Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Wild Pink, "Mount Erie"


Wild Pink “Lake Erie” Yolk in the Fur (out now on Tiny Engines) Though I’m about six months late to the NYC trio’s outstanding second LP, I’m extremely glad that I finally found it. While their AM Radio sound has been relentlessly compared to War on Drugs, frontman John Ross is such Read more

Mitski, "Two Slow Dancers"


Mitski "Two Slow Dancers" Be The Cowboy (out 08.17 on Matador) Every slow dance with someone you care about feels like a moment suspended in time. I mean, that's the point, right? Your hands are tied, your bodies are connected, and even your gaze is limited. Mitski, the fantastic New York songwriter, Read more

Future, "Hate the Real Me"


Future "Hate the Real Me" Beastmode 2 (out now on Epic) The peak of a quietly excellent year, Future goes super deep on his worthy follow-up to 2015's legendary "Beast Mode" tape. Of all its stirring moments, nothing emotionally hits harder than its last track, as Future pours his heart out over Read more

Featured

Hot Jams of the Day (06.04.12): Paradis, “Hemisphere” & “Je M’ennuie”

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Paradis
“Hémisphère” & “Je M’ennuie”
Hémisphère (Beats in Space)

Oh my god, this is so good. This is the secretive, Parisian duo’s second incredible 12″ of the last 12 months, and it’s even better than the first, 2011’s brooding, exquisite “Parfait Tirage.” The former is a characteristically moody, vocal-driven track that displays a palpable cinematic essence, while the former cuts a more ambient, though equally devastating figure. In their short career, the group has shown a remarkable ability to craft expansive, urbane atmospheric dance music with just the proper twinge of pop sensibilities. Though we are still waiting for a proper debut from the Frenchmen (government names: Simon Mény and Pierre Rousseau), this much quality allows us to forgive the dearth of quantity. Both tracks also come with some unsurprisingly film-noir style visuals. C’est magnifique.

“Hémisphère”:

“Je M’ennuie”:

Hot Jam of the Day (05.29.12): Disclosure, “Control” (f/ Ria Ritchie)

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Disclosure
“Control”
The Face (Greco-Roman)

I’ve been a huge fan of this South London duo since last year’s severely underrated “I Love….That You Know,” and since then, they have been cranking out infectious, progressive post-dubstep with remarkable consistency. Consisting of brothers Howard and Guy Lawrence, the duo is set to release their long-awaited four-track EP next Tuesday on simmering German/British label Greco-Roman. This is the second single from The Face, succeeding the aptly-titled “Boiling,” which doubles as one of the very best songs of 2012 so far. Very few dubstep producers handle vocals with the same care and subtly as Disclosure, and that’s apparent on all three of the aforementioned tracks. Preferring to use them to build mood rather than take the spotlight, the group uses vocals to give the listener something to hold on to without letting them run rampant and turn the wheel into radio-pop land. I’m surprised they still haven’t made a jump into our continental conscious (á la James Blake), but I really think it’s coming soon. Brilliant.

[soundcloud url=”http://api.soundcloud.com/tracks/48079700″ iframe=”true” /]

Disclosure: “Boiling” (feat. Sinead Harnett)

Hot Jams of the Day (05.28.12): D’Eon, “Transparency (pt. II)” & “Now You Do”

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D’Eon
“Transparency (pt. II)” & “Now You Do”
LP (Hippos In Tanks)

It’s always gonna be a good day when you are greeted by two expansive, new tracks from the mercurial, esoteric Montreal native. The former is an update on one of my favorite songs of 2011, the latter is a brand new thought, and both are absolutely scintillating. In the last few years, we’ve been lucky enough to experience a fascinating new crop of R&B artists determined to push the genre forward. Artists like the Weeknd, Frank Ocean, Holy Other, and How to Dress Well have all garnered significantly more buzz than the former Grimes collaborator, but while all of those artists have used their distinctive voices to significantly contribute to so much to modern music, nobody has a more singular, progressive take on R&B right now than D’Eon. While his sound is probably too weird to captivate the masses like the aforementioned artists (sans, HTDW), anybody who cares about hearing some unique, fresh, and totally original shit need to sit up and take notice. Something special is going on here.

