Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Images & Words

Images & Words: The Weather Station, “Thirty”

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Screen Shot 2017-08-23 at 12.16.37 PMThe Weather Station
“Thirty”

The Weather Station (out 10.6 on Paradise of Bachelors)
Don’t let the acoustic guitar fool you, the first single from Canadian folk-singer Tamara Lindeman’s upcoming fourth LP is fierce and powerful. Though it starts sweetly, it slowly unravels into a driving rock song that explores the innumerable, small moments which define lengthy relationships, causing them to grow and shift over time. Her vocals are breathy, but muscular. In fact, they are more than a little reminiscent of a certain legendary, blonde Canadian folkie who shall remain nameless (cuz blasphemy). Suffice it to say, I’m really looking forward to hearing the rest of this record.

Images & Words: Moneybagg Yo, “Important”

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MoneyBagg-Durk-VideoMoneybagg Yo
“Important”

Federal 3x (out now on Interscope)
A week after releasing his excellent new mixtape, the rising Memphis rapper drops some visuals for one of Federal 3x’s early standout singles. One of the most exciting new talents in the country, Moneybagg Yo (né Demario White) is blessed with a flow that is smooth, muscular, and naturally melodic. Like many of his Memphis cohorts, he’s at his best on slow-mo tracks like this and is a master of exploring the negative space in between the beat.

Listen to Federal 3x on Spotify.

Images & Words: Waxahatchee, “Recite Remorse”

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Screen Shot 2017-08-10 at 2.55.06 PMWaxahatchee
“Recite Remorse”
Out in the Storm (out now on Merge)
I’ve been loving Katie Crutchfield’s break-up album for the last month or so, and it’s gorgeous centerpiece recently got some starry-eyed visuals. The clip captures the track’s celestial beauty and underwater feel. Over five transfixing minutes, Crutchfield captures the emotional paralysis of not knowing whether to escape a troubled relationship or to come back in and start working to fix it.

Images & Words: Lil Durk x Lil Reese, “Distance”

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Screen Shot 2017-08-09 at 6.05.33 PMLil Durk x Lil Reese
“Distance”

Supa Vultures (out 08.11 on OTF/Empire)
Two of the lynchpins of early/mid 10’s Chicago drill link back up for a melodic. piano-laced heater. Though the duo’s styles couldn’t be less similar — Durk is melodic without even trying, while Reese raps through gritted teeth — they are also perfect foils. Longtime collaborator Young Chop matches their fire and ice flows with a tasty combination of ultra-melodic keys, potent sub-bass, and rolling trap hats.

Images & Words: Jessie Ware, “Midnight”

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Screen Shot 2017-08-03 at 11.58.13 AMJessie Ware
“Midnight”
Digital Single
In the years I’ve been covering music, I wrote more about Jessie Ware’s early career than just about anyone else. I first covered her back in 2011 and tracked her progression from a promising, mostly unknown, quiet storm prodigy to a true powerhouse who could command any room she was in. It all culminated with her stunning 2012 debut, Devotion, which is still one of the best albums of the decade.

Though her 2014 follow-up Tough Love accelerated her commercial progression, it left me a bit cold and felt burned by overpacked arrangements that felt more Sam Smith than Sade. Disappointed as I was, it was hard to argue with her decision. The disc was a commercial success that grew her fanbase and led to collabs with people like Ed Sheeran and Nicki Minaj. And her affable, low-key persona made her easy to root for, regardless of how I felt about the new sound.

All of that makes her comeback single, “Midnight,” so exciting. It doesn’t sound like Devotion, but it feels like it. Her best music tackles heavy, human topics with a weightless quality, and this gorgeous single captures recaptures that magic. Met with a descending pianos, the 32 year-old pushes her evocative voice to its upper register, capturing the baited breath and quickened heartbeat of a late-night rendezvous. The relationship she’s singing about may be rooted in deep ‘devotion’, but it still feels like the first time. Bravo.

Images & Words: Nite Jewel, “How it Was”

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Screen Shot 2017-07-11 at 11.44.22 AMNite Jewel
“How It Was”

Real Low (out now on Gloriette)
Ramona Gonzalez has been on an absolute tear this year. She’s already dropped an excellent LP and a 12” on Italians Do It Better, and now there’s a new collection of b-sides for us to sink our teeth into. The disc also comes with a new video for the seductive and gentle ballad, “How it Was,” which originally appeared on the IDIB release.

Images & Words: Pi’erre Bourne, “Water Boy”

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Pierre-BournePi’erre Bourne
“Water Boy”
Life of Pi’erre Vol 2. (self-released)
Already the architect of one of the best rap singles of 2017, the Atlanta native is also building a burgeoning solo career of his own. Like his production work, Bourne’s solo stuff is driven by delicious, glossy synths and wobbly percussion. To me, he sounds more comfortable when he’s singing than when he’s rapping, and “Water Boy” is an excellent representation of his potential as a songwriter and a vocalist.

Images & Words: Kamaiyah, “Build You Up”

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kamaiyah-depressionKamaiyah
“Build You Up”
Don’t Get it Twisted (out soon)
While her growing army of fans wait patiently for her follow-up to last year’s incredible A Good Night in the Ghetto, the East Bay native hooks us up with this feel-good new single. Packed with undeniable melodies, an uplifting message, and all sorts of delicious 90s vibes, “Build You Up” is an ode to the restorative power of true friendship. It also highlights her developing talent as a singer, which will help cement her place as one of the most versatile, exciting talents on the planet right now. <3 <3 <3

Images & Words: AJ Tracey, “False 9”

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Screen Shot 2017-07-03 at 8.36.52 PMAJ Tracey
“False 9”

Digital Single
This video combines two of my favorite things, grime and Tottenham Hotspur Football Club. Spurs have let me down many times in my life, but this new single to commemorate the 2017 kit is a 5-0 win against Ar**nal. BRB, gonna go buy three of those new track jackets. 😍😍😍

Images & Words: The National, “Guilty Party”

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the-nationalThe National
“Guilty Party”

Sleep Well Beast (out 09.08 on 4AD)
Though their relevance has wained since their triumphant mid-00’s run, the Brooklyn quintet is still capable of crafting beautiful miserabilism like this. The overarching feeling captured here is resignation, the grim realization that something important to you is slipping through your fingers. As per usual, Matt Berninger’s downcast vocals are the song’s centerpiece, and they are swallowed up gorgeously by its powerful outro. I’ve found it difficult to muster much excitement about their upcoming seventh record, but this is promising.