Wet, "There's A Reason"

Wet “There’s a Reason” Digital Single I’ve gone back and forth about the subtle stylistic shift that the Brooklyn group has made on their first single as a duo. After enjoying widespread acclaim early in their career, their debut LP was met with tepid reviews, which mostly complained about their dogged commitment Read more

The Round-Up: The Best Tracks of January and February

I've been a little slow to get cranked back up in 2018, but I quickly realized that a shitload of great music has dropped in January and February. Here's a quick wrap-up of a few of my favorites. Bad Gyal “Internationally” Worldwide Angel (out now on Puro) It sounds hyperbolic, but Read more

Grouper, "Parking Lot"

Grouper "Parking Lot" Grid of Points (out 04.27 on Kranky) Every time Liz Harris drops a new track, it's up to us to savor it and appreciate it for the little miracle that it is. It may sound like hyperbole, but everything she's put our since her wonderfully shut-in 2007 LP Cover the Read more

Swae Lee, "Hurt To Look" (f/ Rae Sremmurd)

Swae Lee "Hurt To Look" Swaecation (out soon on Ear Drummers) Sremm Season is rapidly approaching, and on Wednesday, the venerable Mississippi brothers treated us to the first three tasters from their upcoming triple disc. Each of the three deserve some shine. "Powerglide" is the kind of airy, hyperactive banger that they Read more

Kacey Musgraves, "Space Cowboy"

Kacey Musgraves “Space Cowboy” Golden Hour (out 03.30 on UMG) Very few country artists can crush my heart like the 29 year-old Texan. Whether it’s the swooning, wedding-worthy, “Late To The Party” (one of my Top 5 Songs of 2015) or the heartfelt, sad-sack tale about small-town life “Merry Go ‘Round,” Read more

Hot Jam of the Day

Hot Jam of the Day (05.18.12): Lemonade, “Softkiss”

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Diver (True Panther)

The same week we got a tasty video for the BK-via-SF 80’s-obsessed trio’s spellbinding slow jam, “Neptune,” they grace us with another slice of synth-slathered gold.  Though it’s a much more upbeat affair, it is cut from the same cloth as “Neptune” (one of the best ten songs of 2012 so far). Moody, expressive, and dripping with nostalgia, “Softkiss” again sees vocalist Callan Clendenin pinning over a lost lover. In the wrong hands, a refrain like “do you still wear my coat when you get cold?” would come off incredibly trite and callow, but Clendenin’s earnest croon turns it into an affecting rhetorical question that hits close to home. I thought their self-titled debut LP was forgettable, and their follow up EP, Pure Moods, was solid but unspectacular, but based off the two tracks I’ve heard, I think Diver might turn out to be an absolute gem. Watch this space.

Lemonade: “Softkiss”

Hot Jam of the Day (05.17.12): Lil’ B, “3 Stacks”

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Lil’ B
“3 Stacks”


Hot Jam of the Day (05.16.12): Yeasayer, “Henrietta”

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Unnamed Upcoming LP (Secretly Canadian) 

Oh Sayers of Yea, it’s so nice to have you back. Your bizzaro, vaguely-ethnic pop feels like an old sweater on our creaking bones, and it feels so long since you sprinkled your Odd Blood upon us and bludgeoned us into submission with All Hour Cymbals. Oh you benevolent Brooklynites, enchant us again with your delectable vocal harmonies and sonorous shapeshifting. My fair mates and I have spent countless hours lost in your majestic meadow of musical madness and look forward to many more moons of malarky.

Translation: I love Yeasayer. I listened the absolute shit out of their last two albums, and I am unbelievably stoked to have them back. I can’t wait for their new album. It’s late, and I need to go to bed. I’ve never read Shakespeare (in case you hadn’t noticed).

[soundcloud url=”http://api.soundcloud.com/tracks/46512446″ iframe=”true” /]

Hot Jam of the Day (05.15.12): The Tallest Man on Earth, “1904”

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The Tallest Man on Earth
There’s No Leaving Now (Dead Oceans)

Ok, people. It’s officially time to start taking Swedish folk singer Kristian Matsson seriously. The whole Dylan rip-off criticism needs to be put to bed. In a relatively short five years, he has cultivated an army of excellent folk songs and has crafted his own signature sound. On this, the first single from his upcoming third album There’s No Leaving Now (due out June 11), the diminutive Swede flexes his songwriting muscle, matching a light, meandering guitar line with his earnest, full-throated vocals. Like all the best folk artists, Matsson’s music has a knack for cultivating rich, transportive canvases that swallow up the listener and bring them into his reality, and “1904” is no different. One of the most distinctive and important voices in the genre today.

The Tallest Man on Earth: “1904”

Hot Jam of the Day (05.13.12): Best Coast, “How They Want Me To Be”

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Best Coast
“How They Want Me To Be”
The Only Place (Mexican Summer)

Without a doubt, no album has taken me off guard this year like the shimmering sophomore LP from the divisive Eagle Rock duo. As I’ll get into more when I review The Only Place later this week, it’s just such a huge step forward for the group. Channeling one of her heroes, Stevie Nicks, oft-derided vocalist/songwriter Bethany Cosentino dials back the reverb and really lets her voice shine, and the result is absolute magic. Cosentino paints an articulate, affecting reflection of what it’s like being a reluctant Internet celebrity. When she sings, “cuz when I wake up in the morning or the middle of night, I wonder who’s there and what they’ve said. But when I wake up in the morning or the middle of the night, I look at you and I know it’s alright,” it gives us an insight into who she is in a way that nothing she’s ever done has. An absolute standout from an incredibly special album.

