Future, "Hate the Real Me"


Future "Hate the Real Me" Beastmode 2 (out now on Epic) The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015's legendary "Beast Mode" tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over Read more

The Round-Up: The Best Songs of 2018 (So Far...)


Somehow, some fucking way, 2018 is more than half over. And though it might feel like I always say this, I think this was the toughest list I've had to make yet. There's been an overwhelming number of exciting, vital new voices popping up and plenty of fantastic follow-ups Read more

Images & Words: The 1975, "Give Yourself A Try"


The 1975 "Give Yourself A Try" A Brief Inquiry into Online Relationships (out in October on Dirty Hit) Though it's been out for about two weeks, I've listened to the Manchester quartet's new single roughly two million times. Compositionally, it's totally unremarkable. Built around a repetitive, simplistic guitar riff and three chords, Read more

Images & Words: The Rhythm Method, "Chin Up"


The Rhythm Method "Chin Up" Digital Single Every two years*, I get afflicted with the same illness. It usually starts up a few weeks before every major international football tournament and lasts until somewhere around the quarterfinals. Who knows how long my believesthatEnglandcanwinthewholething-itis will last for this year, but I'm hoping that Read more

Images & Words: Chromatics, "Black Walls"


Chromatics "Black Walls" Dear Tommy (out PROLLY NEVER on Italians Do It Better) Goddamn it, Johnny Jewel. Just when I'd moved on from the idea that I'd ever hear "Dear Tommy," this guy drags me back in with a luscious new track and a (probably fictional) release date for Fall of 2018. "Black Read more

Hot Jam of the Day

Future, “Hate the Real Me”

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Future
“Hate the Real Me”

Beastmode 2 (out now on Epic)
The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015’s legendary “Beast Mode” tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over triumphant, lush keys from the masterful Zaytoven.

It’s hard to imagine another A-list artist speaking this honestly about his own pain and addiction (especially, while making it sound so damn beautiful), but Future is a one-off. And though it hurts to hear him detail the depths of his anguish, it’s also exciting to hear him get back to his musical best. That dichotomy has been central to the Future experience and is precisely why his music has connected so viscerally with so many people.

Troye Sivan, “Dance To This” (f/ Ariana Grande)

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Troye Sivan
“Dance To This” (f/ Ariana Grande)

Bloom (out 08.31 on EMI Australia)
The candlelit, whispered two-step of “Dance To This” might seem a surprisingly low-key choice for two artists with such big voices. But Troye and Ariana’s obvious chemistry and subtle vocal inflections (especially in the gorgeous verses) make this track a winner, even though it likely won’t turn into a smash. It’s the rare modern collab where it feels like both artists are in the same room (though they likely weren’t), and that palpable intimacy provides the little bit of electricity that every good duet requires.

Future: “What’s Up With That” (f/ 21 Savage)

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Future
“What’s Up With That” (f/ 21 Savage)

SUPERFLY Soundtrack (out now on Epic)
Apologies for the weeks without a post, but I went on a long Euro vacation and got engaged. Now that I’m officially an honest man, I can’t think of a better first post than the most romantic man on the planet, Mr. Future Vandross.

Though he’s been a little bit quiet — in fact, this is the first time the Hot 100 hasn’t had a Future song in it since April 2015 — Nayvadius has hinted that he readying another double-barreled assault on the charts. His Superfly Soundtrack feels more like an appetizer than a proper entrée, but it’s got some fantastic moments, namely this heartfelt, mid-tempo collab with 21 Savage. Future SZN approaching.

Playboy Carti, “Shoota” (f/ Lil Uzi Vert)

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Playboy Carti
“Shoota” (f/ Lil Uzi Vert)
Die Lit (out now on AWGE)
Though he doesn’t get the credit he deserves, few producers shaped the sound of rap in 2018 more than Philly native, Maaly Raw. The man behind much of Lil Uzi Vert’s sticky sweet early work comes through with an absolute gem here. Bursting with youthful energy (think: Kirby’s Dream World), the unique beat is the ideal canvas for Uzi and Carti to smear playful, sing-song bars on top of. If this isn’t one of the songs of the summer, I’d be shocked.

