Hot Jam of the Day: T-Pain, "Textin' My Ex" (f/ Tiffany Evans)


T-Pain “Textin’ My Ex” (f/ Tiffany Evans) Oblivion Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a Read more

Images & Words: SOPHIE, "It's Okay To Cry"


SOPHIE "It's Okay to Cry" Digital Single Every once in a while, somebody puts out something that takes your breath away. "It's Okay to Cry" is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is Read more

Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz chords Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Images & Words: Stormzy, "4PM in London"


Stormzy "4PM in London" Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous "4PM in London" was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy's got the rare ability to Read more

Hot Jam of the Day

Hot Jam of the Day (03.18.12): Airhead, “Wait”

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Airhead
“Wait”
Wait “10 (R&S Records)

Airhead has long been lumped in with post-dubsteppers like Lapalux, Mount Kimbie, and James Blake (with whom he’s collaborated with) and while that’s a pretty decent group to be in, this is the sound of a young artist coming into his own and carving out his own sound. Riding an eerie acoustic guitar line (how un-dubstep is that?), the London-based producer (né Robert McAndrews) chops a sultry vocal sample to bits, resulting in a fresh take on the sound that’s captivated us over the last two years. The real payoff comes at the end, when McAndrews interjects a fresh guitar line that recalls the best of the XX. This single promises big things for his full-length due out later this year, also on R&S.

[soundcloud url=”http://api.soundcloud.com/tracks/39959714″ iframe=”true” /]

Hot Jam of the Day (03.16.12): Lemonade, “Neptune”

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Lemonade
“Neptune”
Diver (True Panther)

At first listen, it’s easy to write off the debut single from the San Francisco-cum-Brooklyn trio’s second LP as mere Wham!/Culture Club pastiche. But give it a shot, and you’ll realize that kitsch officially stops being kitsch when it’s this fucking good. The track is so reminiscent of fellow Brooklyn transplants Violens’ stunning “Acid Reign (In The Trees Mix)” from a couple of years back. Like the Violens track, this is straight out of left field for the group; their breakthrough EP Pure Moods was very much a hyperactive Balearic pop record, in the vein of groups like Tanlines. “Neptune” is a clear-eyed, synth-slathered 80’s-influenced slow jam that sees vocalist Callan Clendenin dripping with regret over something that everyone can relate to: a fight with a lover at a party. Direct, heartfelt, and melodically rich, this is easily one of my favorite tracks of the young year.

[soundcloud url=”http://api.soundcloud.com/tracks/39122557″ iframe=”true” /]

Hot Jam of the Day (03.15.12): Hot Chip, “Flutes”

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Hot Chip
“Flutes”
In Our Heads (Domino)

At their best, Hot Chip tracks always feel like a warm blanket. Their last LP, 2010’s sumptuous One Life Stand, was chock full of warm, languid mid-tempo dancefloor cuts (title track, “We Have Love”) and lush, emotive slow jams (the disc’s standout “Alley Cats,” “I Feel Better”). If this track is anything to go by, their fifth full-length (due out June 12) will be no exception. The 80’s influence is turned up to 11 here — just listen to that snare — and “Flutes” gradually drifts to a characteristically gentle crescendo. Like the Beach House track from yesterday, it feels like a fresh take on a familiar sound. Nice.

Also, if you missed it, check out my interview with vocalist/multi-instrumentalist Joe Goddard.

Hot Jam of the Day (03.14.12): Beach House, “Myth”

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Beach House
“Myth”
Bloom (Sub Pop)

Coming off their mega-huge (and mega-wonderful) 2010 breakthrough Teen Dream, this is the first single from the New Jersey dream poppers hotly-anticipated fourth LP, due out May 15th. While this is still unmistakably Beach House  — Victoria Legrand’s soaring vocals, Alex Scally’s reverb drenched guitars and gauzy soundscapes — it’s more direct and anthemic than much of their past material, which definitely isn’t a bad thing. Always one of the most evocative groups in the indie rock zeitgeist, they’ve always had the uncanny ability to transport you into their world, and this track is no exception. Roll on May 15th.

