Sade, "The Big Unknown"


Sade "The Big Unknown" Windows Soundtrack (out now on Sony) Though she's only a few months shy of her 60th birthday, Helen Folasade Adu remains a force like nobody else. On the stunning "The Big Unknown," Sade proves that her quiet storm is still a Category 5, as she glides effortlessly over oceanic, Read more

Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words

Images & Words: Deerhunter, “Death in Midsummer”

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Deerhunter
“Death in Midsummer”

Why Hasn’t Everything Already Disappeared (out in January on 4AD)
Though I’m not a huge fan of Bradford Cox’s noisier work, this rambling new track highlights much of what he does best. Seemingly inspired by the American West, his forthcoming eighth LP will hopefully be full of tunes that share the dusty, lonely vibe and stripped-back songwriting of this, its lead single.

Images & Words: Jessica Pratt, “This Time Around”

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Jessica Pratt
“This Time Around”
Quiet Signs (out 02.08.19 on Mexican Summer)
In my opinion, Jessica Pratt was one of the artists who was hurt by her label (formerly, Drag City) refusing to put their music on streaming sites. Though it wasn’t much of a drain on more established acts like Bill Callahan, Joanna Newsom, and Ty Segall, I was consistently surprised by how few of my friends were familiar with the San Francisco singer’s bewitching first two LPs. Now that Pratt’s music is more readily available, I’m hopeful that her third LP will get the push it deserves and simultaneously open up her wonderful back catalog to a gaggle of new fans. One of the best folk singers working in 2018.

Images & Words: Tiny Ruins, “Olympic Girls”

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Tiny Ruins
“Olympic Girls”

Olympic Girls (out in 2019 on Ba Da Bing!)
Talented New Zealand-based folkie Hollie Fullbrook is returning with her third LP early next year. And “Olympic Girls” highlights her clever picking and her warm, woolen voice, which reminds me a little of Laura Marling. I’m a sucker for Laurel Canyon vibes, and Fullbrook delivers them with aplomb.

Images & Words: How To Dress Well, “Body Fat”

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How To Dress Well
“Body Fat”

The Anteroom (out 10.19 on Domino)
We’re now just four days away from Tom Krell’s fifth LP, and it feels like we’re on the verge of something special. It’s been eight years since I named (on a now defunct website) his debut “Love Remains” my favorite album of 2010, and it feels like “The Anteroom” might even top that immortal project. Third single, “Body Fat,” is a haunting, heartfelt rumination on the way our feelings and traumas seep deep into our cells, defining and intertwining with us forever.

Images & Words: No Rome, “Narcissist” (f/ The 1975)

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No Rome
“Narcissist” (f/ The 1975)

RIP Indo Hisashi (out now on Dirty Hit)
The buoyant, Manila-based rising pop artist gets an assist from label-mate Matty Healy on this airy bop. In the 90’s-inspired clip, the duo dance freely in a number of colorful locales that would get Busta Rhymes excited. The video channels the joyful vibe of the song and showscases both artists’ unarguable charisma.

Images & Words: Bad Bunny, “Mia” (f/ Drake)

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Bad Bunny
“Mia” (f/ Drake)

Digital Single
It’s unclear why Conejo Malo and Champagne Papi waited until October to drop the song of the summer, but I’m glad it’s finally here. It’s not Drake’s first attempt at cantando en español, and unsurprisingly, the former actor sounds at home alongside San Juan’s finest. The pair gleefully glide through an carefree earworm, living their best lives, rocking tiny sunglasses, and hanging with exotic birds.

Images & Words: Jon Hopkins, “Feel First Life”

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Jon Hopkins
“Feel First Life”

Singularity (out now on Domino)
If you are the owner of a working heart, prepare to have it crushed by this beautiful new clip from the veteran English producer. Pairing delicate, star-gazing pianos with engulfing synths, Hopkins crafts the kind of life-affirming song will stop you in your tracks and sweep you away.

Images & Words: Miya Folick, “Stock Image”

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Miya Folick
“Stock Image”

Premonitions (out 10.26 on Terrible)
I’m late to the LA native’s quirky sound, but “Stock Image” is simply too strong of a pop song to pass up. Folick’s elastic vocal is the obvious star of the show, but the taut, sharp arrangement catapults that voice into captivating new heights. One to watch.

Images & Words: Lana Del Rey, “Venice Bitch”

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Lana Del Rey
“Venice Bitch”

Norman Fucking Rockwell (out this year)
Lana’s best new single in years, the freewheeling breeze of “Venice Bitch” is a welcome antidote to much of her dense, overcooked recent work. Paired with dusky, Laurel Canyon guitars, the 33 year-old delivers a low-key, yet stunning performance, dripping with all the old Hollywood nostalgia of her unassailable early material. At her best, she has this odd quality which makes clichés like “fresh out of fucks forever” and “nothing gold can stay” feel potent and poetic coming off her tongue. This is very much that.

Images & Words: How To Dress Well, “Nonkilling 6 | Hunger”

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How to Dress Well
“Nonkilling 6 | Hunger”

The Anteroom (out 10.19 on Domino)
Though it was a little bit buried on my “Favorite Songs of 2018, So Far..” list, I’m extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs his evocative falsetto with a rave-y backbeat and opaque, occasionally harsh instrumentation.

If you follow his social media, you’ll know that he is deep into uncompromising, blistering techno, and he does such a good job of marrying those influences with his love of heartfelt pop music on this track. His tender vocals immediately soften the rough edges and inject palpable humanity into the mix. Though it may not appeal to genre purists (I can hear the FACT writers sharpening their daggers), it’s an exciting, unique sound and a more natural home for Krell than the streamlined pop of his last album.

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