Sade, "The Big Unknown"


Sade "The Big Unknown" Windows Soundtrack (out now on Sony) Though she's only a few months shy of her 60th birthday, Helen Folasade Adu remains a force like nobody else. On the stunning "The Big Unknown," Sade proves that her quiet storm is still a Category 5, as she glides effortlessly over oceanic, Read more

Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Hot Jam of the Day

The-Dream: “It’s Yo Birthday”

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The-Dream-press-cr-Miguel-Starcevich-2017-billboard-1548The-Dream
“It’s Yo Birthday”

Digital Single
Yesterday was the 10-year anniversary of The-Dream’s classic debut, “Love Hate.” And to celebrate, San Terius dropped with sleepy, low-key bedroom cut that feels like it could have been a B-side from those sessions. Hopefully, it’s a sign of things to come for the 40 year-old who has long been hinting that a new project is on the way.

Nicolas Jaar, “Wildflowers”

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71359ce3d2ae34368b6545fc5479aee7Nicolas Jaar
“Wildflowers”

Sirens (Deluxe Edition) (out now on Other People)
One of the new tracks from the re-up of his excellent 2016 album Sirens, “Wildflowers” is a perfect distillation of Jaar’s rare ability to craft a singular sound that’s both recognizable and amorphous. In other words, his sound is impossible to explain, but you also know it when you hear it. Built around aqueous guitar chords, drippy percussion, and his faraway falsetto, the track meanders through layers of sonic haze before resolving with an emotional crescendo.

Prins Thomas, Å (Pional Piano Mix)

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Prins_Thomas_promo_1000x664Prins Thomas
“Å” (Pional Piano Mix)
Prins Thomas 5 (out now on Prins Thomas Musikk)
On Friday, the Norwegian vet dropped a tasty new collection of his trademark spacey disco. Though the record is totally worth your time, my favorite song from the project actually wasn’t even on it. This sweltering remix from Spanish producer Pional raises the excellent “Å” to rapturous new heights with some languid, super effective piano work. Like the best house music, this track builds gradually, rising and receding deftly before building to an ecstatic climax.

Hot Jam of the Day: Noel Gallagher’s High Flying Birds, “Dead in the Water”

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landscape-original-noel-gallagher-december-esquire-43-jpg-292eb7dbNoel Gallagher’s High Flying Birds
“Dead in the Water”

Who Built the Moon? (out now on Sour Mash)
I’m not sure I’ll love Noel’s experimental, psych-influenced third post-Oasis LP, but I’ll always be a sucker for a good Gallagher ballad. Tacked on at the end of the disc, “Dead in the Water” has all the hallmarks of the stripped down, sing-along strummers that made Oasis one of the greatest bands of the 90’s. Vague melancholic nostalgia? Check. A knockout chorus melody? Check. A reimagined Beatles lyric? Check fucking mate. While I suppose it’s somewhat admirable that Noel isn’t spending his time trying to recreate past glories, I really like it when he does… even just for a few minutes.

Hot Jam of the Day: Negative Gemini, “Bad Baby”

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14364729_1225958697446505_1127788515740684871_nNegative Gemini
“Bad Baby”

Bad Baby EP (out January 2018 on 100% Electronica)
Just when you think you’ve figured out Lindsey French’s sound, the electro shapeshifter hits you with something new. “Bad Baby” features some of the hallmarks of her work — namely the ultra-warm, gauzy synths — but it also has pounding, acoustic drums that wouldn’t sound out of place on a hardcore or metal song. Somehow, they work perfectly, injecting extra humanity into her lovesick vocals.

Hot Jam of the Day: S. Carey, “Fool’s Gold”

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Screen Shot 2017-11-17 at 6.07.42 PMS. Carey
“Fool’s Gold”

Hundred Acres (out 02.23.18 on Jagjaguwar)
As winter slowly blows into New York City, it feels like the perfect time to welcome a new album from the ever-soothing Wisconsin musician, Sean Carey. Second single, “Fool’s Gold,” is a warm blanket of cooing vocals, strummed acoustics, and gentle keyboards. Though it’s the kind of song that washes over you as a single, it should be a lot more potent in the context of the album.

Hot Jam of the Day: T-Pain, “Textin’ My Ex” (f/ Tiffany Evans)

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Screen Shot 2017-11-16 at 4.23.55 PMT-Pain
“Textin’ My Ex” (f/ Tiffany Evans)
Oblivion
Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a sullen, unfashionable has-been — the Chad Kroger of R&B. He’s been surprisingly open about how much the whole process hurt him, specifically chagrined by how little credit he’s given for his undeniable influence on the current sound.

The story around “Oblivion” — his first record in six years — centers around a man who’s gone through the meat grinder and is primed for redemption. Bruised but unbroken, an older, wiser Pain is ready to translate everything he’s been through into the most potent, affecting work of his career. Unfortunately, none of that was apparent on its lead single, “Goal Line.” It’s a flaccid, ineffectual trap snoozer, more the work of a follower than a leader.

However, the pre-release promise starts to show on this swooning second single. A duet with rising R&B singer Tiffany Evans, “Textin’ My Ex” is a classic T-Pain song in so many ways — a well-written, well-sung ballad that tells a simple story. However, there’s a subtle difference. There’s a palpable ache in his voice that gives you the feeling that there’s higher stakes here. Maybe it’s because of all the bullshit he’s been through, or maybe it’s just that texting your ex is a much riskier proposition in your 30’s than it is in your 20’s. Whatever it is, it’s effective, and it’s made me so much more excited to hear what else is on “Oblivion.”

Hot Jam of the Day: VMG Stuy, “Perfect Timing”

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Screen Shot 2017-10-31 at 3.19.06 PMVMG Stuy
“Perfect Timing”

Digital Single
Though there’s still basically no information about the Brooklyn rapper online, “Perfect Timing” feels like the first chapter of what could grow to be a very rich story. Over a propulsive beat driven by triumphant keys and busy hi-hats, VMG Stuy flow is effortless and melodic, and his unblemished tenor is strangely reminiscent of a young Chris Brown. This one feels like a future hit to me.

Hot Jam of the Day: Rhye, “Taste”

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Rhye
“Taste”

Digital Single
The L.A. duo is the musical equivalent of being draped in layers of 1,000-thread count sheets. And after a couple of years away, it appears that they’re prepping a follow-up to their tasty 2013 debut, “Woman.” “Taste” is the third track they’ve dropped recently, and it’s very much in their wheelhouse: swooning falsetto vocals, gentle piano, and just that little kick of percussion. There’s still no word on whether an official LP is on the way, but if it sounds anything like this, I’ll look forward to burying my little head in it.

Hot Jam of the Day: King Krule, “Logos”

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King-KruleKing Krule
“Logos”

The OOZ (out now on XL)
Archy Marshall’s excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I’m still digesting all 19 of its songs, the hypnotic, jazzy “Logos” immediately stuck out. Over languid jazz chords (think: 7’s and 9’s) and faraway sax, a mumbling Marshall welcomes us into a world that is both racked with childhood terrors and infused with an medicated calm. It’s a perfect example of his rare ability to craft engulfing sonic worlds that draw you in and keep you there.