Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

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Images & Words: The Rhythm Method, “Chin Up”

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The Rhythm Method
“Chin Up”
Digital Single
Every two years*, I get afflicted with the same illness. It usually starts up a few weeks before every major international football tournament and lasts until somewhere around the quarterfinals. Who knows how long my believesthatEnglandcanwinthewholething-itis will last for this year, but I’m hoping that Southgate’s men will make this a long, emotionally taxing bout.

And every great English World Cup run needs an equally excellent tune, and London duo The Rhythm Method came through with one of the strongest in years. It may not be official, but it features the doe-eyed hope, gallows humor, and cheeky arrogance (via a friendly shot at neighbors Scotland and Wales) of all the best ones.

Now, it’s time for the squad to deliver on the pitch. Will they? Probably not, but it’s always fun to see them try.

*Except 2008

Images & Words: Chromatics, “Black Walls”

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Chromatics
“Black Walls”
Dear Tommy (out PROLLY NEVER on Italians Do It Better)
Goddamn it, Johnny Jewel. Just when I’d moved on from the idea that I’d ever hear “Dear Tommy,” this guy drags me back in with a luscious new track and a (probably fictional) release date for Fall of 2018.

“Black Walls” is the exact kind of track that makes the forever pushed-back project so frustrating, as it’s another reminder that nobody else makes music that sounds like this. The snyths are impossibly romantic and lush, and they’re beautifully framed by chunky guitars and vocalist Ruth Radelet’s forever haunting vocals. If this album comes out this year (it won’t), there’s nothing else that I’m more excited to hear.

Snail Mail, “Let’s Find An Out”

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Snail Mail
“Let’s Find An Out”

Lush (out 06.08 on Matador)
Though I’ve somehow not written about them yet, I’ve been loving the Baltimore trio’s pre-release singles for their hotly-anticipated debut LP. The stripped-back third single, “Let’s Find An Out,” is my favorite of the bunch, pairing songwriter Lindsey Jordan’s plaintive vocals with beds of fingerpicked electric guitar. She captures the freedom and trepidation of making the decision to start over with grace, humanity, and wisdom that belies her 18 years. Magic.

Rae Sremmurd: “Offshore” (f/ Young Thug)

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Rae Sremmurd
“Offshore” (f/ Young Thug)

Swaecation
Though I’m still processing the Mississippi superstars’ excellent, new 27-song project, the free-flowing “Offshore” feels like an instant classic. Producer Mike Will is a genius at negotiating sonic space, and his gooey, descending synth chords leave plenty of room for Thug to play in. And my god, does he oblige.

For nearly three minutes, Thug treats us to a single unbroken, spellbinding verse, showing off the idiosyncratic vocal gymnastics that made so many fall in love with him in the first place. A true natural, he seamlessly slaloms between choppy, magnetic bars and legit R&B crooner vocal runs, stretching his voice in ways that both keep the listener on their toes and make perfect sense together. It elicits the kind of feeling that only peak Young Thug can deliver and is a reminder of what a singular, special talent the 26 year-old really is.

The Round-Up: The Best Albums from April ’18

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Grouper
“Grid of Points”
Yellow Electric
Though only 21 minutes, the haunting beauty of Liz Harris’ eleventh studio LP will linger for many years to come. Penned and recorded in just 10 days, “Grid of Points” feels like a moment suspended in time — a distant memory that you just can’t shake off. The arraignments predominantly consist of just piano, voice, and ambient sounds captured during recording, most notably the passing train that closes the record. The way she uses the train to slice through the disc’s most gorgeous moment is such a microcosm of what makes Harris’ music so true and so alive. Instead of giving us a fully-realized closing ballad, she reminds us how ephemeral and precious beauty is by highlighting the way life can cut it short when you least expect it.
Start Here: Just listen to the whole thing.

Card B
“Invasion of Privacy”
Atlantic
When Cardi B defiantly declares “My little 15 minutes lasting long as hell, huh?” on the final track of “Invasion of Privacy,” you really believe her. And it’s not because of her looks, magnetic personality, or any marketing bullshit. It’s because she just proved that she’s one hell of an artist.

