CFCF, "Closed Space"


CFCF "Closed Space" Liquid Colours (out 03.01) Though I haven't listened to it as much as his ree-fucking-dick-u-lus J.Lo remix (aka: the best song of 2019 so far), the first single from Montreal mainstay Michael Silver's new album is an instant keeper. It kicks off with luxurious beds of neo-geo synths that Read more

Sade, "The Big Unknown"


Sade "The Big Unknown" Windows Soundtrack (out now on Sony) Though she's only a few months shy of her 60th birthday, Helen Folasade Adu remains a force like nobody else. On the stunning "The Big Unknown," Sade proves that her quiet storm is still a Category 5, as she glides effortlessly over oceanic, Read more

Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Images & Words

Images & Words: Toro Y Moi, “Girl Like You”

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toro-y-moi-surprise-album-samantha-download-715x418Toro Y Moi
“Girl Like You”

Boo Boo (07.07 on Carpark)
Throughout his nearly 10-year career, Chaz Bundick has blown hot and cold for me. He’s a solid songwriter, but often his singing voice felt slight and polite to me, too timid to make a real dent. However, on his breezy new single, “Girl Like You,” the 30 year-old treats his vocals with some light autotune, which adds that little bit of oomph that much of his old work was missing. It’s a subtle but impactful adjustment, and hopefully a sign of things to come.

Images & Words: MoStack, “Screw & Brew” (f/ Mist)

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Cg5en1HWsAI3CH6MoStack
“Screw & Brew” (f/ Mist)

High Street Kid (MizerMillion)
If you’ve been reading my site, you’ll know that the North Londoner is one of my favorite new artists of the year, and his excellent debut mixtape will do nothing but make that flame even bigger. His third single, “Screw & Brew,” perfectly exemplifies his intoxicating sound: a little bit Afropop, a little bit grime, a little bit of dancehall, and a whole fuckload of melody. Sleep on MoStack at your own peril; this boy’s got the tools to go all the way to the top.

Images & Words: BAD GYAL, “Jacaranda”

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img_20170415-105650_badgyal_11-kieG-U421709349948e5-1126x636@RAC1-WebBad Gyal
“Jacaranda”
Digital Single
Fresh off dropping one of the most thrilling debuts of last year, the rising reggaeton alchemist returns with her first release of 2017. Hailing from Spain’s sleepy Catalan coast, about 20 miles from Barcelona, Bad Gyal (né Alba Farelo) has cooked up a sound that feels anything but local. Reggaeton is the most obvious ingredient, but there’s also strong hints of dancehall, bachata, R&B, and merengue (to name a few) in her wildly versatile sound. But no matter where the arrangements go, Farelo’s laid-back, seductive vocals are ever-present, keeping things ticking over and running smoothly. One to watch in 2017.

Images & Words: Vince Staples, “Big Fish”

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custom299be6c8b27b518485fb5c4544625af6Vince Staples
“Big Fish”

Big Fish Theory (out 06.23 on Def Jam)
A couple of years ago, the 23 year-old Long Beach rapper caught a bunch of (mostly unfair) shit for calling 90’s music overrated. If you’d never heard a Vince Staples track before that, you’d be surprised when you first heard his music, as much of shares the spirit and aesthetic of 90’s West Coast rap without sacrificing any modernity. “Big Fish” is a perfect example of that fine line Staples walks, as he flows over a beat that wouldn’t sound out of place on a classic Too $hort album. That said, his flexible flow and impressive storytelling guarantees his music remains contemporary and vital.

Hot Jam of the Day: MoStack, “Ussy Ussy”

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Screen Shot 2017-05-15 at 5.06.47 PMMoStack
“Ussy Ussy”

Digital Single
After dropping one of the songs of the year, the Londoner returns with another winning, Afrobeats-influenced cut. Like “Let it Ring,” the buoyant, undeniable “Ussy Ussy” features both memorable bars and hooky vocals that help cement MoStack in the class of rising stars like J Hus, Abra Cadabra, and Kojo Funds. If the summer sounds anything like this, we’re in for a great one.

Images & Words: Burna Boy, “Hallelujah”

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Burna-Boy-1-600x400Burna Boy
“Hallelujah”

Digital Single
Friday is always a great day to give thanks, and the 25 year-old’s new single is here to inspire you to do just that. Hailing from Nigeria’s poverty-stricken south coast, Burna Boy has spent the better part of seven years crafting electric afrobeat with touches of R&B and dancehall. Like many stateside, he first popped on my radar with his gorgeous, low-key 2016 EP, Redemption. Now, Burna has his sights set on world domination, and if he keeps dropping songs like this airy, lithe charmer, he’ll get there soon enough.

Images & Words: Rostam, “Gwan”

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Rostam
“Gwan”

Digital Single
Anybody who has ever lived in New York knows the restorative power of an aimless stroll through the city. On the clip for his new string-driven, chamber pop single, the former Vampire Weekend man enjoys one of those long meanders, heading toward a destination that is unclear both for the viewer and the walker. Though we still don’t have details, it’s starting to feel like his long-awaited album is just around the corner, and if it sounds anything like the rest of the pre-release singles, it should be a classic.

Images & Words: DJ Khaled, “I’m The One” (f/ Quavo, Justin Bieber, Chance the Rapper & Lil Wayne)

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dj-khaled-lil-wayne-justin-bieber-chance-the-rapper-quavo-shoot-music-video-for-im-the-one-malibu2DJ Khaled
“I’m The One” (f/ Quavo, Justin Bieber, Chance the Rapper & Lil Wayne)

Digital Single
At this point, DJ Khaled’s tracks are basically musical text chains between the biggest artists on the planet. It’s kinda like he just puts out late-night mass “U Up?” text to his entire contact list, and the first four that respond get a verse. It’s a high variance strategy. But it works for him, because as easy as it is to discard the songs that don’t pop, it’s impossible to avoid the ones that do.

This airy, trop-housey summer tune is one of the latter, evidenced by its 42 fucking million views in four days. And those numbers are no surprise, because it’s got all the hallmarks of a Khaled classic. Intoxicating, catchy chorus? Check. Tuneful, sticky verses? Check. Khaled ad libs? Obvi. Most importantly, it got the green light from the greatest young A&R man in the business, Asahd Khaled. Bless up.

Images & Words: HEAVEN, “It’s Not Enough”

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Screen Shot 2017-05-01 at 11.57.52 AMHEAVEN
“It’s Not Enough

Digital Single 
It doesn’t take a musicologist to hear producer Johnny Jewel’s fingerprints on this romantic, slow-burning new single from the newest signing to his label, Italians Do It Better. Though details about the artist remain scarce, this luxurious, stylish ballad is a strong enough statement to stand on its own and hints that we may be hearing a lot more about her (them?) in the future.

Images & Words: Nite Jewel, “The Answer”

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nite-jewel-nathanael-turner-the-hundredsNite Jewel
“The Answer”

Real High (out 05.05 on Gloriette)
Despite releasing a pair of interesting albums just last year, longtime TP fave Ramona “Nite Jewel” Gonzalez is gracing us with another project in May. Though the disc’s second pre-release track, “The Answer,” is the kind of glossy, dreamy pop that she’s cranked out for years, it’s far from a retread. And it’s fantastic to listen to an artist who has stayed true to an aesthetic, while constantly developing her sound and songwriting chops.