Hot Jam of the Day: T-Pain, "Textin' My Ex" (f/ Tiffany Evans)


T-Pain “Textin’ My Ex” (f/ Tiffany Evans) Oblivion Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a Read more

Images & Words: SOPHIE, "It's Okay To Cry"


SOPHIE "It's Okay to Cry" Digital Single Every once in a while, somebody puts out something that takes your breath away. "It's Okay to Cry" is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is Read more

Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz chords Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Images & Words: Stormzy, "4PM in London"


Stormzy "4PM in London" Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous "4PM in London" was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy's got the rare ability to Read more

Hot Jam of the Day

Hot Jam of the Day (04.10.12): Lost in the Trees, “Golden Eyelids”

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Lost in the Trees
“Golden Eyelids”
A Church That Fits Our Needs (-ANTI, 2012)

Sometimes an album comes around that is just really fucking beautiful. It may not be particularly original or speak to you on a deeper level, but it is just really aesthetically pleasing. The sophomore LP from North Carolina’s foremost freak folk collective, Lost in the Trees, is just this sort of album. Blending backwoods-style nylon stringed guitars, lush strings, jangly percussion, and soaring vocal harmonies, Lost in the Trees would be the perfect sunny house band should Sufjan Stevens ever decide to start his own hippy commune (potential name: The Joy Ecstatic).

[soundcloud url=”http://api.soundcloud.com/tracks/37504596″ iframe=”true” /]

Watch the Video after the Jump.

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Hot Jam of the Day (04.09.12): Waka Flocka Flame, “I Don’t Really Care” (f/ Trey Songz)

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Waka Flocka Flame
“I Don’t Really Care”
Triple F Life: Friends, Fans, And Family

Waka Flocka Flame is the Tyson Chandler of hip-hop. Though both have recently attained superstar status, neither have changed their game at all and are more than happy to put on their hard hats and bang bodies down low. Even when he’s greeted with a radio-friendly club track like this (or 2010’s immortal “No Hands”), the young ATLien just can’t stop himself from going hard in the paint. That’s what makes this collaboration with Trey Songz — the NBA’s Ray Allen (all finesse, great teammate/set-up man, not quite good enough to win a title on his own) — so fulfilling. Waka’s lunchpail flow is a perfect foil to Songz’s sweet stroke, giving the crooner plenty of space to get his shine while holding it all together with two of his trademark, HAM verses. The result is a track that is smooth enough for the radio and hard enough for his core fans.

[soundcloud url=”http://api.soundcloud.com/tracks/39156813″ iframe=”true” /]

Hot Jam of The Day (04.06.12): A$AP Rocky (f/ H-Town All-Stars), “Purple Swag” (Remix)

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A$AP Rocky (f/ Paul Wall, Bun B, Killa Kyleon)
“Purple Swag” (H-Town All-Stars Remix)
Live Love Purple

To deride Harlem’s rising star A$AP Rocky for leaning too much on a sound that isn’t his own would be missing the point completely. Harlem may be more than 2,000 miles away from Houston’s syrup-soaked south side, but in the internet age, it really doesn’t matter. If the world’s leading Chillwave scholar can reside in one of the most decidedly un-chill locales on the planet, A$AP can be inspired by whomever he wants. And while Rocky relies heavily on his influences, he is always quick to big up his inspirations. He shows love to three of his biggest inspirations by getting out of the way entirely, letting three of Clutch City’s most diverse voices get their shine on. You can’t be mad at that.

[soundcloud url=”http://api.soundcloud.com/tracks/40838550″ iframe=”true” /]

And just for the hell of it, here’s one of my favorite ever H-Town (by way of Port Arthur) tracks.

Hot Jam of the Day (04.06.12): Kanye West, “Theraflu”

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Kanye West
“Theraflu”
Unreleased

Most of what’s been written about Kanye’s scathing pre-G.O.O.D. Friday single centers around a throwaway line about a B-List reality star. However, those only interested in Kimye’s potential future are forgetting the most important thing: this cut is all about the past. On “Theraflu,” the Chicago MC is back to his rampant, ferocious pre-808’s best, spitting line after line of his patented “sophisticated ignorance.” As a rule, an angry Kanye is a good Kanye, and while he is capable of crafting some of the most fascinating conceptual work on the planet, nobody can deliver a fuck you track quite like him.

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And because it’ll probably get taken down in the next 18 minutes, here’s another example of new Kanye channeling old Kanye: 2011’s in-fucking-credible “Mama’s Boyfriend.”

Hot Jam of the Day (04.04.12): jj, “Beautiful Life”

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jj
“Beautiful Life”
jj n° 4 (2012)

It’s always a good morning when you wake up to an email from the Sincerely Yours folks. It means your day is going to start with a new, enigmatic slice of (mostly) Swedish pop magic. My excitement was magnified by the email I received this morning, thanks to its subject line: “l to the o to the.” Hoping it would be another warped take on a track by The-Dream — SY released Sail A Whale’s ghostly re-work of “Love King” a couple years ago — I (virtually) tore into it.

Though it’s decidedly not Terius-related, I was pleased to hear a typically shimmering, expansive new cut from the label’s most famous artists, the mysterious jj. The duo continues with their American radio-rap obsession, vocalist Elin Kastlander celestially blows “dro in this bitch” (to the extent that such a thing is possible) over a trademark  Joakim Benon arraignment: carefree, sparse, and just-a-little-bit Balearic.

