-awaited American tours.

Kanye West
“Only One” / “All Day” / “Wolves”
So Help Me God (out ??? on GOOD Music)
I somehow missed writing about all three of these gems, and when considered together, they’re indicative of Kanye’s incredible versatility and duality as an artist. A heartfelt, disarmingly direct piano ballad to his wife and child; a delirious, maximalist turn-up anthem; a spare, claustrophobic rumination. They illuminate the many facets of Mr. West. And though he’s on fire, in love, and surrounded by all the cool kids, there is still lingering loneliness, isolation, and self-doubt all over these tracks. Those are the contradictions that make him the greatest artist of his generation.

Read more

Best of 2013: The Best Tracks of 2013 (Honorable Mention)

Posted on by TP1.COM in Best Of '13, Columns, Featured | Comments Off on Best of 2013: The Best Tracks of 2013 (Honorable Mention)

It’s the time again — time to pick over the bones of an incredible year of music. Over the next few days, I’ll roll out my favorite tracks of the year. Let’s kick things off with 10 songs that didn’t quite make it out of the incredibly crowded field. That said, they absolutely deserve your attention.

Willis Earl Beal: “Too Dry to Cry” from Nobody Knows (XL)
While I’ll never claim to be a great blues historian, I do know that the Chicago-native’s sophomore LP felt as authentic as anything out nowadays. Listening to Beal sing is like watching someone lift a car; it’s a physical experience. You can feel him straining every sinew as he pours his heart into every ravenous come-on, perfectly verbalizing human nature’s most visceral, virile instinct.

Darkside: “Golden Arrow” from Psychic (Other People)
Picking one song off Nicolas Jaar & Dave Harrington’s excellent debut LP feels idiotic, as (like their debut EP) Psychic demands to be heard in one immersive sitting. That said, its 11-minute opener sets a spooky, emulsifying tone for the whole record. Harrington’s delicious, palm-muted guitar line wraps itself around a forlorn falsetto, resulting in a track that is both alluring and unsettling.

Read more

Oh My Fucking May: 16 New Albums You Must Hear This Month

Posted on by TP1.COM in Columns, Featured | Comments Off on Oh My Fucking May: 16 New Albums You Must Hear This Month

While the NBA is rolling out their immortal “40 Games in 40 Nights” promo, the music world is doing its own. “16 Potential Classics in 30 Nights” may not be as catchy, but it’s just as ri-goddamn-diculous. I can’t remember a month where this many (SIXTEEN!) exciting, possible top-10 albums have all dropped in a month. It’s especially impressive, considering it succeeded an epic first quarter.

So, here is low-down on the 16 albums out this month that demand your attention — in 16(ish) words or less.

And awayyyy we go!

Dean Blunt, The Redeemer (Hippos in Tanks)
When: May 1
Where: London
What: The first true official LP from the Hype Williams-frontman
Why You Care: It’s the most coherent statement from the esoteric, genre-bending genius to date. An utterly fascinating LP.
For Fans of: Everything but the kitchen sink.
TP’s Excitement Scale: 9.8/10

Ghostpoet: Some Say I So, I Say Light, (Brownswood)
When: May 6
Where: London
What: The sophomore LP from the moody, progressive spoken word poet/MC
Why You Care: Because his debut, Peanut Butter Blues & Melancholy Jam, was an engulfing, original masterclass of post-Skinner sad-o grime.
For fans of: Late night bus rides home, poetic hip-hop.
TP’s Excitement Level: 8.8/10

Savages: Silence Yourself (Matador)
When: May 7
Where: London
What: The rollicking debut LP from the hotly-tipped riot grrrrl quartet
Why You Care: The young post-punkers are threatening to lift off with a classic. Angry, uncompromising, utterly brilliant.
For Fans of: The Shape of Punk to Come
TP’s Excitement Level: 10/10

Kisses: Kids in LA (Cascine)
When: May 14
Where: Los Angeles
What: The follow-up to their splendid, massively underrated debut, The Heart of the Nightlife
Why You Care: As an early investor on this synthy, Balearic-leaning bf-gf duo, it’s hard to be objective, but KILA is a dark step forward from their excellent debut.
For Fans of: Rolling the windows down. The 80’s.
TP’s Excitement Level: 10/10