D’Eon: “Transparency pt. II”

D’Eon: “Now You Do”

Check out the Grimes-assisted clip for the original “Transparency”

Hot Jam of the Day (05.25.12): How To Dress Well, “Ocean Floor For Everything”

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How To Dress Well
“Ocean Floor For Everything”
Total Loss (Acephale)

How to Dress Well — the alter ego of Chicago-based philosophy professor Tom Krell — was responsible for my favorite album of 2010: the ghostly, celestial Love Remains. Krell has one of most distinctive voices (literally and figuratively) in all of popular music, and his bizarre, singular take on R&B is equal parts hopeful and melancholic. This, the first single of his follow-up Total Loss, feels a little bit more like an idea than a whole thought, which isn’t surprising. Love Remains is one of the rare albums meant to be digested as a whole, and I can’t imagine this next one being any different. Either way, it’s a nice way for folks who haven’t heard him to get a taste of what he does.

How To Dress Well – “Ocean Floor For Everything”

And just cuz, here’s the video from Love Remains cut “Lover’s Start”….my 7th favorite song of 2010.

Hot Jam of the Day (05.21.12): Nico Jaar+Sasha Spielberg (Just Friends): “Avalanche”

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Nico Jaar+Sasha Spielberg (aka Just Friends)
“Avalanche”
The 
Prism

I probably should kind of hate Nico Jaar. I’ve never met the man, but from the outside looking in, it seems like when he’s not DJing ultra-exclusive NYC club nights, playing sold-out shows, and being 194% more handsome than me, he’s making impossibly sexy jams with young Hollywood royalty. Coming off the back of his stunning collaboration with Scout LaRue Willis (Bruce and Demi’s daughter) “With Just One Glance,” he returns with a typically airy boner jam that features the breathy, alluring vocals of Sasha Spielberg (daughter of Steven and Kate Capshaw). While the studio version is only available on the pretty-damn-awesome Prism, this radio rip is indicative of why Jaar has amassed such an impressive library of work in such a short time. He has an incredible understanding of sonic space and can tactfully frame a vocal track with the touch and maturity of a seasoned producer. Did I mention that he’s still only 22? Ok, I think I hate him again….

NicoJaar+SashaSpielberg: “Avalanche”

Just in case you missed it, here’s “Just One Glance.”

Jaar+Willis: “With Just One Glance”

Hot Jam of the Day (05.18.12): Lemonade, “Softkiss”

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Lemonade
“Softkiss”
Diver (True Panther)

The same week we got a tasty video for the BK-via-SF 80’s-obsessed trio’s spellbinding slow jam, “Neptune,” they grace us with another slice of synth-slathered gold.  Though it’s a much more upbeat affair, it is cut from the same cloth as “Neptune” (one of the best ten songs of 2012 so far). Moody, expressive, and dripping with nostalgia, “Softkiss” again sees vocalist Callan Clendenin pinning over a lost lover. In the wrong hands, a refrain like “do you still wear my coat when you get cold?” would come off incredibly trite and callow, but Clendenin’s earnest croon turns it into an affecting rhetorical question that hits close to home. I thought their self-titled debut LP was forgettable, and their follow up EP, Pure Moods, was solid but unspectacular, but based off the two tracks I’ve heard, I think Diver might turn out to be an absolute gem. Watch this space.

Lemonade: “Softkiss”

Terius Tuesday: “Fancy”

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A lot of people ask me why I love The-Dream so much. The answer is simple; Terius “The-Dream” Nash is a pop music Jedi, and I fuckin’ love pop music. Every Tuesday, Thunder Penguin will celebrate and examine one of his best songs, for no other reason than to get a little more Terius in our lives.