On her major label debut, she shows herself a clever, flexible MC and an impressive writer, capable of dropping LOL punchlines right next to penetrating insights from a life dogged by struggle. Oh, and she can sing a little too. You don’t have to believe me, but if you give this record a real chance, she’ll make a believer out of you. One of the best rap records of the last five years.
Start Here: “Get Up 10,” “Ring (f/ Kehlani)

Elysia Crampton
Elysia Crampton
Break World
People will tell you that originality is in short supply in 2018. Those people obviously aren’t listening to Elysia Crampton. Though she’s been mostly nomadic, Crampton’s roots are in Bolivia and Chile, and her fourth LP is another beguiling collection that bridges the ancient sound of her ancestors with the modern, experimental feel of today. The result is a totally unique sound that lives in its own mystical space.
Start Here: Again, just listen to the whole thing.

Nines
“Crop Circle”
XL

Never one to follow trends, the London MC melds his city’s lyrically-focused roots with the modern generation’s melodic mastery. On “Crop Circle,” Nines pulls from a seemingly limitless arsenal of bars, pairing engaging storytelling with subtle melodies. Though it seems to be short on pure singles, the consistent project is sure to delight his growing legion of and fans and should continue growing his rep as one of the UK’s most underrated young stars.
Start Here: “I See You Shining” “Rubber Bands” (f/ RAY BLK, Skrapz)

Pale Waves
“All The Things I Never Said”
Dirty Hit

The 1975-cosigned Manchester quartet cranks up the goth-pop drama on their super promising debut EP. Lead vocalist Heather Baron-Gracie feels like a star in the making, lacing undeniable vocal melodies over glistening beds of synth and razor-sharp riffs. Standout track, “My Obsession,” is pure stadium laser and cigarette lighter magic, beautifully highlighting their ambitious sound and boundless potential.
Start Here: “My Obsession”

J Cole
“KOD”
Dreamville
Though it’s never been less cool to love J. Cole, to my ears, the North Carolina rapper’s fifth LP is his best to date. Though it’s still too preachy too often, the second half of the disc features some jazzy, To Pimp A Butterfly-esque production, solid storytelling, and some interesting insight on the way addiction has touched Cole’s life. It’s not a game-changer, but it’ll definitely make me take a look back at some of his other work that I’d previously ignored.
Start Here: “Once An Addict – Interlude” “FRIENDS” (f/ kiLL edward)

The Aces
“When My Heart Felt Volcanic”
Red Bull

The Provo quartet’s breakthrough LP is a sharp collection of hook-laden power pop. Vocalist Cristal Ramirez is the star of the show, slathering her breathy vocals all over the taut guitar melodies and her sister’s pounding drums. Frankly, I’m surprised this album hasn’t made more of a dent, but it certainly feels like they are on the path to something big.
Start Here: “Volcanic Love” “Stay”

Tink
“Pain & Pleasure”
Machine / Winter’s Diary

After three years in a Timbaland-led label hell, Chicago’s most promising young artists is finally free. And though it’s not the big, sweeping statement some hoped for — that will likely be reserved for the forthcoming Winter’s Diary 5 — it’s a down-tempo, low-stakes affair that leans on the sensual, R&B side of her sound. It may not be a classic, but hopefully it’s a sign of more to come from the 23 year-old.
Start Here: “Faded” “Get You Home”

The Weekend
“My Dear Melancholy”
Republic

Though it’s not of the same quality, Abel is certainly back on his “House of Balloons” shit on this surprise EP. The disc was penned in the wake of a painful break-up either with Selena Gomez or the Hadid sister who isn’t with Zayn Malik, and cuts like “Wasted Times” and “I Was Never There” certainly serve up a lot of same intoxicating misery that made H.O.B. such a classic.
Start Here: “Wasted Times” “I Was Never There”

Quando Rondo
“Life B4 Fame”
Self-Released
One of the most promising new voices in music, the Savanah, Georgia’s proper debut project is teaming with emotional, heartfelt street rap. Unwilling to be pigeonholed by a single sound, Rondo switches effortlessly from rapper to singer — sometimes in a single line — sharing his passion and pain over an exquisite collection of melodic beats that still knock. Keep an eye on this guy.
Start Here: “Paradise” “I Remember” (f/ Lil Baby)

Aisha Badru
Pedulum
Nettwerk Music Group

The New York native’s beautiful debut is a testament to crafting beauty our of sorrow. Though it’s probably an unfair comparison, there’s a little bit of Bjork on this project. Like the Icelander, Badru pulls maximum emotion out of her gentle voice by framing it with stirring arrangements that seamlessly meld analog and digital instrumentation.
Start Here: “Bridges” “Mind on Fire”

