Mitski, "Two Slow Dancers"


Mitski "Two Slow Dancers" Be The Cowboy (out 08.17 on Matador) Every slow dance with someone you care about feels like a moment suspended in time. I mean, that's the point, right? Your hands are tied, your bodies are connected, and even your gaze is limited. Mitski, the fantastic New York songwriter, Read more

Future, "Hate the Real Me"


Future "Hate the Real Me" Beastmode 2 (out now on Epic) The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015's legendary "Beast Mode" tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over Read more

The Round-Up: The Best Songs of 2018 (So Far...)


Somehow, some fucking way, 2018 is more than half over. And though it might feel like I always say this, I think this was the toughest list I've had to make yet. There's been an overwhelming number of exciting, vital new voices popping up and plenty of fantastic follow-ups Read more

Images & Words: The 1975, "Give Yourself A Try"


The 1975 "Give Yourself A Try" A Brief Inquiry into Online Relationships (out in October on Dirty Hit) Though it's been out for about two weeks, I've listened to the Manchester quartet's new single roughly two million times. Compositionally, it's totally unremarkable. Built around a repetitive, simplistic guitar riff and three chords, Read more

Images & Words: The Rhythm Method, "Chin Up"


The Rhythm Method "Chin Up" Digital Single Every two years*, I get afflicted with the same illness. It usually starts up a few weeks before every major international football tournament and lasts until somewhere around the quarterfinals. Who knows how long my believesthatEnglandcanwinthewholething-itis will last for this year, but I'm hoping that Read more

Hot Jam of the Day

Julianna Barwick, “Garland”

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Julianna Barwick
“Garland”

Digital Single
When Julianna Barwick sings, I listen. On “Garland,” she pairs her celestial, angelic voice with a slow-burning pulse that deftly rises to a stunning climax. Though there’s no official word, hopefully this track will foreshadow a full-length follow up to her wonderful third LP, “Will.”

Soccer Mommy, “Still Clean”

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Soccer Mommy
“Still Clean”

Clean (out 03/02 on Fat Possum)
I was a little late in discovering Sophie Allison’s bedroom guitar-pop, but this forlorn heartbreaker hooked its fangs into me real quick. “Still Clean” is a downcast track about the way young love makes you learn that what’s real to you isn’t always real to someone else. Over a delicate, but busy guitar-line, Allison realizes she’d mistaken love for lust and that it’s time to move on. No matter how universal that feeling is, it’s such a difficult pill to swallow.

Warren Wolfe, “Careful U”

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Warren Wolfe
“Careful U”
Digital Single
Released as an unfinished demo on SoundCloud, “Careful U” is my favorite thing the rising Brooklyn singer-songwriter has put out yet. Though he’s best known for his gorgeous, aching falsetto, he dials back the vocals here, using his angelic voice as hypnotic window dressing rather than the main focus. The result is a swirling slice of dark-wave that wouldn’t sound out of place on a packed dance-floor. Whether it’s a one-off or a sign of a stylistic pivot to come, it’s an encouraging sign that Wolfe won’t be tied down to one particular sound.

Clara La San, “Unplanned”

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claralasan-1Clara La San
“Unplanned”

Good Mourning (out now on OCLONES)
I’m not proud of it, but somehow I completely missed the UK singer’s long-awaited debut mixtape when it dropped back in late November. So to make up for that oversight, I wanted to write about one of my favorite tracks on it — this emotional ode to mixing things up in a relationship. “Unplanned” highlights La San’s soft, evocative vocals and subtle songwriting, which are in abundance all over the exquisite, “Good Mourning.”

Chromeo, “Bedroom Calling” (f/ The-Dream)

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chromeo-color-1200x520Chromeo
“Bedroom Calling” (f/ The-Dream)
Head Over Heels (out soon on Atlantic)

It’s fitting that this track dropped the day after Bruno Mars swept the Grammys, because it wouldn’t have sounded out of place on “24K Magic.” To my ears, Chromeo has always been held back by the lack of a powerful, charismatic vocalist like Bruno, which would bring a human touch to their slick robo-pop. Luckily for us, the Canadian duo outsourced the vocals here, and King Terius delivers, coming through with a vintage, buoyant performance.

Mt. Si, “911”

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0006957000_10Mt. Si
“911”

911 (out 02.16 on Cascine)
Any project that features Kisses frontman Jesse Kivel and Michael David from Classixx is going to be smooth as all hell. Throw in the angelic vocals of Superhumanoids’ Sarah Chernoff, and you might as well just close your eyes and melt into your sonic beachside chaise lounge. New single, “911,” features remarkably deep and lush synths, which belie Chernoff’s lyrics which touch on anxiety in the digital age.

CFCF, “Self Service”

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cfcf_051614CFCF
“Self Service”

Self Service EP
Though much of Mike Silver’s work is quiet and piano-based, he’s always had a few house bangers in his locker, and new single “Self Service” is aimed straight at the dance floor. For six buoyant minutes, the cut bubbles and bobs along the surface with warm keys, a steady backbeat, and some well-played “oooh’s.”

Daniel Avery, “Slow Fade”

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Daniel Avery
“Slow Fade”

Slow Fade (out now on Phantasy Sound)
It’s been more than four years since the Bournemouth native dropped his gorgeous, dark techno debut LP, “Drone Logic,” but he’s finally back with a new EP that is sure to be a delight. Lead single, “Slow Fade,” is just the kind of sublime track that Avery made his name off. Built around aqueous synths and a low-key backbeat, it builds slowly before subtly resolving to engulfing climax. I can’t wait to dig deeper into this project.

Troye Sivan, “The Good Side”

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troye-sivanTroye Sivan
“The Good Side”

Digital Single
On his quietly excellent, autobiographical debut “Blue Neighborhood,” the Aussie made the jump from YouTube star to budding pop-star. The disc was an intimate look at first love — from the intoxicating early days to that unique brand of teenage heartbreak that sets in when it’s over. Though the record shot Sivan’s career into the stratosphere, what became of the man who inspired it?

“The Good Side” is Sivan’s attempt to reach back out to his first love and thank him for the part he played in Sivan’s life and recent success. No doubt, it’s an awkward situation, but the 22 year-old handles it with tenderness and grace, apologizing for the way he capitalized on their relationship without talking down to him. I’d imagine some will find this condescending, which is understandable. But to me, it’s a sincere attempt to reconcile that tricky moment when one’s art mirrors the difficult parts of life.

Mount Eerie, “Distortion”

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29-ogMount Eerie
“Distortion”
Now Only (out 03.16 on P.W. Elverum & Sun)
Less than a year since his stunning LP, “A Crow Looked At Me” (my 3rd favorite album of 2017), Phil Elverum is back with another project. And if its rambling, powerful lead single is anything to go off, it is going to be a doozy. Over beautiful but messy beds of classical guitar, the 39 year-old touchingly sings about his late wife, fears about fatherhood, an early pregnancy scare, his great grandfather, and countless other subjects in between. Though some have compared it to Mark Kozelek’s stream-of-consciousness recent work, to my ears it is a totally unique sound that makes its 11-minute runtime feel like it’s over in a snap. I can’t wait to hear the rest of the this album.