Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Hot Jam of the Day

Hot Jam of the Day: Lomelda, “Out There”

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Screen Shot 2017-07-28 at 3.21.56 PMLomelda
“Out There”
Thx (out 09.08 on Double Double Whammy)
“Out There” is that certain kind of wistful that will speak to anybody who has ever been young and stuck in a small, sleepy suburb. The track gorgeously chronicles singer-songwriter Hannah Read’s youth in the East Texas town of Silsbee, population 6,735. Over languid, windswept guitars, Read dreams of getting out and experiencing the big, beautiful, terrifying world that lies outside the city limits.

Hot Jam of the Day: The War on Drugs, “Strangest Things”

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64652a30-3267-4b9e-a2d0-d831f2a1a8b5The War on Drugs
“Strangest Things”
A Deeper Understanding (out 08.25 on Atlantic)
Welp, looks like the Philly sadsacks’ hugely anticipated fourth LP is officially 3 for 3. Just like “Thinking of a Place” and “Holding on,” “Strangest Things” is a gorgeous, windswept epic that highlights frontman Adam Granduciel’s rare ability to craft sky-scraping power ballads. Though he isn’t blessed with a classic, powerhouse voice, the 38 year-old makes up for it with lush guitar and synth arrangements and deft, delicious melodies. Many bet that 2014’s excellent “Lost in the Dream” would be the group’s artistic zenith, but the more we hear from this new one, the more unlikely that seems.

Hot Jam of the Day: Tyler, The Creator, “Boredom”

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tyler-the-creator-unreleased-track-00Tyler, The Creator
“Boredom”
Scum Fuck Flower Boy (out 07.21 on Odd Future)
Though my understanding of psychology is limited, I do know that boredom and emptiness tend to go together. And while this subdued new single from Tyler is named after the former, it is actually rooted in the latter.

Much of the pre-release chatter around SFFB is centered around his sexuality, but I’ve been struck how much of it seems to be about emotional emptiness — the kind that might arise when you are surrounded by every material possession you could ever want without anyone to share it with. Obviously, that’s a highly simplified, psych 101 reading of this track, but that’s about the extent of my expertise on the subject. Hopefully “Boredom” is only the tip of the iceberg in an album that will explore the issue far more deeply.

Hot Jam of the Day: Mhysa, “Bb”

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sideMhysa
“Bb”
fantasii (out 07.21 on Halcyon Veil)
The new single from the Philly-based, multi-platform artist’s debut LP is a sprawling, modern slice of down-tempo R&B. Across six engulfing minutes, Mhysa lets her mind glide back to memories of a past relationship, wondering if her ex is somewhere out there thinking of her. Her feelings are still strong but aren’t raw anymore, thanks to the way time smooths over our frayed feelings and rough edges. That gives the track a clear-eyed quality — a true reconsideration of past events, rather than a call for reconciliation.

Stream it at The Fader.

Hot Jam of the Day: Dej Loaf, “No Fear”

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Screen Shot 2017-06-20 at 5.03.38 PMDej Loaf
“No Fear”
Liberated (out TBA on Epic)
When the Detroit native dropped her smash debut “Try Me” in 2014, few could have predicted the versatile career that followed. She’s excelled both as a tough-talking street rapper (“Try Me,” “Back Up,”) and a sensual R&B singer (“Me U & Hennessy,” “Easy Love,” “Miami”), while dropping a handful of potent tracks that feature a little bit of both.

That said, we haven’t quite heard Deja like this. “No Fear” is basically a straight ahead pop single, complete with a bouncy, sticky chorus and jazzy guitars. Even though she’s never stumbled before, I’m frankly surprised how well this song works. She handles the track like a natural, injecting energy and grace with the ease of a seasoned pop star. Impressive.

