Mitski, "Two Slow Dancers"


Mitski "Two Slow Dancers" Be The Cowboy (out 08.17 on Matador) Every slow dance with someone you care about feels like a moment suspended in time. I mean, that's the point, right? Your hands are tied, your bodies are connected, and even your gaze is limited. Mitski, the fantastic New York songwriter, Read more

Future, "Hate the Real Me"


Future "Hate the Real Me" Beastmode 2 (out now on Epic) The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015's legendary "Beast Mode" tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over Read more

The Round-Up: The Best Songs of 2018 (So Far...)


Somehow, some fucking way, 2018 is more than half over. And though it might feel like I always say this, I think this was the toughest list I've had to make yet. There's been an overwhelming number of exciting, vital new voices popping up and plenty of fantastic follow-ups Read more

Images & Words: The 1975, "Give Yourself A Try"


The 1975 "Give Yourself A Try" A Brief Inquiry into Online Relationships (out in October on Dirty Hit) Though it's been out for about two weeks, I've listened to the Manchester quartet's new single roughly two million times. Compositionally, it's totally unremarkable. Built around a repetitive, simplistic guitar riff and three chords, Read more

Images & Words: The Rhythm Method, "Chin Up"


The Rhythm Method "Chin Up" Digital Single Every two years*, I get afflicted with the same illness. It usually starts up a few weeks before every major international football tournament and lasts until somewhere around the quarterfinals. Who knows how long my believesthatEnglandcanwinthewholething-itis will last for this year, but I'm hoping that Read more

Hot Jam of the Day

Jorja Smith, “Let Me Down” (f/ Stormzy)

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Screen Shot 2018-01-12 at 11.02.27 AMJorja Smith
“Let Me Down” (f/ Stormzy)

Digital Single
Two of Britain’s biggest talents link up for a dramatic, yearning piano ballad. Though I’m never going to complain about a Stormzy verse, its the 20 year-old vocalist who is the star of the show, gliding dramatically over sedated, Adele-ish pianos. Smith wrote “Let Me Down” as her version of a Bond Theme, and my god, you can feel it. Her voice aches as she accepts her places as somebody else’s afterthought. It’s a heartbreaker, but it’s also triumphant.

Sufjan Stevens, “Tonya Harding”

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sufjan-stevens-stalkers-album-dumpster-mp3Sufjan Stevens
“Tonya Harding”

Digital Single
One of those songs that came out while I was writing my year-end list, I wanted to come back to Sufjan’s wonderful, heartfelt tribute to fellow Oregonian Tonya Harding. Though he seems like an interesting guy, Stevens excels at writing about others — approaching his subjects with a journalist’s eye for detail and a screenwriter’s narrative touch. There’s a palpable tenderness and love in those songs, and it’s clear that the 42 year-old goes to great lengths to get inside his characters, presenting them wholly… flaws and all.

River Tiber, “Patience”

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Tommy_Paxton-Beesley-e1438888595507River Tiber
“Patience”

Digital Single
It’s year-end list season at ThunderPenguin HQ, so I’ve been a little slow on new music. That said, this soulful new track from the Toronto R&B singer stopped me in my tracks. “Patience” begins as a smoky-room, late-night jazz ballad before building to a pair of unexpected, powerful crescendos.

The-Dream: “It’s Yo Birthday”

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The-Dream-press-cr-Miguel-Starcevich-2017-billboard-1548The-Dream
“It’s Yo Birthday”

Digital Single
Yesterday was the 10-year anniversary of The-Dream’s classic debut, “Love Hate.” And to celebrate, San Terius dropped with sleepy, low-key bedroom cut that feels like it could have been a B-side from those sessions. Hopefully, it’s a sign of things to come for the 40 year-old who has long been hinting that a new project is on the way.

Nicolas Jaar, “Wildflowers”

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71359ce3d2ae34368b6545fc5479aee7Nicolas Jaar
“Wildflowers”

Sirens (Deluxe Edition) (out now on Other People)
One of the new tracks from the re-up of his excellent 2016 album Sirens, “Wildflowers” is a perfect distillation of Jaar’s rare ability to craft a singular sound that’s both recognizable and amorphous. In other words, his sound is impossible to explain, but you also know it when you hear it. Built around aqueous guitar chords, drippy percussion, and his faraway falsetto, the track meanders through layers of sonic haze before resolving with an emotional crescendo.

