Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Hot Jam of the Day

Hot Jam of the Day (06.10.12): Frank Ocean, “Pyramids”

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Frank Ocean
“Pyramids”
Channel Orange (Def Jam)

In the last 18 months, Frank Ocean has showed us that he is a lot of things — passionate, eclectic, progressive — but above all, his music has proven that he is incredibly ambitious. Whether it was taking on “Hotel California” on his debut mixtape, distancing himself from Odd Future, or publicly  expressing his frustration with hip-hop colossus Def Jam, the New Orleans native has shown a relentless desire to walk his own path and stand alone as an artist. This is perhaps most evident on “Pyramids,” the lead single from his hyper-anticipated first proper album. A monolithic, expansive, 10-minute meditation that takes us from ancient Egypt into the present day. It’s an audacious assault on what major-label R&B should sound like (name another R&B debut single that cracked 10 minutes), but it’s also a surprisingly engaging experience that never drags, despite its length. Basically, this is Frank all over, and you get the feeling that if we don’t get it, it wouldn’t bother him one bit.

Frank Ocean: “Pyramids”

Hot Jam of the Day (06.09.12): Recloose, “Magic” (f/ B. Slade) (Vocal Mix)

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Recloose (f/ B. Slade)
“Magic” (Vocal Mix)
Feels Like Magic 12″ (Rush Hour)

Being a gay man in the world of Gospel music ain’t easy. Just ask B. Slade. Formerly known as Tonéx, Slade (né Anthony Charles Williams II) was one of the genre’s rising stars before coming out of the closet earlier this year. Predictably (and sadly), Williams was quickly ostracized from the scene that he grew up in — he got his start singing in church — and dropped out of the gospel scene. However, gospel’s loss is pop’s gain, as he has returned to music, lending his super smooth vocal to a swirling, ecstatic jam dropped by rising Auckland-via-Detroit producer, Recloose (pictured). Like any great disco track, “Feels Like Magic” is all about the groove, and Recloose’s bouncy, hypnotic soundscapes are the perfect foil for Williams’ soulful, joyful crooning. This track feels like a coming out party for Williams, and hopefully he’ll continue devoting his prodigious talent to dance music.

[soundcloud url=”http://api.soundcloud.com/tracks/32154678″ iframe=”true” /]

Hot Jam of the Day (06.08.12): Jens Lekman, “Erica America”

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Jens Lekman
“Erica America”
I Know What Love Isn’t (Secretly Canadian)

In Jens Lekman’s world, even bad break-ups sound beautiful. According to reports, I Know What Love Isn’t — the successor to his just-about-perfect 2007 Night Falls Over Kortedala — is a bonafide break-up album, apparently along the same lines as Beck’s seminal Sea Change. While the subject matter may prove similar, from this and first single “The End of the World is Bigger Than Love,” it seems unlikely to be such a downcast affair. Though both tracks feature decidedly melancholic undertones, they are both shimmering, starry-eyed affairs with sweeping choruses. On “Erica America,” Lekman sashays over a a tasty bit of calypso-style classical guitar and a graceful arraignment, as only he is able to. Without losing his signature lightness, Lekman articulately picks through the bones of a failed relationship, and while it is no doubt a painful exercise, Lekman refuses to let the subject matter weigh him down, resulting in a song that is simultaneously bitter and hopeful. Brilliant.

Jens Lekman: “Erica America”

Hot Jam of the Day (06.07.12): Ariel Pink’s Haunted Graffiti, “Baby”

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Ariel Pink’s Haunted Graffiti
“Baby”
Mature Themes (4AD)

When choosing a debut single for a highly-anticipated album, it seems a strange decision to pick a true-to-the-original cover of a song that has been out for over 30 years, but this is Ariel Pink, and strange is his modus operandi. The track itself — a faithful remake of Donnie and Joe Emerson’s just-about-perfect 1979 single — is typically a brilliant, soulful, and lo-fi. Pink may not be known for his predictability, but he’s always had a wonderfully smooth voice and an impeccable understanding of 70’s music and culture. There isn’t really a lot to say here, except that it’s good to have him back and it’ll be fascinating where the volatile Angelino will go from here.

[soundcloud url=”http://api.soundcloud.com/tracks/48920870″ iframe=”true” /]

Hot Jam of the Day (06.06.12): The-Dream, “Dope Bitch” (f/ Pusha T)

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The-Dream
“Dope Bitch” (f/ Pusha T)
Love IV MMXII (Radio Killa)

One of the great things about starting your own site is that you never have to argue with your editor about whether you are writing about The-Dream too much. Mainstream R&B rarely plays well on indie-rock publications, but it almost always plays well on my headphones. While “Dope Bitch” doesn’t capture the imagination quite like the Love IV MMXII‘s unfuckwitable lead single “ROC” did, Terius “The-Dream” Nash’s pretty good is better than 95% of the other guys’ best. Taking a page out of Dr. Dre’s playbook, Nash effortlessly rides a choppy piano line. Toss in a dope verse from Virginia Beach favorite Pusha T, and you’ve got another solid addition to the Nash hymnal. It’s not the most exciting thing he’s ever produced, but it’s grown on me with every listen and has done nothing to quell my excitement for Love IV or endanger his status as the patron saint of Thunder Penguin. My dude.

