Images & Words: Creek Boyz, "I'm The One"


Creek Boyz "I'm the One" Digital Single It's still very early in their career, but the soulful, melodic Baltimore County crew feel like one of the freshest new groups out. Following up their magnetic debut single, "With My Team," "I'm the One" is a triumphant, buoyant anthem that showcases their versatile talents as Read more

Images & Words: King Krule, "Czech One"


King Krule "Czech One" Digital Single I first covered the 22 year-old when he was just a random London teen named Zoo Kid. And while his potential was obvious, I doubt many predicted what an original and sonically restless artist Archy Marshall would become. In the four years follwing his excellent debut LP, 6 Feet Beneath the Moon, Marshall released the excellent ambient-leaning, Read more

Hot Jam of the Day: Julien Baker, "Appointments"


Julien Baker "Appointments" Turn Out the Lights (out 10.27 on Matador) "It's the hope that kills you," goes the old saying. But it can also be the thing that saves you and drives you through life's dark stretches. It's what the 21 year-old is reaching for on this breathtaking first single from her highly-anticipated second Read more

Hot Jam of the Day: Kelela, "LMK"


Kelela "LMK" Take Me Apart (10.06 on Warp) Our agonizing wait for the first taste of Kelela's proper studio debut* is finally over, and my GOD, our girl came through with a banger. In lieu of just typing 4,000 fire emojis, I'll just say that "LMK" is such a perfect distillation of what makes Read more

Images & Words: Jessie Ware, "Midnight"


Jessie Ware “Midnight” Digital Single In the years I’ve been covering music, I wrote more about Jessie Ware’s early career than just about anyone else. I first covered her back in 2011 and tracked her progression from a promising, mostly unknown, quiet storm prodigy to a true powerhouse who could command any room she was Read more

Hot Jam of the Day

Hot Jam of the Day (03.30.12): Jai Paul, “Jasmine”

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Jai Paul
“Jasmine” (Demo)
From Upcoming Release on XL

Somebody forgot to tell soulful British crooner Jai Paul that this is the Internet age, and if you are a young artist with a bit of buzz, you are supposed to release new tracks music about every 3.6 seconds. It’s hard to believe that it’s taken Paul nearly two years to follow up on the buzz from his unfuckwitable (see what I’ve done there?) breakthrough single “BTSU” (which was actually written all the way back in 2007), but the wait was certainly worth it. “Jasmine” is a moody, groovy slow burner that comes as a less robotic take on Daft Punk’s classic “Something About Us.” Above anything, it shows that the enigmatic vocalist is no one-trick pony, and hopefully 2012 will be the year that we finally get to hear a full-length from him.

[soundcloud url=”http://api.soundcloud.com/tracks/41479635″ iframe=”true” /]

Hot Jam of the Day (03.29.12): Elite Gymnastics, “Here, in Heaven 4 & 5” (CFCF Rework)

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Elite Gymnastics
“Here, in Heaven 4 & 5” (CFCF Rework)
Ruin 4

I can’t remember a track in recent years that has undergone as many fascinating incarnations, as “Here, in Heaven,” the ghostly centerpiece of the KPOP-obsessed Minneapolis natives’ breakthrough debut LP. “Here, in Heaven 1” is a chaotic, claustrophobic affair, while its second manifestation is a shadowy, murky slowjam that would make a perfect last dance at Morticia Addams’ first post-Gomez eHarmony marriage. We’ve heard How To Dress Well (né Tom Krell) lend his signature falsetto to a typically sparse, typically affecting version, and now we’re treated to Canadian synth-meister CFCF’s instrumental, ethereal re-work that builds to an impossibly beautiful climax.

Vegas has the over-under at 8 versions of this song by February 2013, and I’m pounding the over. And, honestly, as long as artists this creative and talented keep tackling it, I’ll keep listening.

[soundcloud url=”http://api.soundcloud.com/tracks/40739134″ iframe=”true” /]

Check out HTDW’s stunning version. Originals after the jump.

