Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Images & Words

Images & Words: Lil Peep, “4 Gold Chains” (f/ Clams Casino)

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Lil Peep
“4 Gold Chains” (f/ Clams Casino)
Digital Single
Posthumous music is always dicey, but this druggy, heartbreaking new single from the late Lil Peep is too haunting to ignore. Over dreamy, reverb-soaked guitar chords, Peep grapples with the dichotomy of a fame that he never seemed comfortable with but was seemingly destined for. You can see it in the way he interacts with the camera. Though he spends much of the clip trying to avoid the camera’s unrelenting gaze, in the moments that he gives in, his piercing eyes command it like only a true star can. What a loss.

Images & Words: Nines, “I See You Shining”

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Nines
“I See You Shining”

Crop Circle (out now on XL)
Though not as flashy as many of his peers, the 27 year-old Londoner is one of the UK’s biggest talents. His new project, “Crop Circle,” is a consistent collection of heartfelt, insightful lyrics and cracking, versatile production that lives somewhere between grime, road rap, and modern American trap. “I See You Shining” is a great get-to-know-you track, as it highlights Nines’ low maintenance style, sharp storytelling, and subtly catchy flow. Don’t sleep on this guy.

Images & Words: Oneohtrix Point Never, “Black Snow”

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Oneohtrix Point Never
“Black Snow” (f/ Anohni)
Age of (out 06.01 on Warp)
Though the Massachusetts native is probably best know for his otherworldly, chaotic experimental electro, some of his best tracks are his quietist. Whether it’s his recent stunner with Iggy Pop or the beautiful Anohni-lead “Returnal,” OPN (né Daniel Lopatin) knows how to craft the kind of ballad that can suck all the air out of you.

Though “Black Snow” — the first single from his forthcoming eighth studio LP — is somewhat similar in feel to the aforementioned tracks, it differs in one significant way. Lopatin’s voice has never appeared this clearly before. Sure, it’s delivered in a dissociated robo-croon, but it is also one of the most direct lines to the man behind the music that we’ve ever recieved. Of course, we don’t know if it’s representative of the rest of the album, but it’s certainly a very exciting development.

Images & Words: Anna Leone, “My Soul I”

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Anna Leone
“My Soul I”

Wandered Away (out now on Half Awake)
Though this stirring ballad has been out since last year, it bears re-consideration, as it leads off the Swedish folk singer’s excellent, recently-released debut EP. Though the instrumentation is delicate, Leone’s voice has main-stage power that recalls her compatriot Lykke Li. That extra touch of drama elevates the five tracks on “Wandered Away” from simple, direct love songs to something rare and difficult to shake off.

Images & Words: Quando Rondo, “Project Kid”

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Quando Rondo
“Project Kid”

Life B4 Fame (out now, self-released)
One of the standouts from the rising Savanah rapper’s excellent new mixtape, “Project Kid” is an open-hearted slab of melodic Southern rap. In his tuneful, yet raspy delivery, Rondo unleashes evocative, insightful lyrics with a weariness that belies his youth. In a scene that is overflowing with young talent, this guy is one to keep an eye on.

Images & Words: Real Lies, “The Checks”

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Real Lies
“The Checks”

Digital Single
Longtime TP favorite and the trio behind my favorite song of 2014, London’s Real Lies are back with their first new music in a couple years. Few artists are as good at capturing the mood of being young and on your own in a big city like Real Lies, and “The Checks” is another intoxicating, nostalgic journey through the neon lights and rain-soaked streets of their (or, your) hometown. Recalling prime Pet Shop Boys and Underworld, this may not be what the DJs are playing on a night out anymore (at least, not in New York), but it definitely feels like the perfect soundtrack to the long ride home. Welcome back, guys. I’ve missed you.

Images & Words: Yxng Bane, “Vroom”

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Yxng Bane
“Vroom”
Digital Single
When I first wrote about the East Londoner back in July 2016, he didn’t even have CDQ versions of his tracks on SoundCloud. In less than two years, Bane’s career has grown like wildfire with multiple videos doing crazy numbers.

The hot streak looks set to continue with this hyper-catchy, wobbly heater. “Vroom” is a microcosm of how Bane’s sound has developed from the retro, Craig David-ish two-step of “Honest” to the essential Afro-swing/Afrobeats sound that has infiltrated the pop charts. Though we’re still waiting for a debut full-length project, Bane is proving to be an even move vital voice with every successive single.

Images & Words: slowthai, “North Nights”

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slowthai
“North Nights”

The Bottom / North Nights (out now on TOYITOYI)
Though this video’s been out for a while, I wanted to write it up anyway because I’m realizing that I’ve barely written about one of my favorite artists of the year so far. The Northampton rapper (né Tyrone Williams) is a thrilling, relentless grime MC who harkens back to the roots of the sound — where busy, unexpected flows trumped sticky vocal melodies. “North Nights” is a perfect example of this, as it completely eschews a chorus. Instead, ‘Thai cleverly hides a couple of repetitive hooks in his magnetic bars, which will leave you knowing all the words in no time.

Images & Words: Drake, “Nice For What”

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Drake
“Nice For What”
Digital Single
At his heart, Drake is an actor. In recent years, he’s played convincing roles as artists from London, Kingston, The Bay, Santo Domingo, and of course, Houstalantavegas. For his next gig, Drizzy returns to the Big Easy to soak up the New Orleans sound we already know he loves. Just like many of his past blockbusters, the performance is electric, and he sounds incredibly comfortable over a bounce beat that is actually pretty faithful to the regional sound. Though being an “actor” used to be a dirty word in hip-hop (ask Jay-Z), Drake has turned his rare skill into a weapon and used it to build a body of work that is versatile and full of surprises.

Images & Words: Jamie Issac, “Wings”

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Jamie Isaac
“Wings”

(04:30) IDLER (out 04.30 on Marathon Artists)
It’s nice to see the talented South Londoner start to get the press he deserves in the build-up to his second LP. Judging by its first two singles, the disc is set to follow in the footsteps of his wonderful debut, “Couch Baby.” In many ways, “Wings” is a classic Issac tune — pairing his sleepy, restless vocals with inch-perfect, jazzy instrumentation. Best of all, he’s never been a singles artist, so I’m sure it’ll sound even better in its proper context.