Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Images & Words

Images & Words: G Perico, “Affiliated”

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G-PericoG Perico
“Affiliated”

2 Tha Left (out 12.08 on So Way Out)
Though he’s already dropped two rock-solid projects this year, the LA MC isn’t done feeding the streets this year. “Affiliated” is yet another example of Perico’s potent sound, which recalls a bygone era when California ruled the hip-hop. That said, the 29 year-old is far from an imitator and is infinitely more interested in writing new history than trying to recreate someone else’s.

Images & Words: Smerz, “Have Fun”

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das-duo-smerz-erklrt-dir-1490023826Smerz
“Have Fun”

Digital Single
The rising Norwegian deconstructed electro-pop duo come through with one of their most potent tracks to date. Vocalists Henriette Motzfeldt and Catharina Stoltenberg nonchalantly glide through proceedings, mantrically repeating “nothing is embarrassing” over lazy sci-fi synths and bouncy percussion. In short,”Have Fun” sounds like a disassociated party jam for an event that probably looked a lot more fun on Instagram than it actually was to attend.

Images & Words: DaVido, “Like Dat”

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download (1)DaVido
“Like Dat”

Digital Single
Who needs albums when you drop singles like this? While the world waits with baited breath for official album news, the 25 year-old mega-star doesn’t have time for all that, preferring to drop smash after smash. By my count, “Like Dat” is the Lagos native’s 10th single of the year. And like the vast majority of those songs, it fucking bangs. His warm vocals are second to none, and they slither through a seductive deep house chords and bouncy percussion. Album or not, this guy’s on fire.

Images & Words: Ariel Pink, “Feels Like Heaven”

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9def5329blog_cropped-580Ariel Pink
“Feels Like Heaven”

Dedicated to Bobby Jameson (Kemado)
Ariel Pink’s psych-pop is very hit and miss for me. It’s partially because of his odious persona, but it’s primarily the fact that I’ve never had much time for his very obvious, bizzaro 70’s and 80’s influences. That said, the man can write one hell of a pop song, and “Feels Like Heaven” is another example of that rare knack. Lovesick and bathed in neon light, Ariel beautifully distills his intoxicating early-relationship jitters into an airtight, dreamy, reverb-soaked package. He’s rarely this direct, but he’s so much better when he is.



Images & Words: Miles From Kinshasa, “FIREWORKS”

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Screen Shot 2017-11-01 at 3.04.13 PMMiles From Kinshasa
“FIREWORKS”

LIMBO (out now on Quality Time)
It’s crazy that it’s been more than two years since Miles From Kinshasa dropped his lovely debut single, “IVRY.” What’s even more crazy is that I somehow totally missed the release of his debut LP, “LIMBO,” and this, its glorious lead single. Like “IVRY,” this cut is a slab of urbane, smooth city soul that pairs the Londoner’s affecting, easy vocal with modern, quiet-stormy instrumentation. It’s indicative of the rest of the project, which is well worth diving deeper into.

Images & Words: The Golden Filter, “End of Times”

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GoldenFilter_The Golden Filter
“End of Times”

End Of Times EP (out 11.10 on Optimo)
On their new single, the London synth-pop duo turn the melodrama up to 11 and dial up a slow-mo swooner that will leave you basking in the neon glow. Inspired by the absurdity and unpredictability of the modern world, vocalist Penelope Trappes finds solace in the only thing we can rely on in such times: the arms of another. It’s smooth and slick but also warm and human.

Images & Words: The National, “I’ll Still Destroy You”

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the-national.graham-macindoe.4366_wide-2c5d8eef9bddef8bffb630b84ec075ecfe72d043-s1900-c85-1504652399-640x360The National
“I’ll Still Destroy You”
Sleep Well Beast (out now on 4AD)
Frankly, I’m shocked by how much I’ve grown to love the Brooklyn vets’ seventh LP. After 2013’s tepid “Trouble Will Find Me,” I’d sort of assumed that their misery porn had reached its zenith, now ten years on from the seminal “Boxer.” However, “Sleep Well Beast” finds the band regaining their emotional heft, nowhere more evident than this stunning rumination on escapism, be it by drugs, dreams, or nostalgia. Looking more than a little bit like Heisenberg, vocalist Matt Berninger gets lost in nights and dreams gone by, reveling in their narcotic power, while despairing at the knowledge that no matter how he tries, those harsh lights are going to come on before he knows it.

Images & Words: Mayorkun, “Mama”

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MayorkunMayorkun
“Mama”

Digital Single
Already a big hit in his native Nigeria, “Mama” is a gorgeous swoon of a love song that beautifully matches soca and R&B. It’s the latest in a string of impressive singles for the 23 year-old. Blessed with a pure, easy tenor, Mayorkun manages to capture the silly way falling headlong in love can make you feel without coming off jokey or insincere. Delish.

Images & Words: SOPHIE, “It’s Okay To Cry”

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Screen-Shot-2017-10-19-at-9.05.23-AM-1508418344-640x328SOPHIE
“It’s Okay to Cry”

Digital Single
Every once in a while, somebody puts out something that takes your breath away. “It’s Okay to Cry” is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is pure magic.

Built around a twinkling, celestial piano melody, “It’s Okay To Cry” plays out like a tender, ultra-modern Disney ballad. Her voice is sweet and confident, as she consoles a heartbroken loved one. The depth and power of the message is ratcheted up by the stunning visuals, which depict Sophie as an angelic figure. More than being Sophie’s first public appearance, it’s also the first time she’s clarified which pronouns (she/her) she’s using. It’s a massive statement in so many ways, and truly one of the best songs I’ve heard this year.

Images & Words: Julien Baker, “Turn Out the Lights”

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Screen Shot 2017-10-16 at 5.11.37 PMJulien Baker
“Turn Out the Lights”

Turn Out the Lights (out 10.27 on Matador)
We are officially two weeks away from the 22 year-old’s hugely anticipated second LP, and it’s second single hits just as hard as the confessional, heart-crushing “Appointments.”

“Turn Out the Lights” opens as a sparse and haunting take on isolation, as Baker wonders “so why is it easy for everyone else?” The truth is, of course, it isn’t. And when its skyscraping crescendo hits, a sense of hope and community joins her solitary vocal, reminding us that we’re never truly alone.