Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Images & Words

Images & Words: Mayorkun, “Mama”

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MayorkunMayorkun
“Mama”

Digital Single
Already a big hit in his native Nigeria, “Mama” is a gorgeous swoon of a love song that beautifully matches soca and R&B. It’s the latest in a string of impressive singles for the 23 year-old. Blessed with a pure, easy tenor, Mayorkun manages to capture the silly way falling headlong in love can make you feel without coming off jokey or insincere. Delish.

Images & Words: SOPHIE, “It’s Okay To Cry”

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Screen-Shot-2017-10-19-at-9.05.23-AM-1508418344-640x328SOPHIE
“It’s Okay to Cry”

Digital Single
Every once in a while, somebody puts out something that takes your breath away. “It’s Okay to Cry” is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is pure magic.

Built around a twinkling, celestial piano melody, “It’s Okay To Cry” plays out like a tender, ultra-modern Disney ballad. Her voice is sweet and confident, as she consoles a heartbroken loved one. The depth and power of the message is ratcheted up by the stunning visuals, which depict Sophie as an angelic figure. More than being Sophie’s first public appearance, it’s also the first time she’s clarified which pronouns (she/her) she’s using. It’s a massive statement in so many ways, and truly one of the best songs I’ve heard this year.

Images & Words: Julien Baker, “Turn Out the Lights”

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Screen Shot 2017-10-16 at 5.11.37 PMJulien Baker
“Turn Out the Lights”

Turn Out the Lights (out 10.27 on Matador)
We are officially two weeks away from the 22 year-old’s hugely anticipated second LP, and it’s second single hits just as hard as the confessional, heart-crushing “Appointments.”

“Turn Out the Lights” opens as a sparse and haunting take on isolation, as Baker wonders “so why is it easy for everyone else?” The truth is, of course, it isn’t. And when its skyscraping crescendo hits, a sense of hope and community joins her solitary vocal, reminding us that we’re never truly alone.

Images & Words: Stormzy, “4PM in London”

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Screen Shot 2017-10-02 at 6.43.10 PMStormzy
“4PM in London”
Digital Single
Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous “4PM in London” was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy’s got the rare ability to make any line feel like a hook, so he doesn’t need a chorus or a sticky melody to make a track stick. “4AM in Calabasas” was about as memorable as a 72° day in the Valley, but Big Mike’s delicious, adhesive bars makes you want to run it back again and again. All hail.

Images & Words: Phoebe Bridgers, “Funeral”

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Screen Shot 2017-09-21 at 1.11.12 PMPhoebe Bridgers
“Funeral”
Stranger in the Alps (09.22 on Dead Oceans)
Not sure a folk dirge about death is the best way to get into that #ThursdaySpirit, but Phoebe Bridgers’ crushing new single is beautiful enough for it not to matter. The 23 year-old is on the eve of dropping her long-awaited debut LP, and its third single is a beautiful representation of her emotional sledgehammer songwriting and haunting voice. I can’t wait to hear the rest of it tomorrow.

Images & Words: Creek Boyz, “I’m The One”

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Screen Shot 2017-09-12 at 2.47.40 PMCreek Boyz
“I’m the One”

Digital Single
It’s still very early in their career, but the soulful, melodic Baltimore County crew feel like one of the freshest new groups out. Following up their magnetic debut single, “With My Team,” “I’m the One” is a triumphant, buoyant anthem that showcases their versatile talents as singers, rappers, and songwriters. Though their sound is hard to put your finger on, their nearest sonic analogue is probably Philly’s PNB Rock, a man who hails from about two hours north on I-95. It’s an exciting early statement for the group and for an increasingly promising regional rap scene.

Images & Words: Káryyn, “Moving Masses”

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tumblr_mxwe17lAJ61qzx2qxo1_500Káryyn
“Moving Masses”

Digital Single
One of the brightest and most vital new voices I’ve heard this year, the Syrian-American musician follows up her fabulous, two-part QUANTA series with an arresting vocal-led single. Somewhat reminiscent of Julianna Barwick’s timeless early work, “Moving Masses” is a dense mosaic of layered vocals that build to an overwhelming crescendo. The lyrics aren’t decipherable here, but her words still carry weight. And as the track unravels, it slowly beckons you further out to sea, untill there’s nothing you can do but let the waves overtake you.

Stream the beautiful QUANTA series at Spotify.

Images & Words: Samantha Urbani, “Hints & Implications”

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20160322-sxsw-samantha-urbani-23Samantha Urbani
“Hints & Implications”

Policies of Power EP (out now on Lucky Number)
Though the buzz has been pretty tepid, Samantha Urbani’s solo debut EP is a rock-solid collection of elastic, 80’s-inspired pop rock. The songwriting on the record is as sharp and effective as anything you’d find on Carly Rae’s last record, for example. And lead single, “Hints & Implications,” is indicative of that, pairing chunky barre chords with reverb-drenched electro drums and neon synths. It’s really an album that more people should be talking about.

Images & Words: LCD Soundsystem, “Tonite”

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screen-shot-2016-01-02-at-8-46-37-pmLCD Soundsystem
“Tonite”

American Dream (out 09.01 on DFA)
Let’s be real, no matter how good ‘American Dream’ turns out to be, it’s always going to kinda be a bummer. Nothing will change that. Then again, good tunes trump good narratives, and “Tonite” is firmly in that camp. The strongest pre-release single yet, it’s got all the hallmarks of prime-era LCD: a repetitive through line, quasi-intellectual cool bro lyrics, taught guitars, sneaky little hooks. I’m not sure I’ll actually want to dance to this, but it’s not a total disaster, which is more than I was realistically expecting from this record.

Images & Words: King Krule, “Czech One”

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Screen Shot 2017-08-23 at 6.22.16 PMKing Krule
“Czech One”

Digital Single
I first covered the 22 year-old when he was just a random London teen named Zoo Kid. And while his potential was obvious, I doubt many predicted what an original and sonically restless artist Archy Marshall would become. In the four years follwing his excellent debut LP, 6 Feet Beneath the Moon, Marshall released the excellent ambient-leaning, beat tape, A New Place 2 Drown, and has collaborated with artists from all over the indie landscape.

Now, he’s is returning with new music under the King Krule moniker, and this single is another of the twisted lullabies that he’s always been so adept at crafting. On “Czech One,” Marshall pairs spare, jazzy instrumentation with his languid, almost-spoken vocals. The result is a subtle and majestic waking dream.