Pure X, Crawling Up the Stairs (Acephale)
When: May 14
Where: Austin, TX
What: The follow-up to the slowcore trio’s excellent debut, Pleasure (2011)
Why You Care: Early singles have foreshadowed a less foggy, more melodic second effort.
For Fans Of: Expressive, heady guitar music. Downers.
TP’s Excitement Scale: 8.5/10

Colleen, The Weighing of the Heart (Second Language)
When: May 14
Where: Paris
What: The French Joanna Newsom’s ornate, orchestral fifth LP
Why You Care: The mercurial, hyper-talented composer/producer crafts beautiful tracks that pair delicate, orchestral arraignments with her breathy, mellifluous vocals.
For Fans of: Midday naps, orchestral pop.
TP’s Excitement Scale: 8.8/10

Listen to “Push the Boat Onto the Sand,” at FACT.

Classixx, Hanging Gardens (Innovative Leisure)
When: May 14
Where: LA
What: The long-awaited debut full-length from the breezy disco duo
Why You Care: Because every summer needs a soundtrack, and nobody is currently making better sunshine jams.
For Fans Of: Good vibes, day-drinking, DFA.
TP’s Excitement Scale: 8.7/10

Dirty Beaches, Drifters/Love Is The Devil (Zoo)
When: May 14
Where: Montreal via Taipei
What: The shadowy, experimental 2xLP follow-up to 2011’s lo-fi masterclass, Badlands
Why You Care: Alex Zhang Hungtai is famously unpredictable, and these albums promise to be harrowing, engulfing rides.
For Fans Of: Challenging, uncompromising, occasionally brutal journeys deep into the human psyche.
TP’s Excitement Scale: 9.1/10

Hot Jamz of the Year: The Best Tracks of 2012

Posted on by TP1.COM in Columns, Featured, Hot Jam of the Day | Comments Off on Hot Jamz of the Year: The Best Tracks of 2012

A couple of people have asked me why I still take the time to do this every year, even after the magazine I used to write for shut down. It’s two things. For one, I’m a pop music anorak. I love taking the time to explore the year’s trends (alternative R&B, future garage) and the genres that have faded by the wayside (witch house, chillwave). Pop music is so ephemeral in the Internet Age, and it only takes going over a few past year-end lists to see that. Secondly, I love having these lists as timestamped overview of my year. It’s a great way for me to reflect and add context to the year that I’ve just experienced.

On to the songs. As every year, I have a few rules that I try to stick to so that this list doesn’t get completley impossible to make.

1. Mostly attempt to stick to the “singles,” whenever possible, just to make it a bit easier.
2. Only pick one song from each artist.
3. Try to avoid picking remixes.
4. Try to avoid picking Nickleback songs.

Listen to most of it on a Spotify Playlist , especially if Soundcloud is being wonky. You will miss some tracks though.

51. Inc.: “5 Days” from 5 Days Single
We kick the list off with one of the sexiest songs of the year. The Prince-obsessed Angelinos’ drop their debut on 4AD in February. It should be special.

50. Lemonade: “Neptune” from Diver
Brooklyn synth-pop heartthrobs wax lyrical about drunk dialing. (Lena Dunham voice) You know, what? They just get me. (Giant spoonful of ice cream). They. Just. Get. Me.

49. John Talabot: “Destiny” (f/ Pional) from fin
An exquisitely-crafted swirling slab of Balearic joy from the Spanish producer’s long-awaited first LP. #popthemollyimsweatin

Read more

Hot Jam of the Day (10.10.12): Various Artists, “West Coast Cypher ’12” from the BET Hip-Hop Awards

Posted on by TP1.COM in Columns, Featured | Comments Off on Hot Jam of the Day (10.10.12): Various Artists, “West Coast Cypher ’12” from the BET Hip-Hop Awards

(In Order) Xzibit, YG, Kurupt, E-40, DJ Quik, Kendrick Lamar, Snoop Dogg/Lion/Baby Cat
“West Coast Cypher ’12”
BET Hip-Hop Awards

There are ten things that I really enjoy/think about about this performance.

