Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Images & Words

Images & Words: Stormzy, “Big For Your Boots”

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Screen Shot 2017-02-07 at 4.31.56 PMStormzy
“Big For Your Boots”
Gang Signs & Prayer (out 02.24 on #Merky)
About halfway through my first listen of the lead single from Stormzy’s debut LP, I got the feeling that I was listening to a future classic. Maybe it’s the way the beat shifts gears — how the hi-hats accelerate then drop off like a NASCAR. Or maybe it’s the magnetic, endlessly quotable bars, tailor-made to be screamed by hoards of sweaty kids. It could also be Sir Spyro & Fraser T Smith’s grime Game of Thrones synth chords. It’s probably a little bit of all of that, but more than that, it’s the relentlessly joyful spirit that Stormzy always brings to his music, which makes him impossible not to cheer for. All hail.

Images & Words: Father John Misty, “Two Wildly Different Perspectives”

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father-john-misty-2Father John Misty
“Two Wildly Different Perspectives”

Pure Comedy (out 04.07 on Sub Pop)
The world is fucked up, and our ol’ pal Father John Misty has some thoughts about it. This poignant piano ballad is a second taste of his upcoming third LP and carries the same lyrical focus as the rambling, darkly funny, “Pure Comedy.” However, this track differs from much of the 35 year-old’s previous political work (i.e., “Bored in the USA,” “Holy Shit”), as there’s no humor at all here — just a grim exploration of a world hopelessly divided and coming apart at the seams.

Images & Words: Dave x J Hus, “Samantha”

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10-things-you-need-to-know-about-dave-1459762640Dave x J Hus
“Samantha”

Digital Single
Two artists responsible for a few of my favorite tracks of 2016 come together for a low-key singsong that highlights both of their versatile skill sets. Think of it as (sad)Boyz II (road)Men, “Samantha” is a moody, mid-tempo track along the lines of Dave’s sleeper hit, “Wanna Know.” The two MCs interchange effortlessly, switching between reflective bars and easy crooning over minor-chord piano and staccato percussion. As good as this is, it feels like it’s just the tip of the iceberg for both of them.

Images & Words: Real Estate, “Darling”

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d7d33259Real Estate
“Darling”
In Mind (out 03.17 on Domino)
Though they recently bid farewell to founding guitarist Matt Mondanile, everybody’s favorite Jerseyites are back with a follow-up to their languid 2014 LP, Atlas. More than anything, “Darling” will assuage any fears about the viability of the group sans Mondanile. Real Estate has always been known for their hooky, nimble guitar riffs, and they come through with a trademark one here that buzzes and floats with the same easy grace of much of their best work.

Images & Words: Kodie Shane, “Sad” (f/ Lil Yachty)

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screen-shot-2016-12-02-at-3-24-32-pmKodie Shane
“Sad” (f/ Lil Yahcty)

Zero Gravity (out now on Epic)
On the day the rising Atlanta native drops her debut EP for Epic, her tasty Lil Yachty collab gets some visuals. Though Zero Gravity features a couple of tracks from her excellent EP, Little Rocket, it will hopefully propel the 18 year-old to her rightful place among the most exciting young talents in hip-hop.

Images & Words: Wiley, “U Were Always Pt. 2” (f/ Skepta & Belly)

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wiley-006Wiley
“U Were Always Pt. 2” (f/ Skepta & Belly)

Godfather (out 01.13.17 on CTA)
Though known more for his muscular bars, the Godfather indulges his soft side on this sultry new single from his hotly anticipated 11th album. The cut is a little reminiscent of Skepta’s “Ladies Hit Squad,” as the three MC’s put their exes on blast over some delicious, laid-back Adina Howard vibes. Just like on the other pre-release singles, the 37 year-old sounds refreshed and sharp here, and Godfather is shaping up to be one of the standout albums of the early year and potentially one of the strongest efforts of Wiley’s legendary career.

Images & Words: Matt Kivel, “Forgiveness”

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screen-shot-2016-10-27-at-5-33-21-pmMatt Kivel
“Forgiveness” (f/ Bonnie Prince Billy)
Fires on the Plain (out now on Driftless)
Over the years, I’ve written a lot about the LA singer-songwriter’s brother Jesse but haven’t written much about the younger Kivel, Matt. Kivel is the architect of two really interesting folk-ish albums this year — February’s Janus and October’s excellent Fires on the Plain — and he gives one of his standout tracks some creepy visuals. His soft voice interchanges beautifully with Will Oldham’s, and his careful, delicate guitar-work forms a beautiful bed for the two to lay on. Though Fires on the Plain remains one of the most underrated albums of recent months, it does feel like more people are slowly coming around to it.

Images & Words: Tornado Wallace, “Trance Encounters”

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screen-shot-2016-10-19-at-5-23-48-pmTornado Wallace
“Trance Encounters”

Lonely Planet (out 11.28 on Running Back)
From no apparent reason, New York decided to bring back summer for the last couple of days. It’s sunny, the subway is sweaty, and the Melbourne native’s sweltering, trance-inspired house is just about the perfect soundtrack to the mid-afternoon heat. Wallace’s sound is expansive and easy with choppy electric guitars glistening over beds of synth and a languid backbeat.

Images & Words: Chromatics, “Dear Tommy”

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Chromatics
“Dear Tommy”
Dear Tommy (hopefully out soon on Italians Do It Better)
It’s fitting that in the week we finally got the album formerly known as Boys Don’t Cry, another long-awaited project looks set to poke its head out. The Johnny Jewel-fronted quartet famously announced that their follow-up to 2012’s beloved Kill For Love would be out in time for Valentine’s Day…in 2015. Now 18 months later, we still don’t have a release date, but we have a tracklist — A TRACKLIST! — and its gorgeous, amorphous title track.

This is is the sixth of 17 songs we’ve heard from the record, and along with “Just Like You” (one of the best songs of last year), it’s one of the strongest of the lot. The best Chromatics songs are their most dramatic and cinematic ones. And “Dear Tommy” sounds like it should be soundtracking a Wilder or Polanski movie with its palatial keyboards, slow-mo bassline, and Jewel’s evocative falsetto. We may not have a release date yet, but as Frank taught us this week, good things come to those who wait.

Images & Words: Frank Ocean, “Nikes”

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Frank Ocean
“Nikes”
Blonde (out now on Boys Don’t Cry)
About two minutes into his long-awaited new album, Frank Ocean’s pitched-up vocal hangs in the air and sings “RIP Trayvon. That n**ga look just like me.” With that simple lyric, Ocean humanizes a young man whose life was taken in the most inhumane way possible before being dehumanized repeatedly by media vultures and the uniformed, endless social media echo chamber. Throughout his career, the 28 year-old has consistently demonstrated this ability to nonchalantly craft disarming, truly powerful poetry in layman’s prose — rewriting the rules of engagement with a shrug of the shoulders. It’s perhaps the most valuable and rarest of his very many talents.

In many ways, Blonde feels like his best work yet, surpassing the hugely underrated Nostalgia, Ultra. That said, I want to sit with it for a week before I make a judgement, but early returns are incredibly impressive.

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