[soundcloud url=”http://api.soundcloud.com/tracks/42001334″ iframe=”true” /]

Sail a Whale’s “Love (The-Dream) King”

[soundcloud url=”http://api.soundcloud.com/tracks/8048241″ iframe=”true” /]

Hot Jam of the Day (04.03.12): Dent May, “Best Friend”

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Dent May
Best Friend
Do Things (Paw Tracks)

Dent May seems like a fucking weirdo. Not like a check-out-how-weird-I-am/play-one-on-TV type weirdo. But, like a legitimately weird as fuck, weirdo. If the Jackson, Mississippi-based singer-songwriter owns less than six cats, it’s only because his mother doesn’t let him keep them in the house or it’s because he’s already set them on fire. Ok, that’s probably taking it a bit far, but his twisted take on 60’s pop-rock and  Sexy People-style promo photos make it hard not to draw those kinds of conclusions. He thrust himself into the pop music zeitgeist with one of 2009’s best songs, the glorious, piano-driven “Eastover Wives,” which doubled as a inch-perfect slice of Beach Boys-era nostalgia and a bizarrely cautionary tale about the dangers of women getting involved in sex and marriage too young. This, the first single from the long-awaited Do Things, is more of the same, an ode to a best friend that is so earnest and cheesy, I almost thing he’s fucking with us. But I doubt it.

[soundcloud url=”http://api.soundcloud.com/tracks/41348119″ iframe=”true” /]


Hot Jam of the Day (04.02.12): Dirty Projectors, “Gun Has No Trigger”

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Dirty Projectors
“Gun Has No Trigger”
Swing Lo Magellan (Domino)

These Brooklyn-based indie-rock experimentalists’ are the purveyors of one of the most anticipated albums of 2012. Their 2009 breakthrough Bitte Orca was a breathtaking, frenetic affair that highlighted the mufti-faceted collective’s inspiring, fascinating take on pop music. This, the lead single off said album, is the group at their glorious best. While sparse is never going to be considered the group’s primary M.O., they nail it here, as band leader/vocalist David Longstreth’s strained howl is perfectly framed by some impossibly mellifluous oooh’s from Amber Coffman and Angel Deradoorian and a naked-except-for-drums accompaniment. I don’t think it’s given us much of a clue about the album’s sonic direction, unless “awesome” counts.

[soundcloud url=”http://api.soundcloud.com/tracks/41218921″ iframe=”true” /]

Hot Jam of the Day (03.30.12): Jai Paul, “Jasmine”

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Jai Paul
“Jasmine” (Demo)
From Upcoming Release on XL

Somebody forgot to tell soulful British crooner Jai Paul that this is the Internet age, and if you are a young artist with a bit of buzz, you are supposed to release new tracks music about every 3.6 seconds. It’s hard to believe that it’s taken Paul nearly two years to follow up on the buzz from his unfuckwitable (see what I’ve done there?) breakthrough single “BTSU” (which was actually written all the way back in 2007), but the wait was certainly worth it. “Jasmine” is a moody, groovy slow burner that comes as a less robotic take on Daft Punk’s classic “Something About Us.” Above anything, it shows that the enigmatic vocalist is no one-trick pony, and hopefully 2012 will be the year that we finally get to hear a full-length from him.

[soundcloud url=”http://api.soundcloud.com/tracks/41479635″ iframe=”true” /]

Hot Jam of the Day (03.29.12): Elite Gymnastics, “Here, in Heaven 4 & 5” (CFCF Rework)

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Elite Gymnastics
“Here, in Heaven 4 & 5” (CFCF Rework)
Ruin 4

I can’t remember a track in recent years that has undergone as many fascinating incarnations, as “Here, in Heaven,” the ghostly centerpiece of the KPOP-obsessed Minneapolis natives’ breakthrough debut LP. “Here, in Heaven 1” is a chaotic, claustrophobic affair, while its second manifestation is a shadowy, murky slowjam that would make a perfect last dance at Morticia Addams’ first post-Gomez eHarmony marriage. We’ve heard How To Dress Well (né Tom Krell) lend his signature falsetto to a typically sparse, typically affecting version, and now we’re treated to Canadian synth-meister CFCF’s instrumental, ethereal re-work that builds to an impossibly beautiful climax.

Vegas has the over-under at 8 versions of this song by February 2013, and I’m pounding the over. And, honestly, as long as artists this creative and talented keep tackling it, I’ll keep listening.

[soundcloud url=”http://api.soundcloud.com/tracks/40739134″ iframe=”true” /]

Check out HTDW’s stunning version. Originals after the jump.

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Hot Jam of the Day (03.28.12): Princeton, “Florida”

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Princeton
“Florida”
Remembrance of Things to Come (Hit City USA, 2012)

It’s fitting that this Santa Monica-bred, Eagle Rock-based chamber pop quartet is named after a place (Princeton St. in Santa Monica, not the University), because frontman Jesse Kivel’s lyrics constantly revolve around feeling particular ways in particular places. Their breakthrough EP was called “Bloomsbury” — after the district of London that was once home to Charles Dickens and Virginia Woolf Kivel and where Kivel and his bass-playing brother Matt lived in during college. There was their breezy 2010 single “To The Alps.” There was their debut album’s best track, “Stunner Shades in Heaven,” that saw Kivel wax lyrical about “summer nights in San Sebastian,” San Diego, Santa Cruz and San Francisco.

All of Kivel’s work (he is also the lead singer of one of 2010’s best new bands, Kisses) is so reminiscent of Jens Lekman, and it’s not just because of his warm blanket of a voice. Lekman is a master of matching detailed, honest descriptions of very personal moments in his life in particular locales (see: “Friday Night at the Drive in Bingo” & “The Cold Swedish Winter”) with relatable, over-arching truths and evocative, sweeping melodies, leaving you feeling nostalgic for moments that you may have never had. “Florida” is full of snapshots of a life that probably isn’t yours (“driving drunk home from a local club”), but is probably just a bit like yours. And it’s hard not to get swept away.

[soundcloud url=”http://api.soundcloud.com/tracks/35150477″ iframe=”true” /]