Sade, "The Big Unknown"


Sade "The Big Unknown" Windows Soundtrack (out now on Sony) Though she's only a few months shy of her 60th birthday, Helen Folasade Adu remains a force like nobody else. On the stunning "The Big Unknown," Sade proves that her quiet storm is still a Category 5, as she glides effortlessly over oceanic, Read more

Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Hot Jam of the Day

Ariana Grande, “thank u, next”

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Ariana Grande
“thank u, next”
thank u, next (out soon on Republic)
Considering all she’s been through publicly, it’s amazing that Ariana Grande is still only 25 years old, and her new single highlights that maturity. Over weightless keys, she speaks on her famous exes with care and perspective, reframing those very public heartbreaks into opportunities for growth and gratitude. Maybe it’s just her controlling the narrative, but I’m buying it.

boygenius, “Ketchum, ID”

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boygenius
“Ketchum, ID”

boygenius (out now on Matador)
Though it only contains six songs, Phoebe Bridgers, Julien Baker, and Lucy Dacus’ wonderful collaborative LP is one of the standout releases of the year. Its final track beautifully expresses the feeling of being far from home and never anywhere long enough to feel like you’re actually there. The three of them each take a verse, before intertwining on the chorus, which simultaneously illuminates their individual voices and highlights the shared experience that unites them.

1010 Benja SL, “Tragic X”

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1010 Benja SL
“Tragic X”

Two Houses (out now on Young Turks)
Really all that’s known about the new Young Turks signee is that he hails from Kansas City and can sing his ass off. After a pair buzzy early singles — 2017’s “Boofiness” and 2018’s “Wind Up Space” — got the ball rolling, 1010 dropped his debut, self-produced project last week, which is a unique, striking collection of engulfing R&B-adjacent tunes.

Its second track is an early standout and clear distillation of what makes his work feel so different. Pairing ultra-deep synths, a number of unique movements, evocative samples, and Benja’s lovelorn crooning, “Tragic X” feels less like a great track and more like an experience. Keep an eye on this one.

Images & Words: Takeoff, “Last Memory”

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Takeoff
“Last Memory”

The Last Rocket (out 11.02 on Quality Control)
We’re smack dab in the middle of #MigosSoloProjectSzn, and the trio’s most understated member is getting geared up for his moment in the spotlight. “Last Memory” is a great example of what Takeoff brings to table. The 24 year-old has the uncanny ability to shift his flow effortlessly — knowing precisely when to inject pace into the track and when to downshift into something smoother.

Oneohtrix Point Never, “Love in the Time of Lexapro”

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Oneohtrix Point Never
“Love in the Time of Lexapro”

Love in the Time of Lexapro (out 11.23 on Warp)
The great Daniel Lopatin announced today that he’d be delivering an early Christmas present in the form of a new EP, which also features collaborations with Ryuichi Sakamoto and (Sandy) Alex G. The title track is a characteristically heady affair — all Neo Geo synths and disassociated vibes — that is both peaceful and foreboding.

Jacques Greene: “Avatar Beach”

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Jacques Greene
“Avatar Beach”

Fever Focus (out 11.16 on LuckyMe)
Originally appearing near the end of his labyrinthe, 55-minute mixtape that dropped in May, “Avatar Beach” gets the official release that it undoubtedly deserves. The swirling track has more of a daytime vibe than we’re used to from Greene, but it still delivers every inch of the emotional house thunder that we’ve come to expect from the ever-reliable Canadian. Now, we need the CDQ version of “Night Service.”

Desire, “Tears From Heaven”

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Desire
“Tears From Heaven”

Digital Single
The most underrated members of the Italians Do It Better crew drop a starstruck, lovelorn new single. As is her wont, vocalist Megan Louise ratchets up the drama, channeling her inner film noir chanteuse and expressing her devotion over beds of Johnny Jewel’s signature synths. “Dear Tommy” is probably never fucking coming out, but as long as the Italians keep feeding me these delicious scraps, I’ll be OK.

Lil Uzi Vert, “New Patek”

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Lil Uzi Vert
“New Patek”

Digital Single
Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats’ glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat with ease.

What’s most impressive is the way that he commands your attention for all six minutes, and if anything, it feels like “New Patek” could have been even longer. Already one of the true singular stylists in music, somehow Uzi keeps revealing new abilities and stretching his creativity beyond our expectations. What a talent.

Tom Demac & Real Lies, “White Flowers”

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Tom Demac & Real Lies
“White Flowers”
White Flowers EP (out now on Kompakt)
The likely London trio link up with techno producer Tom Demac for a magical new track. Vocalist Kev Kharas’ deadpan delivery is warmed by vast layers of synth blankets and a sweltering backbeat. Though it recalls the emotional dance music of groups like Underworld, this is far from a mere exercise in nostalgia. In fact, it feels timely, urgent, and totally alive.

The 1975, “Sincerity is Scary”

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The 1975
“Sincerity is Scary”

A Brief Inquiry into Online Relationships (out 11.30 on Dirty Hit)
Aka “Jazz is Jazzy,” the fourth single from Matty & the boys’ forthcoming third LP is another example of the inherent unpredictability that makes following The 1975 so exciting. At its heart, the song is a simple down-tempo ballad about breaking up in 2018, But they inject this wobbly, off-beat drum part, which sounds woefully out of place at first but slowly grows into the most essential part of the track on repeat listens. Consummate shape-shifters, their ability to do so many different things so well sets them apart from any other band making music today.