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Hot Jam of the Day (03.28.12): Princeton, “Florida”

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Princeton
“Florida”
Remembrance of Things to Come (Hit City USA, 2012)

It’s fitting that this Santa Monica-bred, Eagle Rock-based chamber pop quartet is named after a place (Princeton St. in Santa Monica, not the University), because frontman Jesse Kivel’s lyrics constantly revolve around feeling particular ways in particular places. Their breakthrough EP was called “Bloomsbury” — after the district of London that was once home to Charles Dickens and Virginia Woolf Kivel and where Kivel and his bass-playing brother Matt lived in during college. There was their breezy 2010 single “To The Alps.” There was their debut album’s best track, “Stunner Shades in Heaven,” that saw Kivel wax lyrical about “summer nights in San Sebastian,” San Diego, Santa Cruz and San Francisco.

All of Kivel’s work (he is also the lead singer of one of 2010’s best new bands, Kisses) is so reminiscent of Jens Lekman, and it’s not just because of his warm blanket of a voice. Lekman is a master of matching detailed, honest descriptions of very personal moments in his life in particular locales (see: “Friday Night at the Drive in Bingo” & “The Cold Swedish Winter”) with relatable, over-arching truths and evocative, sweeping melodies, leaving you feeling nostalgic for moments that you may have never had. “Florida” is full of snapshots of a life that probably isn’t yours (“driving drunk home from a local club”), but is probably just a bit like yours. And it’s hard not to get swept away.

[soundcloud url=”http://api.soundcloud.com/tracks/35150477″ iframe=”true” /]

Hot Jams of the Day(s) (03.27/8.12): Air France, “Collapsing Outside Your Doorstep” & “No Excuses”

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Air France
“Collapsing Outside Your Doorstep” & “No Excuses”
No Way Down (Sincerely Yours, 2008) 

[soundcloud url=”http://api.soundcloud.com/tracks/10455212″ iframe=”true” /]

“It’s like a dream, isn’t it?”
“No, better.”

I can’t think of a better way to describe Swedish duo’s seminal (yeah, I said it) second EP than by borrowing the cherubic sample that permeates the song that made me fall in love with the group in the first place. Though it sounds strange to call an album influential only four years after its release, this is this Internet age and this is what’s happening now. Along with criminally underrated fellow Swedes, Boat Club, nobody was more responsible for the rise of today’s hugely popular airy, Balaeric-twinged pop — and its red-headed bastard child, Chillwave — than Air France. While they weren’t the first, they were certainly the best at marrying the blissed-out Ibizan dancefloor sound with a strong pop sensibilities.

For that reason, there was a staggering outpouring of praise and disappointment when the group announced they would be splitting on Monday. The group’s members — Joel Karlsson and Henrik Markstedt — stated an inability to match the quality of the devastating No Way Down, and while that is ostensibly understandable, it’s also surprising because their brilliant, undulating 2011 single, “It Feels Good To Be Around You” suggested huge things for the group in 2012.

While it’s tough to say goodbye, we’ll always have the memories, and in Air France’s case, they’re particularly spectacular (so fitting for a group that made music dripping with nostalgia). Besides helping shape the sound of countless breakout artists (Toro y Moi, Washed Out, jj, etc) and launching the most interesting record label of the last five years, No Way Down is truly special because of its wide-eyed, unbelievably lush six tracks. It’s the perfect collection — an incredible set of anthemic, blissful Balearic pop earworms, ready to wriggle their way into your heart and get your head dreaming of “wamer climes” (sorry, had to). For someone who grew up over 5,000 miles from the Mediterranean Sea, it opened me up into an entirely new sound.

Whether or not this is really the end remains to be seen, but whatever happens, I’ll continue to be grateful to Karlsson and Markstedt — not only for forming one of my three favorite bands of the last five years — but for all the music they turned me on to and all the excellent (and not-so-excellent) bands they influenced.

[soundcloud url=”http://api.soundcloud.com/tracks/555111″ iframe=”true” /]

Hot Jam of the Day (3.23.12): Ice Choir, “Two Rings”

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The debut single from the 80’s-influenced, moody Brooklyn synth-pop duo, this is fucking excellent. Listen to it.