Best Coast: “How They Want Me To Be”

Hot Jam of the Day (05.12.12): Jacques Greene & Ango, “Untitled

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Jacques Greene & Ango

Montreal-based post-dubstep producer Jacques Greene has made a career of creating moods rather than songs. Airy, spacious cuts like “Another Girl” bubble and build in a way that pop songs just don’t. All of this makes his recent collaboration with mercurial Canadian vocalist Ango all the more spellbinding, as it is a decidedly non-pop take on the traditional typical pop/R&B formula. Driven by Ango’s smooth vocal and a typically urbane drum machine line, it starts out as another (admittedly potent) example of the bedroom R&B that is blowing up right now. About halfway through, it takes a totally unexpected left turn, which is pure Jacques Greene. Superb.

Jacques Greene: “Untitled”

And, the brilliant “Another Girl”…..

[soundcloud url=”http://api.soundcloud.com/tracks/11100445″ iframe=”true” /]

Hot Jam of the Day (05.11.12): Ice Choir, “Teletrips”

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Ice Choir
Afar (Underwater Peoples)

This, the first single from Brooklyn synth-pop outfit Ice Choir’s debut LP, jives well with the fantastic “Two Rings” 7″ that was released earlier this year. Led by the Pains Of Being Pure At Heart’s Kurt Feldman, Ice Choir lionizes a totally different part of 80’s pastiche than TPOBPAT, focusing on the warm, keyboard-driven sounds of pop radio instead of the moody, shoegazey alternative sound of the time. Like the devastating “Two Rings,” “Teletrips” pairs a rock-solid bass riff and plenty of twinkling synth filigree with a dreamy vocal melody and Feldman’s classic tenor. If you aren’t a fan of 80’s pop, you should probably skip this, but if you are, you’ll love Ice Choir.

[soundcloud url=”http://api.soundcloud.com/tracks/45947349″ iframe=”true” /]

And, “Two Rings”.
[soundcloud url=”http://api.soundcloud.com/tracks/29284983″ iframe=”true” /]

Hot Jam of the Day (05.07.12): Teen Daze, “What You Feel”

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Teen Daze
“What You Feel”
All of Us, Together (B-Side) (Lefse)

Thanks to the Internet, trends come and go incomprehensibly quickly, and if you don’t heed Tim Gunn’s advice, you might end up on the wrong side of Heidi Klum’s mantra (and this week’s award for unnecessarily cryptic pop culture metaphor goes to….). Though chillwave ruled the blogosphere just a few years ago, it is damn near retro nowadays, and while it’s a relentlessly nostalgia-focused genre, its artists are going to need to look to the future if they are going to remain relevant.

A chillwaver who is doing just that is Vancouver’s Teen Daze. From the bits of the ridiculously chillwaveily-titled All of Us, Together that have been released, Daze has turned up the Balearic influence and focused on songcraft, resulting in a deft, yet marked change in direction from his surprisingly excellent past EPs 2010’s Four More Years and 2011’s A Silent Planet. Though this dancefloor-friendly cut doesn’t make the album, it serves as a good example of how far he’s come and a reminder of why so many are so excited to finally hear his first proper LP.

[soundcloud url=”http://api.soundcloud.com/tracks/45189729″ iframe=”true” /]

Listen to “The Future,” a lovely pre-release cut from All of Us, Together.

[soundcloud url=”http://api.soundcloud.com/tracks/42010656″ iframe=”true” /]

Hot Jam of the Day (05.06.12): CFCF, “Exercise #5 (September)”

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“Exercise #5 (September)”
Exercise (Paper Bag)

I like everything I post on this site, but this is especially brilliant. Inspired by legendary composers Ryuichi Sakamoto and Phillip Glass, the prolific Canadian producer’s new album is a swirling, icy collection of emotive piano-driven pieces. Like a filmless film score, Exercise nails the transformative, evocative quality that made the aforementioned artists so special, and after a few listens, I defy you not to get lost in Exercise’s fascinating world. This, the only track on the album with vocals, works so well in the context in the album, beacuse the warm, comforting vocals of CFCF (né Mike Silver) form the perfect contrast to the rest of his sparse, often-chilly compositions. This is really, really special.

[soundcloud url=”http://api.soundcloud.com/tracks/44402238″ iframe=”true” /]

Watch Silver perform an arresting version of the song below (courtesy of Yours Truly).

Yourstru.ly Presents: CFCF – September from Yours Truly on Vimeo.

Hot Jam of the Day (05.05.12): Cassie, “King of Hearts” (Richard X Remix)

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“King of Hearts” (Richard X Remix)

Like many others, I was tipped off to singer/actor/model/awful-hair-haver Cassie Ventura’s impeccable new single by Kanye West’s remix that came out a few months ago. At first listen, it was imminently clear that its success was due to the near-perfect original, not Mr. West’s studio trickery. Remix extraordinaire Richard X’s version betters the Louis Vuitton Don’s, simply because he understands how special Ventura’s original is. He gets out of the way and lets Cassie do her thing, resulting in that perfect remix where it makes the original track even better. Delish.