The-Dream
“Fancy”
Love vs Money (Radio Killa, 2009)

We begin our journey through Terius Town with his finest work: the swirling, expansive centerpiece of his near-perfect sophomore LP, Love vs Money.  Though its contemplative spine makes it sonically atypical of Nash’s work, “Fancy” is the perfect introduction to Nash’s world (“trips to Monaco/designer nails from head to toe”). Beginning with a ruminative piano melody, it unfolds into a sprawling devotional to the one woman that not even Nash — the colossal cassanova — can resist, the “dream of a billion men.” In a genre known for the objectification of women, Nash prefers to deify them, a predilection nevermore apparent than on this track.

Over the next six and a half minutes, Nash’s vocals glide effortlessly over an undulating, lush arraignment that builds to an absolutely devastating climax. He’s always had a knack for a grand, unexpected finale (see: “Yamaha,” “Fuck My Brains Out”), and when he adds that pounding kickdrum, it makes for his grandest of all. Simply put, “Fancy” is a stellar introduction to Nash’s unbelievable ability as a songwriter. Easily one of the best ten songs of the decade.

The-Dream: Fancy

Hot Jam of the Day (05.15.12): The Tallest Man on Earth, “1904”

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The Tallest Man on Earth
“1904”
There’s No Leaving Now (Dead Oceans)

Ok, people. It’s officially time to start taking Swedish folk singer Kristian Matsson seriously. The whole Dylan rip-off criticism needs to be put to bed. In a relatively short five years, he has cultivated an army of excellent folk songs and has crafted his own signature sound. On this, the first single from his upcoming third album There’s No Leaving Now (due out June 11), the diminutive Swede flexes his songwriting muscle, matching a light, meandering guitar line with his earnest, full-throated vocals. Like all the best folk artists, Matsson’s music has a knack for cultivating rich, transportive canvases that swallow up the listener and bring them into his reality, and “1904” is no different. One of the most distinctive and important voices in the genre today.

The Tallest Man on Earth: “1904”

Hot Jam of the Day (05.13.12): Best Coast, “How They Want Me To Be”

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Best Coast
“How They Want Me To Be”
The Only Place (Mexican Summer)

Without a doubt, no album has taken me off guard this year like the shimmering sophomore LP from the divisive Eagle Rock duo. As I’ll get into more when I review The Only Place later this week, it’s just such a huge step forward for the group. Channeling one of her heroes, Stevie Nicks, oft-derided vocalist/songwriter Bethany Cosentino dials back the reverb and really lets her voice shine, and the result is absolute magic. Cosentino paints an articulate, affecting reflection of what it’s like being a reluctant Internet celebrity. When she sings, “cuz when I wake up in the morning or the middle of night, I wonder who’s there and what they’ve said. But when I wake up in the morning or the middle of the night, I look at you and I know it’s alright,” it gives us an insight into who she is in a way that nothing she’s ever done has. An absolute standout from an incredibly special album.

Best Coast: “How They Want Me To Be”

Hot Jam of the Day (05.12.12): Jacques Greene & Ango, “Untitled

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Jacques Greene & Ango
“Untitled”
Unreleased

Montreal-based post-dubstep producer Jacques Greene has made a career of creating moods rather than songs. Airy, spacious cuts like “Another Girl” bubble and build in a way that pop songs just don’t. All of this makes his recent collaboration with mercurial Canadian vocalist Ango all the more spellbinding, as it is a decidedly non-pop take on the traditional typical pop/R&B formula. Driven by Ango’s smooth vocal and a typically urbane drum machine line, it starts out as another (admittedly potent) example of the bedroom R&B that is blowing up right now. About halfway through, it takes a totally unexpected left turn, which is pure Jacques Greene. Superb.

Jacques Greene: “Untitled”

And, the brilliant “Another Girl”…..

[soundcloud url=”http://api.soundcloud.com/tracks/11100445″ iframe=”true” /]