Hot Jam of the Day: Kommode, “Captain of Your Sinking Ship”

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Screen Shot 2017-06-19 at 1.08.51 PMKommode
“Captain of Your Sinking Ship”

Analog Dance Music (out June 2017 on Random Two Syllable Word)
After swooning all over the first proper single from Kings of Convenience’s Eirik Glambek Bøe’s long-awaited Kommode project, you won’t be shocked to learn that I also love the second one. “Captain of Your Sinking Ship” is another languid dance song that pairs Bøe’s impossibly smooth vocals with a tasty bassline, windswept guitars, and even a tasty horn line (which is soooo K.O.C.). Simply put, the track is impeccably written, graceful, and perfect for the long days and hot nights that await us.

Hot Jam of the Day: Jae Stephens, “24k”

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Screen Shot 2017-06-19 at 11.51.59 AMJae Stephens
“24k”

Digital Single
Fuck one of the best debuts of the year. The LA-based newcomer just dropped one of the best songs of the year out of thin air. Featuring inch-perfect production from Jam City, Stephens weaves a devastating slow jam that captures the growth of a relationship from anxious first fling to a fully realized adult thing. Her vocals are transfixing — seductive, yet powerful — and Jam City’s unexpected choices (see: the dissonant guitar chord at the beginning of the hook, the chopped “dun-dun-dun” in the final chorus) are consistently sublime. At this point, there’s not much info about Stephens going around, but I’ll definitely be on the look-out.

Hot Jam of the Day: Japanese Breakfast, “Boyish”

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Screen Shot 2017-06-09 at 10.59.14 AMJapanese Breakfast
“Boyish”
Soft Sounds from Another Planet (out 07.14 on Dead Oceans)
Only one year removed from dropping one of the best albums of last year, Philly songwriter Michelle Zauner is back with what is shaping up to be her best project so far. “Boyish” is the second single we’ve heard from the record (somehow I neglected to write about the wonderful, “Machinist“), and on it, Zauner channels heartache and rejection into a gorgeous synth-kissed ballad. The lyrics are brutal and characteristically candid (“I can’t get you off my mind / I can’t get you off in general”), but the soaring melody brings hope that our narrator can find the love they deserve.

Hot Jam of the Day: Lil Durk, “Pressure”

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redeye-lil-durk-redeye-cover-shoot-20150601Lil Durk
“Pressure”
Digital Single
Five years into his career, the Chicago native seems to be at a crossroads. After kicking off his career with a string of devastating mixtapes (including my favorite song of 2013), the 24 year-old has been a bit up and down of late, crafting a slew of solid material that probably hasn’t quite done the numbers that he’d want.

He seems to be a little stuck a little bit between his street rap roots and romantic, R&B fare (á la, the recent gold-certified, “My Beyoncé). For me, his best recent work has tended to veer toward the latter, as this lusty new single does. Durk’s always managed to sing with auto-tune so well, using it to pull even more emotion out of his vocals. And they sound brilliant here, over this airy, luxurious mid-tempo beat. I’m not sure “Pressure” is going to be the big, crossover single that he is clearly looking for, but to my ears, it sounds like a step in the right direction.

Hot Jam of the Day: Kommode, “Fight or Flight or Dance All Night”

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Screen Shot 2017-05-19 at 5.37.31 PMKommode
“Fight or Flight or Dance All Night”
Analog Dance Music (out June 2017 on Random Two Syllable Word)
Good things come to those who wait, and Kings of Convenience fans have been waiting for the debut from Eirik Glambek Bøe’s side project for more than 10 years. Since announcing this project all the way back in 2006, the group has released only two vaguely official singles, and it was starting to feel like the disc would only exist in KOC fanfic. However, earlier this month, the low-key Norwegian surprisingly announced that the quintet’s debut LP would be dropping in June.

Best of all, the news came with this phenomenal, buoyant first single, which conjures up memories of one of KOC’s finest tracks — the one that started my 10+ year love affair with the group — “I’d Rather Dance With You.” Bøe’s voice is calming and flexible, and it glides beautifully over a descending keyboard riff, nimble electric guitars, and swinging drums. Incredibly, not only is it as good as I’d hoped it would be all those years back, somehow it’s actually better.