Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether reason between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Images & Words: Stormzy, "4PM in London"


Stormzy "4PM in London" Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous "4PM in London" was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy's got the rare ability to Read more

The Round-Up: The Best Albums of The Third Quarter


As you may have noticed, I've done my annual "fall behind on a monthly column" thing over the last couple months. That said, that just gives me more ammo for a proper Q3 round up, featuring the best records of that period in alphabetical order. 21 Savage Issa Album Slaughter Read more

Images & Words: Creek Boyz, "I'm The One"


Creek Boyz "I'm the One" Digital Single It's still very early in their career, but the soulful, melodic Baltimore County crew feel like one of the freshest new groups out. Following up their magnetic debut single, "With My Team," "I'm the One" is a triumphant, buoyant anthem that showcases their versatile talents as Read more

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Images & Words: Wiley, “U Were Always Pt. 2” (f/ Skepta & Belly)

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wiley-006Wiley
“U Were Always Pt. 2” (f/ Skepta & Belly)

Godfather (out 01.13.17 on CTA)
Though known more for his muscular bars, the Godfather indulges his soft side on this sultry new single from his hotly anticipated 11th album. The cut is a little reminiscent of Skepta’s “Ladies Hit Squad,” as the three MC’s put their exes on blast over some delicious, laid-back Adina Howard vibes. Just like on the other pre-release singles, the 37 year-old sounds refreshed and sharp here, and Godfather is shaping up to be one of the standout albums of the early year and potentially one of the strongest efforts of Wiley’s legendary career.

Hot Jams of the Day: Burial, “Young Death” / “Nightmarket”

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screen-shot-2016-11-28-at-2-34-09-pmBurial
“Young Death” / “Nightmarket”
Young Death / Nightmarket (out now on Hyperdub)
Just in time for the holidays, the legendary South London producer (né William Bevan) returns with two tracks that help make 2016 suck just that little bit less. The emotional former jives nicely with his incredible 2014 EP, Rival Dealer, matching a hopeful, comforting vocal sample with spare keyboards and percussion. The latter is built around a snake-like keyboard riff that slowly builds to an overwhelming, yet gorgeous crescendo. Both cuts are reminders of what a special talent Bevan is and the unique sonic space that he inhabits.

Under the Radar: Yaroze Dream Suite, Yaroze Dream Suite

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screen-shot-2016-11-21-at-11-48-40-amYaroze Dream Suite
Yaroze Dream Suite
Local Action
Back in October, grime futurists Yamaneko and Mr. Mitch dropped a delicious, sparese 4-song collaborative project that I somehow neglected to write about. The duo’s emotional, genre-bending sound may not grab you at first listen, as it isn’t big on hooks. But the more time you spend with it, the deeper it’ll drag you out to the outer reaches of its galaxy, exposing new surprises along the way with each successive listen.

Hot Jam of the Day: The xx, “On Hold”

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The xx
“On Hold”
I See You (out 01.13.17 on Young Turks)
The world is in desperate need of healing. While the kind of healing it needs obviously can’t be mended by a relaxing new album, we’re also really not in a place to turn one down. Late last week, the soothing London trio announced their third LP, led by this spellbinding new single that matches their signature down-tempo lullabies with tasty drum programming and a tongue-twisting Hall and Oates sample. I was one of the few who loved their 2012 sophomore LP, Coexist, and took a hard pass on Jamie xx’s sterile, lifeless In Colour. And thankfully, “On Hold” feels much more in tune with the former rather than the (bizarrely) critically-acclaimed latter. At least that’s one thing we can look forward to in 2017….

The Round-Up: The Best Tracks of the Third Quarter

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screen-shot-2016-10-13-at-12-45-56-pmPrince Bopp
“Bandit”
Digital Single
In short, the Cincinnati native’s heartfelt single is the most slept-on great song of 2016. In just three and half minutes, the independent newcomer comes full circle, detailing his struggle to bounce back from losing his first love and his journey to find hope. The track’s bleak opening finds the young man battling through heartbreak, drugs, and deep loneliness. But as “Bandit” moves, the darkness slowly fades into light, as he moves far enough away to enjoy the new perspective difficult experiences often yield. If there’s one song I hope you listen to on this list, it’s this one.

rae-sremmurd-announce-first-annual-sremmfest

Rae Sremmurd
“Black Beatles” (f/ Gucci Mane)
SremmLife 2 (out now on Ear Drummers)
Youthful joy distilled into sound, the Brown brothers’ towering, brash anthem sets fire to prehistoric rockist notions about what substantive music is supposed to sound like. For five glorious minutes, Slim Jimmi, Swae Lee, and Gucci Mane gleefully piss all over your idols, declaring themselves the rightful kings of the youth once and for all.

 

screen-shot-2016-10-13-at-11-51-09-amJenny Hval
“Conceptual Romance”
Blood Bitch (out now on Sacred Bones)

An early single from an album that will assuredly be on my Year End List, the Norwegian singer-songwriter is one of the most fascinating, original artists working in music today. Composed and analytical without sacrificing an ounce of emotion or humanity, Hval has spent her career exploring the depths of what keeps us connect… to the ones, to our society, and to ourselves. An absolute treasure.

cug9-pxxyaawr_mYoung M.A.
“Ooouuu”
Digital Single

I moved back to Brooklyn in August. And one of my favorite parts of being back is the way a hit song will just naturally permeate through the city — from car speakers to apartment windows to Bodegas to earbuds on the train. Since I’ve been back, the Brooklyn native’s loose, easy banger has been the soundtrack, perfectly in sync with the rhythm of the best city in the world.
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The Round Up: The Best Albums of the Third Quarter