Tru Warier: Monta Ellis, “Fulltime Grind”

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In case you didn’t know, my beloved Golden State Warriors traded longtime off guard Monta Ellis to the Bucks today for real-life Australian center Andrew Bogut. While I do think this is a good trade, I will miss watching the electrifying combo guard immensely. As frustrating as he could be at times, he was an absolute offensive savant who made some of the most incredible plays I’ve ever seen. But as this is a music blog, I wanted to focus on the Mississippi native’s rap career, peaking with this collaboration with Southern hip-hop legend Bun B and some dude named Redboi. Yeah, Monta’s flow is a little clunky, but I’ll put this track up against almost any other by an athlete (save: “Shoot, Pass, Slam”). And whatever. I love the dude. Best of luck bro, and thanks for the memories. I look forward to watching a backcourt of Young Money and Monta jack up terrible shots, not play any defense, and make a handful of the most ridiculous plays you’ve ever seen. Have fun with that Scott Skiles.

Hot Jam of the Day (03.13.12): Bobby Womack, “Please Forgive My Heart”

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Bobby Womack
“Please Forgive My Heart”
The Bravest Man in the Universe (XL) 

Like pro wrestlers, soul singers don’t often age gracefully. The Cleveland native’s biography is eyebrow-raising even when compared to his most troubled musical contemporaries (Stone, Brown) — herion addiction, wife beating, the death of two of his sons, an alleged affair with his wife’s 14 year-old daughter — the list goes on. But like many of his peers, the tragedy was balanced by brilliance, and in his legendary career, Womack released a litany of absolute classic soul tracks, including “Across 110th Street,” which is one of my 50 favorite songs ever. On this, the lead-off single from his Damon Albarn and Richard Russell-produced LP, the toll of 68 years of hard living is evident in his voice, but that doesn’t stop it from being an emotive, memorable performance. This could be the I’m New Here of 2012.

Download Here (right click).

New Video Alert: Danny Brown, “Radio Song”

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Only in Danny Brown’s world does the line, “bitches wanna scoop us, their pussy’s like lupus,” qualify as a boast. Of all the rising Detroit MC’s many talents, his ability to make having sex sound like a legitimately disgusting proposition is truly unparalleled. If this video proves anything, it’s that there’s only one Danny, even when there’s a bunch of them.

Hot Jam of the Day (03.12.12) Fort Romeau: “Say Something”

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Fort Romeau
“Say Something”
Kingdoms (100% Silk)

Deep house is the best house, and UK producer Mike Norris’ debut effort under the Fort Romeau moniker is teeming with the best aspects of the genre. Subtle, smooth, and absolutely delicious, its first single is a lush, effortlessly sexy affair that expertly sets an undulating backtrack to a seductive vocal sample. Norris’ pop music background (he worked on La Roux’s explosive debut) is very apparanent all through Kingdoms, as he crafts tracks that have that open, airy deep house feel with just the right amount of pop hooks to stick in your head.

[soundcloud url=”http://api.soundcloud.com/tracks/38112965″ iframe=”true” /]

Hot Jam of the Day (03.06.12) Rustie (f/ Nightwave): “SURPH”

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Rustie (f/ Nightwave)
“SURPH”
Unreleased

Fresh off his fantastic breakthrough LP, Glass Swords (Warp), Scottish beatsmith Russell Whyte returns with a reworked version of one of the disc’s most fascinating tracks. Featuring a hyped up vocal from UK Katy B wannabe, Nightwave, “SURPH” is the kind of swirling, frenetic, synthy stew that we’ve come to expect from the prolific young producer. Rustie’s everything-but-the-kitchen-sink approach is most effective when balanced by a vocal line, and hopefully this is a sign of things to come .

HJ of the Day (03.06.12) Evy Jane: “OHSO”

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Evy Jane
“Sayso”
S/T 12″ (King Deluxe)

Hear that? That’s the sound of me physically restraining my hyperbole gene from making wild pronouncements about this rising, Canadian experimental R&B duo’s debut single. While I don’t think it’s necessarily a fair comparison, I simply can’t listen to this track without thinking of the Weeknd’s stunning, similarly out-of-the-blue breakthrough single, “What You Need.” While there are subtle stylistic differences, vocalist Evelyn Mason’s alluring, vulnerable vocal tiptoes the line between unbelievably sexy and batshit crazy in much the same way that Abel Tesfaye’s did. Both are impeccably framed by sparse, undulating synths and perfect drum machine droplets. More than anything though, both songs are just so fucking sexy. And that goes a hell of a long way in this business. Between this and that new Usher track, condom sales are about to go through the roof…and if they don’t, expect diaper sales to skyrocket at the turn of the new year.

Check Julien Mier’s incredible remix after the jump.

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