Hot Jam of the Day: T-Pain, "Textin' My Ex" (f/ Tiffany Evans)


T-Pain “Textin’ My Ex” (f/ Tiffany Evans) Oblivion Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a Read more

Images & Words: SOPHIE, "It's Okay To Cry"


SOPHIE "It's Okay to Cry" Digital Single Every once in a while, somebody puts out something that takes your breath away. "It's Okay to Cry" is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is Read more

Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz chords Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Images & Words: Stormzy, "4PM in London"


Stormzy "4PM in London" Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous "4PM in London" was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy's got the rare ability to Read more

Hot Jam of the Day

Hot Jam of the Day: Jaws of Love., “Lake Tahoe.”

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Screen Shot 2017-10-16 at 3.03.11 PMJaws of Love.
“Lake Tahoe.”

Tasha Sits Close to the Piano (out now of K-Rizzla)
Last week, Local Natives vocalist Kelcey Ayer quietly released a subdued, piano-driven debut solo LP. Though the response has been tepid so far, it’s a gorgeous, grown-up collection of mid-3o’s love songs dedicated to the way that your loved ones can shepherd you through uncertain waters. Though it’s most potent when listened to as one cohesive collection, “Lake Tahoe” is a real standout, showcasing Ayer’s flexible tenor and affecting songwriting. It’s sweet, it’s cheesy, and it’s just the kind of ballad that could add a bit of levity to these desperately heavy times. Go listen to this record with someone you love.

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, “For Robin”

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Screen Shot 2017-10-03 at 11.53.21 AMThe World is a Beautiful Place & I Am No Longer Afraid to Die
“For Robin”
Always Foreign (Epitaph)
There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to addiction will relate to this crushing funeral dirge’s first lines. “Mike called once a week, and then he called once a month. / He called once every few years, which turned into never at all.”

When a friend dies, you’re obviously robbed of a future with that person, but I’ve found that the years that you had already lost hurt more. The ones where you’d slowly floated apart, the common cords that once held you together — the interests, passions, and shared experiences — snapping one-by-one, clipped by the all-encompassing nature of addiction. And all of a sudden, you’re left with your remaining friends trying to make sense of how we all let that person drift so far and why you’d not made the most of your time together. That’s what this song is about. It may be the stunning, versatile post-emo disc’s quietest moment, but it’s also its most powerful and haunting.

Hot Jam of the Day: The Saxophones, “Aloha”

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Screen Shot 2017-09-22 at 2.57.43 PMThe Saxophones
“Aloha”
Aloha 7″ (out 11.17)
As a highly wifed individual in my early 30’s, I can seriously relate to the married Oakland duo’s hushed ballad “Aloha.” Over languid fingerpicked guitars, vocalists Alexi Erenkov and Alison Alderdice coo together, “Aloha, do you even know how wild I can get?” — in a tone that is far more ‘new parent’ than ‘new Freshman’. As feeble as it sounds at first listen, there’s actually a ton of comfort and acceptance here, which underlines the subtle beauty of growing up.

Hot Jam of the Day: Dark0, “QARIN”

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Screen Shot 2017-09-21 at 4.40.39 PMDark0
“QARIN”
XENOTYPE (out 10.02 on Adult Swim)
The reliable Londoner is back with the first single off his forthcoming new EP for Adult Swim (which is evidently a full-blown record label now). “QARIN” is the kind of expansive grimewave that we’ve come to expect from him, and the results are as explosive as you’d expect. Maximalist, neon keyboards and propulsive sub-bass slowly build to form a massive crescendo that wouldn’t sound out of place soundtracking just about any futuristic, Hollywood blockbuster.

Hot Jam of the Day: Jay Boogie, “Malandrina” (Night Version)

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Screen Shot 2017-09-20 at 3.38.53 PMJay Boogie
“Malandrina” (Night Version)
Digital Single
One of the standout’s from the East New York performer’s excellent recent mixtape, “Jesus Loves Me Too,” gets a delicious, club-focused remix from its original producer Orlando. The extra production bite fits beautifully with Jay Boogie’s fierce but playful original, and its grime influences fit seamlessly with his ravenous flow. This track mirrors the tape’s experimental spirit and genre-defying sound, which deserves much more press and praise than it has received so far.

Hot Jam of the Day: Now Now, “Yours”

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Screen Shot 2017-09-20 at 12.33.19 PMNow, Now
“Yours”

Digital Single
Synth-pop is rarely known for its restraint, but the second single from the Minneapolis duo’s first album in 5+ years manages to shoot for the stars while keeping its feet firmly planted on the ground. A lot of that comes from vocalist KC Dalager, who isn’t really a CRJ-style belter. Rather, she prefers to move with an arrangement rather than bombastically wrestle it into submission. “Yours” is indicative of this approach. In most hands, this same track would have the BPM, vocals, and drums amped up, turning this into a hands-up, shout-along instead of the mid-tempo, swishy seducer that it became.

Hot Jam of the Day: Grizzle, “Sermon” (f/ ShaqyDread)

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Screen Shot 2017-09-19 at 6.08.28 PMGrizzle
“Sermon” (f/ ShaqyDread)
Consort (out 10.20 on Liminal Sounds)
The shadowy architect of one of the best songs of last year drops the first taste of his solo debut EP. Like the spellbinding, “Entreaty,” “Sermon” is monstrous, unique slab of neo-grime that aims for the body and the heart. The London/Manchester producer gets an assist from rising Tottenham MC, ShaqyDread, who matches the beat’s intensity, ducking in and out of the neon synths and staccato percussion with ease.

Hot Jam of the Day: Jesse Kivel, “Endless”

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Screen Shot 2017-09-13 at 5.26.14 PMJesse Kivel
“Endless”
Content (out 10.6 on New Feelings)
The former Kisses/Princeton frontman drops the second single from his debut solo EP. On “Endless,” the Santa Monica native amps up the adult contempo vibes, marrying lonely sax with twinkling piano. Don’t think of it as Yacht Rock; think of it as ‘Lost at Sea on a Pontoon’ Rock. Gorgeous.

Hot Jam of the Day: Bruno Major, “Cold Blood”

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Screen Shot 2017-09-01 at 11.55.47 AMBruno Major
“Cold Blood”

A Song for Every Moon (July Records)
Over the past year, the talented North Londoner dropped a new song every month, resulting in an engaging 12-song collection of jazz-influenced pop songs that recall talented (and alliterative) folks like Jamie Woon, Jamie Isaac, and James Blake. My favorite of the bunch came out in August. “Cold Blood” is a perfect example of Major’s subtle songwriting and powerful voice, as he glides over a spare arrangement that feels both classic and modern.

Hot Jam of the Day: Kodak Black, “Change My Ways”

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Screen Shot 2017-08-24 at 3.29.19 PMKodak Black
“Change My Ways”

Project Baby 2 (self-released)
Still just 20 years old, Dieuson “Kodak Black” Octave has already seen enough highs and lows to fill twenty lifetimes. His powerful, underrated new mixtape, “Project Baby 2,” features the most honest and frank introspection that we’ve ever heard from him. On “Change My Ways,” Octave sounds exhausted — beaten down by a lifetime of trying to outrun his own disastrous decisions and an unrelenting spotlight that glows brighter with each court case and social media story. Moreover, he sounds legitimately contrite, explaining the brutal environment that he came from without skirting responsibility. As crushing as it is, there’s still hope there. Now, it’s up to Octave to back up his words with actions.