[soundcloud url=”http://api.soundcloud.com/tracks/36079974″ iframe=”true” /]

Hot Jam of the Day (03.21.12): Danny Brown, “Grown Up”

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Too exhausted to blog, thanks to my cross-country flight to New York City (biggest first world problem, ever). Simply put, I love Danny, and you should too.

[soundcloud url=”http://api.soundcloud.com/tracks/40625899″ iframe=”true” /]

Hot Jam of the Day (03.22.12): John Talabot, “Will Be Now” (Young Edits Club Mix)

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John Talabot (f/ Pional)
“Will Be Now” (Young Edits Club Mix)
Original Available on ƒIN

When it comes to remixes, sometimes less is more. This is extremely evident on rising Australian producer Young Edits’ tasteful, sunny take on Talabot’s glistening single. Edits (né Luke Foskey) is smart enough to mostly get out of the way of the Barcelona Balearic beat merchant’s swirling, repetitive original, happy to fall back and deftly add minor sonic accoutrements that highlight the tracks biggest strength: it’s hypnotic, mantric quality. It’s getting to be that time of year, and this is the kind of cut that makes you feel like summer is just around the corner. If you haven’t heard the rest of ƒIN, do yourself a favor. It’s a keeper.

[soundcloud url=”http://api.soundcloud.com/tracks/39710287″ iframe=”true” /]

Download Here.

Hot Jam of the Day (03.20.12): Odd Future, “Oldie”

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Odd Future
“Oldie”
The OF Tape Vol. 2 (Odd Future Records)

LA-based troublemakers Odd Future roll deep as fuck on this, the final cut of their highly-anticipated new album. If an alien came down from Mars and asked what kids in 2011 are into/like, this is what I would show them. Love ’em or hate ’em, nobody has changed the landscape of pop culture like Odd Future has in the last 18 months, and this gargantuan celebration of the group’s incredible recent run serves as the perfect bookend to the first chapter of their career.

As Tyler is wont to do, he sums things up brilliantly with his last line of this 10-minute rhymefest with, “They say we ain’t actin’ right, always tryin’ to turn my fuckin’ color into black and white./But they’ll never change em, never understand em, “Radical” is my anthem, turn my fuckin’ ass up/So instead of critiquing and being mad as fuck, just admit not only are we talented, we’re rad as fuck.” Amen.

Hot Jam of the Day (03.18.12): Airhead, “Wait”

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Airhead
“Wait”
Wait “10 (R&S Records)

Airhead has long been lumped in with post-dubsteppers like Lapalux, Mount Kimbie, and James Blake (with whom he’s collaborated with) and while that’s a pretty decent group to be in, this is the sound of a young artist coming into his own and carving out his own sound. Riding an eerie acoustic guitar line (how un-dubstep is that?), the London-based producer (né Robert McAndrews) chops a sultry vocal sample to bits, resulting in a fresh take on the sound that’s captivated us over the last two years. The real payoff comes at the end, when McAndrews interjects a fresh guitar line that recalls the best of the XX. This single promises big things for his full-length due out later this year, also on R&S.

[soundcloud url=”http://api.soundcloud.com/tracks/39959714″ iframe=”true” /]

Hot Jam of the Day (03.16.12): Lemonade, “Neptune”

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Lemonade
“Neptune”
Diver (True Panther)

At first listen, it’s easy to write off the debut single from the San Francisco-cum-Brooklyn trio’s second LP as mere Wham!/Culture Club pastiche. But give it a shot, and you’ll realize that kitsch officially stops being kitsch when it’s this fucking good. The track is so reminiscent of fellow Brooklyn transplants Violens’ stunning “Acid Reign (In The Trees Mix)” from a couple of years back. Like the Violens track, this is straight out of left field for the group; their breakthrough EP Pure Moods was very much a hyperactive Balearic pop record, in the vein of groups like Tanlines. “Neptune” is a clear-eyed, synth-slathered 80’s-influenced slow jam that sees vocalist Callan Clendenin dripping with regret over something that everyone can relate to: a fight with a lover at a party. Direct, heartfelt, and melodically rich, this is easily one of my favorite tracks of the young year.

[soundcloud url=”http://api.soundcloud.com/tracks/39122557″ iframe=”true” /]