The-Dream: “Dope Bitch” (Ft. Pusha T)

In case you missed it, here’s the video for “ROC.”

Hot Jam of the Day (06.05.12): Grizzly Bear, “Sleeping Ute”

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Grizzly Bear
“Sleeping Ute”
From Still Untitled New Album (out 9/18)

It was an absolutely incredible week for music, but as I was busy with finals, I have fallen behind on my coverage. But don’t worry, I will make it up in the next few days. Of all the incredible tracks that dropped this week, none can trump the first single from this incredibly influential, BK avant-folk outfit’s highly-anticipated fourth LP. “Sleeping Ute” combines the jangly, guitar-driven, freewheeling style of their seminal 2006 LP Yellow House with the polished production of 2009’s breakthrough Veckatimest. Lead by Daniel Rossen’s dexterous, tongue-twisting guitarwork and his confident croon, the track is a perfect example of Grizzly Bear’s rare ability to craft songs that are immediate and accessible, while remaining esoteric and unexpected. Make no mistake; this is pop music, but it’s extremely sophisticated — lyrically, sonically, compositionally — pop music. There aren’t a lot of bands that can do that, and that’s why that class of band — your Animal Collectives, Radioheads, Grizzly Bears, etc — are often praised to the high heavens and absolutely deserve to be.

[soundcloud url=”http://api.soundcloud.com/tracks/48759127″ iframe=”true” /]

Hot Jams of the Day (06.04.12): Paradis, “Hemisphere” & “Je M’ennuie”

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Paradis
“Hémisphère” & “Je M’ennuie”
Hémisphère (Beats in Space)

Oh my god, this is so good. This is the secretive, Parisian duo’s second incredible 12″ of the last 12 months, and it’s even better than the first, 2011’s brooding, exquisite “Parfait Tirage.” The former is a characteristically moody, vocal-driven track that displays a palpable cinematic essence, while the former cuts a more ambient, though equally devastating figure. In their short career, the group has shown a remarkable ability to craft expansive, urbane atmospheric dance music with just the proper twinge of pop sensibilities. Though we are still waiting for a proper debut from the Frenchmen (government names: Simon Mény and Pierre Rousseau), this much quality allows us to forgive the dearth of quantity. Both tracks also come with some unsurprisingly film-noir style visuals. C’est magnifique.

“Hémisphère”:

“Je M’ennuie”:

Hot Jam of the Day (06.01.12): Giselle, “Silk” (Cosmic Kids Remix)

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Giselle
“Silk”
Silk

We first heard this Australian vocalist’s doe-eyed, sultry stylings on Flight Facilities’ interwebz-fave “Crave You,” but now she’s back with her breezy, languid first single. While I didn’t fall in love with the original mix, serial remixers Cosmic Kids’ version is the perfect summer jam. Giselle’s alluring vocals drift over a chunky, meandering bass line that crawls like it had just woken up from a particularly meaty bender. After her performance on “Crave You,” I have to say I’m a little surprised it’s taken her so long to strike out on her own, but it was certainly worth the wait.

Giselle: “Silk” (Cosmic Kids Remix)

And just in case you missed it, here’s “Crave You.”

Hot Jam of the Day (05.30.12): Miracles Club, “The Wheel”

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The Miracles Club
“The Wheel”
Ecstasy (Compilation from Ecstasy Records)

As if Thunder Penguin need more reason to crush on Portland, up pops a filthy new compilation from rising Portland progressive dance label, Ecstasy Records. Its lead single is this playful, darkly alluring new single from The Miracles Club, a group fronted by PDX deep-house stalwart Honey Owens. Like so much of the truly exceptional dance music coming out of the city, “The Wheel” is both instinctively and intellectually appealing. In other words, this works as an equally effective soundtrack to a night of drinking/dancing/whatever-that-leads-to, as well as a night in or a long drive. If you like what you hear, make sure to snap up the new comp when it drops on June 12.

Miracles Club: “The Wheel”

Hot Jam of the Day (05.29.12): Disclosure, “Control” (f/ Ria Ritchie)

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Disclosure
“Control”
The Face (Greco-Roman)

I’ve been a huge fan of this South London duo since last year’s severely underrated “I Love….That You Know,” and since then, they have been cranking out infectious, progressive post-dubstep with remarkable consistency. Consisting of brothers Howard and Guy Lawrence, the duo is set to release their long-awaited four-track EP next Tuesday on simmering German/British label Greco-Roman. This is the second single from The Face, succeeding the aptly-titled “Boiling,” which doubles as one of the very best songs of 2012 so far. Very few dubstep producers handle vocals with the same care and subtly as Disclosure, and that’s apparent on all three of the aforementioned tracks. Preferring to use them to build mood rather than take the spotlight, the group uses vocals to give the listener something to hold on to without letting them run rampant and turn the wheel into radio-pop land. I’m surprised they still haven’t made a jump into our continental conscious (á la James Blake), but I really think it’s coming soon. Brilliant.

[soundcloud url=”http://api.soundcloud.com/tracks/48079700″ iframe=”true” /]

Disclosure: “Boiling” (feat. Sinead Harnett)