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freshezaleEzale & DJ Fresh
The Tonight Show
Foreal Foreal Ent
Hottest Jams: “Day Ones,” “Stop Come On”

For the first time in my lifetime, the Warriors are good and East Bay rap is popping at the same time. 2016 has seen a clutch of young Oakland rappers like Kamaiyah, Nef the Pharoah, and Eazle make a dent in the national scene, while trumpeting the unique culture and sound of the city. The latter’s glorious 10-song debut uniquely blends the slap of hyphy with production legend DJ Fresh’s warm, glowing g-funk. The result is a deliriously fun, endlessly quotable collection that doubles as one of 2016’s most consistent hip-hop records.

freetown_sound_coverBlood Orange
Freetown Sound
Domino
Hottest Jams: “Best To You,” “Chance”
Dev Hynes is man of many dichotomies. He is both an adept soloist and a keen and successful collaborator. He’s a sonic chameleon (see: Test Icicles, Lightspeed Champion) and a man with a signature, easily recognizable sound. He’s as comfortable a leading man and he is a hired gun. This, the finest album of his career, is dripping with those ambiguities. On slinky standouts “Augustine” and “E.V.P,” he’s in full pop-star mode and in total control of proceedings. He also shines just as bright while supporting Empress Of and Nelly Furtado on “Best To You” and “Hadron Collider” respectively. All of these contradictions contribute to the sonic world that makes Freetown Sound such a fascinating journey.

screen-shot-2016-10-01-at-12-00-38-amCamp Cope
Camp Cope
Poison City
Hottest Jams: “Song for Charlie,” “Flesh and Electricity”

Like all truly great cathartic albums, the Melbourne trio’s debut album is equal parts comedy and tragedy. Over the stunning LP’s eight songs, songwriter Georgia Maq tackles the death of her father (the incredible “Song for Charlie”), the dissolution of a relationship (“West Side Story,” “Lost: Season One”), and workplace disaffection (“Flesh and Electricity”) with stunning insight, bravery, and most of all, humor. I’ve found that when confronting loss you have to keep laughing — to keep remembering the things about your loved ones that made you smile. Georgia knows that, and she highlights that truth on just about every song on this very special album.

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Hot Jams of the Day: Kelela, Elysia Crampton & Adrian Piper, “Final Exam” / “Reference Track TF Scrape”

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screen-shot-2016-09-22-at-6-20-57-pmElysia Crampton, Kelela & Adrian Piper
“Final Exam” / “Reference Track TF Scrape”
Anthem (The Vinyl Factory)
Experimental composer Elysia Crampton has been playing with Kelela’s voice for the last few years, so it’s exciting to hear the duo properly collaborate on two new tracks for the upcoming Total Freedom-produced soundtrack to the 9th Berlin Biennale. Part of the joy of Crampton’s music is its ambiguity, and these tracks both live in that space — part finished product, part work in progress. Kelela’s aqueous, evocative vocals are the perfect foil for Crampton’s productions that are often both soothing and chaotic. While there is no inkling of a potential collaborative album between these two longterm Thunder Penguin faves, it won’t stop me from dreaming about it.

Images & Words: Chromatics, “Dear Tommy”

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Chromatics
“Dear Tommy”
Dear Tommy (hopefully out soon on Italians Do It Better)
It’s fitting that in the week we finally got the album formerly known as Boys Don’t Cry, another long-awaited project looks set to poke its head out. The Johnny Jewel-fronted quartet famously announced that their follow-up to 2012’s beloved Kill For Love would be out in time for Valentine’s Day…in 2015. Now 18 months later, we still don’t have a release date, but we have a tracklist — A TRACKLIST! — and its gorgeous, amorphous title track.

This is is the sixth of 17 songs we’ve heard from the record, and along with “Just Like You” (one of the best songs of last year), it’s one of the strongest of the lot. The best Chromatics songs are their most dramatic and cinematic ones. And “Dear Tommy” sounds like it should be soundtracking a Wilder or Polanski movie with its palatial keyboards, slow-mo bassline, and Jewel’s evocative falsetto. We may not have a release date yet, but as Frank taught us this week, good things come to those who wait.

Images & Words: Frank Ocean, “Nikes”

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Frank Ocean
“Nikes”
Blonde (out now on Boys Don’t Cry)
About two minutes into his long-awaited new album, Frank Ocean’s pitched-up vocal hangs in the air and sings “RIP Trayvon. That n**ga look just like me.” With that simple lyric, Ocean humanizes a young man whose life was taken in the most inhumane way possible before being dehumanized repeatedly by media vultures and the uniformed, endless social media echo chamber. Throughout his career, the 28 year-old has consistently demonstrated this ability to nonchalantly craft disarming, truly powerful poetry in layman’s prose — rewriting the rules of engagement with a shrug of the shoulders. It’s perhaps the most valuable and rarest of his very many talents.

In many ways, Blonde feels like his best work yet, surpassing the hugely underrated Nostalgia, Ultra. That said, I want to sit with it for a week before I make a judgement, but early returns are incredibly impressive.

Hot Jams of the Day: Lydia Loveless, “Same To You” / “Longer”

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Lydia Loveless
“Same to You” / “Longer”
Real (out now on Bloodshot)
While I — along with the rest of America — spent most of my weekend in a Blonde-induced k-hole (more on that later), I took a detour today to give the Columbus, OH singer-songwriter’s fourth LP a couple of spins. What I found was rock-solid songwriting and delicious guitarwork with a welcome dose of Whiskeytown vibes. The disc’s first two tracks — “Same to You” and “Longer” — highlight all of those traits, along with Loveless’ powerful, evocative vocal. At first listen, Real will hit all of your alt-country nostalgia pressure points (if you have them). But I have a pretty good feeling that over time, it will do a helluva lot more than that.