Prins Thomas, Å (Pional Piano Mix)

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Prins_Thomas_promo_1000x664Prins Thomas
“Å” (Pional Piano Mix)
Prins Thomas 5 (out now on Prins Thomas Musikk)
On Friday, the Norwegian vet dropped a tasty new collection of his trademark spacey disco. Though the record is totally worth your time, my favorite song from the project actually wasn’t even on it. This sweltering remix from Spanish producer Pional raises the excellent “Å” to rapturous new heights with some languid, super effective piano work. Like the best house music, this track builds gradually, rising and receding deftly before building to an ecstatic climax.

Hot Jam of the Day: Noel Gallagher’s High Flying Birds, “Dead in the Water”

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landscape-original-noel-gallagher-december-esquire-43-jpg-292eb7dbNoel Gallagher’s High Flying Birds
“Dead in the Water”

Who Built the Moon? (out now on Sour Mash)
I’m not sure I’ll love Noel’s experimental, psych-influenced third post-Oasis LP, but I’ll always be a sucker for a good Gallagher ballad. Tacked on at the end of the disc, “Dead in the Water” has all the hallmarks of the stripped down, sing-along strummers that made Oasis one of the greatest bands of the 90’s. Vague melancholic nostalgia? Check. A knockout chorus melody? Check. A reimagined Beatles lyric? Check fucking mate. While I suppose it’s somewhat admirable that Noel isn’t spending his time trying to recreate past glories, I really like it when he does… even just for a few minutes.

Hot Jam of the Day: Negative Gemini, “Bad Baby”

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14364729_1225958697446505_1127788515740684871_nNegative Gemini
“Bad Baby”

Bad Baby EP (out January 2018 on 100% Electronica)
Just when you think you’ve figured out Lindsey French’s sound, the electro shapeshifter hits you with something new. “Bad Baby” features some of the hallmarks of her work — namely the ultra-warm, gauzy synths — but it also has pounding, acoustic drums that wouldn’t sound out of place on a hardcore or metal song. Somehow, they work perfectly, injecting extra humanity into her lovesick vocals.

Hot Jam of the Day: S. Carey, “Fool’s Gold”

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Screen Shot 2017-11-17 at 6.07.42 PMS. Carey
“Fool’s Gold”

Hundred Acres (out 02.23.18 on Jagjaguwar)
As winter slowly blows into New York City, it feels like the perfect time to welcome a new album from the ever-soothing Wisconsin musician, Sean Carey. Second single, “Fool’s Gold,” is a warm blanket of cooing vocals, strummed acoustics, and gentle keyboards. Though it’s the kind of song that washes over you as a single, it should be a lot more potent in the context of the album.

Hot Jam of the Day: T-Pain, “Textin’ My Ex” (f/ Tiffany Evans)

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Screen Shot 2017-11-16 at 4.23.55 PMT-Pain
“Textin’ My Ex” (f/ Tiffany Evans)
Oblivion
Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a sullen, unfashionable has-been — the Chad Kroger of R&B. He’s been surprisingly open about how much the whole process hurt him, specifically chagrined by how little credit he’s given for his undeniable influence on the current sound.

The story around “Oblivion” — his first record in six years — centers around a man who’s gone through the meat grinder and is primed for redemption. Bruised but unbroken, an older, wiser Pain is ready to translate everything he’s been through into the most potent, affecting work of his career. Unfortunately, none of that was apparent on its lead single, “Goal Line.” It’s a flaccid, ineffectual trap snoozer, more the work of a follower than a leader.

However, the pre-release promise starts to show on this swooning second single. A duet with rising R&B singer Tiffany Evans, “Textin’ My Ex” is a classic T-Pain song in so many ways — a well-written, well-sung ballad that tells a simple story. However, there’s a subtle difference. There’s a palpable ache in his voice that gives you the feeling that there’s higher stakes here. Maybe it’s because of all the bullshit he’s been through, or maybe it’s just that texting your ex is a much riskier proposition in your 30’s than it is in your 20’s. Whatever it is, it’s effective, and it’s made me so much more excited to hear what else is on “Oblivion.”