Best of '17: The Best Songs of 2017


So that's it. 6 years of ThunderPenguin are in the books. As always, here's a round-up of my favorite songs of the year. This was one of the toughest lists I've ever made, and I hope something on this list brings you the light it brought me. Thanks so Read more

Hot Jam of the Day: T-Pain, "Textin' My Ex" (f/ Tiffany Evans)


T-Pain “Textin’ My Ex” (f/ Tiffany Evans) Oblivion Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a Read more

Images & Words: SOPHIE, "It's Okay To Cry"


SOPHIE "It's Okay to Cry" Digital Single Every once in a while, somebody puts out something that takes your breath away. "It's Okay to Cry" is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is Read more

Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz chords Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Hot Jam of the Day

Mount Eerie, “Distortion”

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29-ogMount Eerie
“Distortion”
Now Only (out 03.16 on P.W. Elverum & Sun)
Less than a year since his stunning LP, “A Crow Looked At Me” (my 3rd favorite album of 2017), Phil Elverum is back with another project. And if its rambling, powerful lead single is anything to go off, it is going to be a doozy. Over beautiful but messy beds of classical guitar, the 39 year-old touchingly sings about his late wife, fears about fatherhood, an early pregnancy scare, his great grandfather, and countless other subjects in between. Though some have compared it to Mark Kozelek’s stream-of-consciousness recent work, to my ears it is a totally unique sound that makes its 11-minute runtime feel like it’s over in a snap. I can’t wait to hear the rest of the this album.

Jorja Smith, “Let Me Down” (f/ Stormzy)

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Screen Shot 2018-01-12 at 11.02.27 AMJorja Smith
“Let Me Down” (f/ Stormzy)

Digital Single
Two of Britain’s biggest talents link up for a dramatic, yearning piano ballad. Though I’m never going to complain about a Stormzy verse, its the 20 year-old vocalist who is the star of the show, gliding dramatically over sedated, Adele-ish pianos. Smith wrote “Let Me Down” as her version of a Bond Theme, and my god, you can feel it. Her voice aches as she accepts her places as somebody else’s afterthought. It’s a heartbreaker, but it’s also triumphant.

Sufjan Stevens, “Tonya Harding”

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sufjan-stevens-stalkers-album-dumpster-mp3Sufjan Stevens
“Tonya Harding”

Digital Single
One of those songs that came out while I was writing my year-end list, I wanted to come back to Sufjan’s wonderful, heartfelt tribute to fellow Oregonian Tonya Harding. Though he seems like an interesting guy, Stevens excels at writing about others — approaching his subjects with a journalist’s eye for detail and a screenwriter’s narrative touch. There’s a palpable tenderness and love in those songs, and it’s clear that the 42 year-old goes to great lengths to get inside his characters, presenting them wholly… flaws and all.

River Tiber, “Patience”

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Tommy_Paxton-Beesley-e1438888595507River Tiber
“Patience”

Digital Single
It’s year-end list season at ThunderPenguin HQ, so I’ve been a little slow on new music. That said, this soulful new track from the Toronto R&B singer stopped me in my tracks. “Patience” begins as a smoky-room, late-night jazz ballad before building to a pair of unexpected, powerful crescendos.

The-Dream: “It’s Yo Birthday”

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The-Dream-press-cr-Miguel-Starcevich-2017-billboard-1548The-Dream
“It’s Yo Birthday”

Digital Single
Yesterday was the 10-year anniversary of The-Dream’s classic debut, “Love Hate.” And to celebrate, San Terius dropped with sleepy, low-key bedroom cut that feels like it could have been a B-side from those sessions. Hopefully, it’s a sign of things to come for the 40 year-old who has long been hinting that a new project is on the way.

Nicolas Jaar, “Wildflowers”

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71359ce3d2ae34368b6545fc5479aee7Nicolas Jaar
“Wildflowers”

Sirens (Deluxe Edition) (out now on Other People)
One of the new tracks from the re-up of his excellent 2016 album Sirens, “Wildflowers” is a perfect distillation of Jaar’s rare ability to craft a singular sound that’s both recognizable and amorphous. In other words, his sound is impossible to explain, but you also know it when you hear it. Built around aqueous guitar chords, drippy percussion, and his faraway falsetto, the track meanders through layers of sonic haze before resolving with an emotional crescendo.

Prins Thomas, Å (Pional Piano Mix)

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Prins_Thomas_promo_1000x664Prins Thomas
“Å” (Pional Piano Mix)
Prins Thomas 5 (out now on Prins Thomas Musikk)
On Friday, the Norwegian vet dropped a tasty new collection of his trademark spacey disco. Though the record is totally worth your time, my favorite song from the project actually wasn’t even on it. This sweltering remix from Spanish producer Pional raises the excellent “Å” to rapturous new heights with some languid, super effective piano work. Like the best house music, this track builds gradually, rising and receding deftly before building to an ecstatic climax.

Hot Jam of the Day: Noel Gallagher’s High Flying Birds, “Dead in the Water”

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landscape-original-noel-gallagher-december-esquire-43-jpg-292eb7dbNoel Gallagher’s High Flying Birds
“Dead in the Water”

Who Built the Moon? (out now on Sour Mash)
I’m not sure I’ll love Noel’s experimental, psych-influenced third post-Oasis LP, but I’ll always be a sucker for a good Gallagher ballad. Tacked on at the end of the disc, “Dead in the Water” has all the hallmarks of the stripped down, sing-along strummers that made Oasis one of the greatest bands of the 90’s. Vague melancholic nostalgia? Check. A knockout chorus melody? Check. A reimagined Beatles lyric? Check fucking mate. While I suppose it’s somewhat admirable that Noel isn’t spending his time trying to recreate past glories, I really like it when he does… even just for a few minutes.

Hot Jam of the Day: Negative Gemini, “Bad Baby”

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14364729_1225958697446505_1127788515740684871_nNegative Gemini
“Bad Baby”

Bad Baby EP (out January 2018 on 100% Electronica)
Just when you think you’ve figured out Lindsey French’s sound, the electro shapeshifter hits you with something new. “Bad Baby” features some of the hallmarks of her work — namely the ultra-warm, gauzy synths — but it also has pounding, acoustic drums that wouldn’t sound out of place on a hardcore or metal song. Somehow, they work perfectly, injecting extra humanity into her lovesick vocals.

Hot Jam of the Day: S. Carey, “Fool’s Gold”

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Screen Shot 2017-11-17 at 6.07.42 PMS. Carey
“Fool’s Gold”

Hundred Acres (out 02.23.18 on Jagjaguwar)
As winter slowly blows into New York City, it feels like the perfect time to welcome a new album from the ever-soothing Wisconsin musician, Sean Carey. Second single, “Fool’s Gold,” is a warm blanket of cooing vocals, strummed acoustics, and gentle keyboards. Though it’s the kind of song that washes over you as a single, it should be a lot more potent in the context of the album.

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