Snail Mail, “Let’s Find An Out”

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Snail Mail
“Let’s Find An Out”

Lush (out 06.08 on Matador)
Though I’ve somehow not written about them yet, I’ve been loving the Baltimore trio’s pre-release singles for their hotly-anticipated debut LP. The stripped-back third single, “Let’s Find An Out,” is my favorite of the bunch, pairing songwriter Lindsey Jordan’s plaintive vocals with beds of fingerpicked electric guitar. She captures the freedom and trepidation of making the decision to start over with grace, humanity, and wisdom that belies her 18 years. Magic.

Natalie Prass, “Lost”

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Natalie Prass
“Lost”

The Future and the Past (out 06.01 on ATO)
I’m a few weeks late to this one, but this gorgeous, heartsick ballad is too good to ignore. A sharply-written look at the way a bad relationship can keep dragging you back in, “Lost” sees the fed-up 32 year-old refusing to fall into the traps of an ex. It’s the kind of thing that just about everyone has been through, and the way the track makes you feel will directly relate to how far away you are from that kind of relationship.

joan, “i loved you first”

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joan
“i loved you first”
Digital Single
If you’ve been reading this blog for a while, first of all, thank you. I see you. Secondly, you’ll know that I have a soft spot for power ballads, and holy fuck, the Arkansas sweetboyz come through with a big one. Complete with verses that sound like the Backstreet Boys, a cheesy ass guitar solo, and a glorious group vocal climax, “i loved you first” hits all the right beats and will leave you seriously considering texting your ex*.

*don’t

Skepta, “Pure Water”

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Skepta
“Pure Water”

Digital Single
As UK hip-hop continues to grow at an astonishing rate, it’s easy to forget that nobody has meant more to this iteration of the genre than Uncle Skeppy. Luckily for us, the 35 year-old came though with a reminder of his unrivaled power with this muscular, razor-sharp new single. Like the best Skepta tracks, there’s not one ounce of fat on “Pure Water” — just a banging beat, two magnetic verses, and an infectious hook. He’s not reinventing the wheel here, but with a style that’s this groundbreaking and singular, he doesn’t have to.

Rae Sremmurd: “Offshore” (f/ Young Thug)

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Rae Sremmurd
“Offshore” (f/ Young Thug)

Swaecation
Though I’m still processing the Mississippi superstars’ excellent, new 27-song project, the free-flowing “Offshore” feels like an instant classic. Producer Mike Will is a genius at negotiating sonic space, and his gooey, descending synth chords leave plenty of room for Thug to play in. And my god, does he oblige.

For nearly three minutes, Thug treats us to a single unbroken, spellbinding verse, showing off the idiosyncratic vocal gymnastics that made so many fall in love with him in the first place. A true natural, he seamlessly slaloms between choppy, magnetic bars and legit R&B crooner vocal runs, stretching his voice in ways that both keep the listener on their toes and make perfect sense together. It elicits the kind of feeling that only peak Young Thug can deliver and is a reminder of what a singular, special talent the 26 year-old really is.

Father John Misty, “Just Dumb Enough to Try”

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Father John Misty
“Just Dumb Enough To Try”

God’s Favorite Customer (out 06.01 on Sub Pop)
Though his last LP “Pure Comedy” had its moments, it was an overwritten project that was weighed down by grand, mostly superficial proclamations about the frivolity of modern life. His usually sharp pen often landed with a thud as it shot for insightful and landed closer to Abe Simpson.

For me, Papa J. Misery is at his best on direct, confessional love songs like this one, a mid-tempo stunner from his upcoming fourth LP. This lovely ballad is the sound of Tillman coming out the other side of his excellent marriage LP, “I Love You, Honeybear.” Misty admits to being a shitty husband and underlines his commitment to make things right with his wife. It is an affecting and insightful track that hopefully signals that this new record will be driven more by the heart than the head.

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