Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Images & Words

Images & Words: George Fitzgerald & Lil Silva, “Roll Back”

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Screen Shot 2018-01-30 at 12.40.26 PMGeorge Fitzgerald & Lil Silva
“Roll Back”

All That Must Be (out in March on Domino)
Though it got roasted by the ever-reliable FACT, I’m not mad about this cinematic slow-burner. Built around Silva’s swelling, arpeggiated synths, which wouldn’t sound out of place in an 80’s sci-fi flick, “Roll Back” is dripping with the kind of sweet nostalgia that always seems to get under my skin. Fitzgerald’s vocals are a bit tinny, but they aren’t the main focus here and don’t submarine the well-crafted arrangement.

Images & Words: 03 Greedo, “Never Bend”

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https_cdn.evbuc.comimages354975762160791799801originalO3 Greedo
“Never Bend”

Money Changes Everything (out now on Golden Grenade Empire)
Not gonna lie, I slept on 03 Greedo last year, but I’m not going to make the same mistake twice. The Watts rapper is one of the most unique, exciting new voices rising today, pairing soulful crooning and sticky bars for a sound that is as bluesy as it is joyous. My favorite track, “Never Bend,” is a perfect example of that dichotomy, as Greedo revels in his resilience without running away from the pain that revealed it. One of the most exciting young artists around.

Images & Words: KAMI, “Payload”

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Screen Shot 2018-01-11 at 5.00.44 PMKAMI
“Payload”
Superstar (Self-Released)
Not sure how I missed the Chicago native’s 2017 EP, Superstar, but I’m damn glad I found it. The Savemoney affiliate just graced the disc’s second track with a similarly energetic video. Kami is one of those rappers who doesn’t save hooks for choruses, and his bars are teaming with melodies that will get stuck in your head. Definitely one to watch in 2018.

Images & Words: G Perico, “Affiliated”

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G-PericoG Perico
“Affiliated”

2 Tha Left (out 12.08 on So Way Out)
Though he’s already dropped two rock-solid projects this year, the LA MC isn’t done feeding the streets this year. “Affiliated” is yet another example of Perico’s potent sound, which recalls a bygone era when California ruled the hip-hop. That said, the 29 year-old is far from an imitator and is infinitely more interested in writing new history than trying to recreate someone else’s.

Images & Words: Smerz, “Have Fun”

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das-duo-smerz-erklrt-dir-1490023826Smerz
“Have Fun”

Digital Single
The rising Norwegian deconstructed electro-pop duo come through with one of their most potent tracks to date. Vocalists Henriette Motzfeldt and Catharina Stoltenberg nonchalantly glide through proceedings, mantrically repeating “nothing is embarrassing” over lazy sci-fi synths and bouncy percussion. In short,”Have Fun” sounds like a disassociated party jam for an event that probably looked a lot more fun on Instagram than it actually was to attend.

Images & Words: DaVido, “Like Dat”

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download (1)DaVido
“Like Dat”

Digital Single
Who needs albums when you drop singles like this? While the world waits with baited breath for official album news, the 25 year-old mega-star doesn’t have time for all that, preferring to drop smash after smash. By my count, “Like Dat” is the Lagos native’s 10th single of the year. And like the vast majority of those songs, it fucking bangs. His warm vocals are second to none, and they slither through a seductive deep house chords and bouncy percussion. Album or not, this guy’s on fire.

Images & Words: Ariel Pink, “Feels Like Heaven”

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9def5329blog_cropped-580Ariel Pink
“Feels Like Heaven”

Dedicated to Bobby Jameson (Kemado)
Ariel Pink’s psych-pop is very hit and miss for me. It’s partially because of his odious persona, but it’s primarily the fact that I’ve never had much time for his very obvious, bizzaro 70’s and 80’s influences. That said, the man can write one hell of a pop song, and “Feels Like Heaven” is another example of that rare knack. Lovesick and bathed in neon light, Ariel beautifully distills his intoxicating early-relationship jitters into an airtight, dreamy, reverb-soaked package. He’s rarely this direct, but he’s so much better when he is.



Images & Words: Miles From Kinshasa, “FIREWORKS”

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Screen Shot 2017-11-01 at 3.04.13 PMMiles From Kinshasa
“FIREWORKS”

LIMBO (out now on Quality Time)
It’s crazy that it’s been more than two years since Miles From Kinshasa dropped his lovely debut single, “IVRY.” What’s even more crazy is that I somehow totally missed the release of his debut LP, “LIMBO,” and this, its glorious lead single. Like “IVRY,” this cut is a slab of urbane, smooth city soul that pairs the Londoner’s affecting, easy vocal with modern, quiet-stormy instrumentation. It’s indicative of the rest of the project, which is well worth diving deeper into.

Images & Words: The Golden Filter, “End of Times”

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GoldenFilter_The Golden Filter
“End of Times”

End Of Times EP (out 11.10 on Optimo)
On their new single, the London synth-pop duo turn the melodrama up to 11 and dial up a slow-mo swooner that will leave you basking in the neon glow. Inspired by the absurdity and unpredictability of the modern world, vocalist Penelope Trappes finds solace in the only thing we can rely on in such times: the arms of another. It’s smooth and slick but also warm and human.

Images & Words: The National, “I’ll Still Destroy You”

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the-national.graham-macindoe.4366_wide-2c5d8eef9bddef8bffb630b84ec075ecfe72d043-s1900-c85-1504652399-640x360The National
“I’ll Still Destroy You”
Sleep Well Beast (out now on 4AD)
Frankly, I’m shocked by how much I’ve grown to love the Brooklyn vets’ seventh LP. After 2013’s tepid “Trouble Will Find Me,” I’d sort of assumed that their misery porn had reached its zenith, now ten years on from the seminal “Boxer.” However, “Sleep Well Beast” finds the band regaining their emotional heft, nowhere more evident than this stunning rumination on escapism, be it by drugs, dreams, or nostalgia. Looking more than a little bit like Heisenberg, vocalist Matt Berninger gets lost in nights and dreams gone by, reveling in their narcotic power, while despairing at the knowledge that no matter how he tries, those harsh lights are going to come on before he knows it.