1. Everything about Kendrick Lamar’s flow is captivating. One of the best rappers on the planet right now. No doubt.

2. Besides his hair, DJ Quik’s commitment to percussion is truly exceptional (even though he couldn’t keep up). Didn’t know a plastic fork could count as an instrument.

3. I wonder how much Xzibit’s people must have paid the producers to get him at that table. I’m setting the over-under at $250,000.

4. Along the same lines, YG. Really???? The producers needed a young, up-and-coming rapper to go with Kendrick, and they came up with YG? What, Tyler The Creator, Lil B, Earl Sweatshirt, Kool A.D., Schoolboy Q, Jay Rock, Hopsin, and Mondre M.A.N. were all busy? Hell, I would have even accepted Tyga’s non-rappin’ ass. Puhreeese.

5. I’ve never been his biggest fan, but E-40 has got to be one of the most charismatic, likable rappers on the planet. I wish he was my uncle.

————————————————————————————————————————————

Quick Tangent: Because I’ll never have as seamless a segue to this again, here is my family fantasy team of rappers.
Dad: Jay-Z –>Has experienced more than many would in 10 lifetimes. Seems like a level-headed, non-insane person. Would give the best b-day presents.
Mom: Pepa from Salt ‘N Pepa–>Seems like she would be a fun mom that would also teach discipline and raise you right. Also, if anyone ever fucked with you, she’d fuck them up first.
Big Brother: T.I. –>Has made a bunch of mistakes but has come through them. Feel like he’d give great guidance/advice. Seems wise.
Little Brother: Curren$y–>The current frontrunner of the prestigious “rapper I’d most like to play NBA Live/FIFA with.” That’s what little brothers are for, right?
Big Sister: Missy Elliot–>Clearly the cool older sister who you could follow around, but would also be sweet to you. Would def have hot friends.
Cooky Uncle: E-40–>Obvious.
Cool Uncle: Rick Ross–>You wouldn’t see him often, but whenever you needed something he’d help you out. Also, you could go visit him in South Florida and hang out on his yacht without him getting all in your shit. Also, would probably smoke you out for the first time and not tell your dad. Also, good birthday presents.
Cousins: Odd Future–> You wouldn’t want to hang out with them everyday, because they are completely insane, but they would definitely spice up boring family gatherings and would probably have weed/m80’s/skateboards/etc to play with.

————————————————————————————————————————————

AANNNNNDDD, we’re back!

6. WHERE THE FUCK IS SHORT DOGGGGGG????????? SO-CAL BIASSSSSSSS!!!!!!!!

7. “I don’t gotta prove I’m fly…parrot.” I just…

8. I love that Kendrick Lamar mentions eating Now and Laters before playing ball. Good to know that the kids in the burbs have at least one thing in common with kids from Compton. Dr. Pepper and N&L’s are the perfect pre-game meal for middle school ballers…and Lamar Odom.

9. America needs a new Kurupt/Dogg Pound album. I predict that both would be huge hits in today’s market.
(EDIT: There have been two Dogg Pound albums and a Kurupt album released in the last three years. They sold a combined 11 copies by our count. We called around.)

10. Possible candidates for the 2013 edition: Shifty Shellshock, Travie McCoy, Afroman, The Azn dude from Black-Eyed Peas, all three of the Delinquentes, residents of the Cali Swag District.

Stream This Shiat: The Tallest Man on Earth, There’s No Leaving Now

Posted on by TP1.COM in Columns | Leave a comment

The Tallest Man on Earth
There’s No Leaving Now (Dead Oceans)

For those of you who can’t wait till next Tuesday, you can stream the exquisite new album from Swedish folk singer Kristian Matsson. NPR always gets the best streams.

Stream it here. Also, check out lead single “1904” below. Right click for DL.

The_Tallest_Man_on_Earth: “1904”

Shout out to the homie Kayte Rossi for the tip.