Ross From Friends
“Aphelion”
Brainfeeder
You wouldn’t expect dudes with names like DJ Seinfeld, DJ Boring, and Ross From Friends to be cranking out emotional, expertly-crafted dance music, but this is 2018 and nothing makes sense anymore. “Aphelion” is the latter’s most accomplished work yet, featuring four slabs of engulfing deep house magic. Though vocal samples are at a premium, the South Londoner wields them to perfection, injecting humanity into every track.
Start Here: “There’s a Hole In My Heart”

Anna Leone
“Wandered Away”
Half Awake

Not to be confused with Australian DJ/Apple Music radio host Anna Lunoe, the 24 year-old Swedish singer-songwriter’s debut EP is an stirring collection of heartfelt of modern folk. Powerhouse voices like Leone’s are usually reserved for festival-friendly pop in 2018, but her spare arrangements are a refreshing, unexpected match for her rare vocal talent.
Start Here: “I Never Really”

Saba
“Care For Me”
Saba Pivot
The nimble, talented Chicago rapper offers brutal and beautiful look at loss and life on this stunning project, penned in the aftermath of the murder of his beloved cousin and rising rapper, Walter “dinnerwithjohn” Long Jr. Though he’s racked with sorrow, Saba refuses to let Long’s tragic, senseless death define him, sharing the joy and light that he brought into Saba’s life.
Start Here: “PROM / KING” “HEAVEN ALL AROUND ME”

Images & Words: Oneohtrix Point Never, “Black Snow”

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Oneohtrix Point Never
“Black Snow” (f/ Anohni)
Age of (out 06.01 on Warp)
Though the Massachusetts native is probably best know for his otherworldly, chaotic experimental electro, some of his best tracks are his quietist. Whether it’s his recent stunner with Iggy Pop or the beautiful Anohni-lead “Returnal,” OPN (né Daniel Lopatin) knows how to craft the kind of ballad that can suck all the air out of you.

Though “Black Snow” — the first single from his forthcoming eighth studio LP — is somewhat similar in feel to the aforementioned tracks, it differs in one significant way. Lopatin’s voice has never appeared this clearly before. Sure, it’s delivered in a dissociated robo-croon, but it is also one of the most direct lines to the man behind the music that we’ve ever recieved. Of course, we don’t know if it’s representative of the rest of the album, but it’s certainly a very exciting development.

Images & Words: Real Lies, “The Checks”

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Real Lies
“The Checks”

Digital Single
Longtime TP favorite and the trio behind my favorite song of 2014, London’s Real Lies are back with their first new music in a couple years. Few artists are as good at capturing the mood of being young and on your own in a big city like Real Lies, and “The Checks” is another intoxicating, nostalgic journey through the neon lights and rain-soaked streets of their (or, your) hometown. Recalling prime Pet Shop Boys and Underworld, this may not be what the DJs are playing on a night out anymore (at least, not in New York), but it definitely feels like the perfect soundtrack to the long ride home. Welcome back, guys. I’ve missed you.

Father John Misty, “Just Dumb Enough to Try”

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Father John Misty
“Just Dumb Enough To Try”

God’s Favorite Customer (out 06.01 on Sub Pop)
Though his last LP “Pure Comedy” had its moments, it was an overwritten project that was weighed down by grand, mostly superficial proclamations about the frivolity of modern life. His usually sharp pen often landed with a thud as it shot for insightful and landed closer to Abe Simpson.

For me, Papa J. Misery is at his best on direct, confessional love songs like this one, a mid-tempo stunner from his upcoming fourth LP. This lovely ballad is the sound of Tillman coming out the other side of his excellent marriage LP, “I Love You, Honeybear.” Misty admits to being a shitty husband and underlines his commitment to make things right with his wife. It is an affecting and insightful track that hopefully signals that this new record will be driven more by the heart than the head.

Images & Words: Yxng Bane, “Vroom”

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Yxng Bane
“Vroom”
Digital Single
When I first wrote about the East Londoner back in July 2016, he didn’t even have CDQ versions of his tracks on SoundCloud. In less than two years, Bane’s career has grown like wildfire with multiple videos doing crazy numbers.

The hot streak looks set to continue with this hyper-catchy, wobbly heater. “Vroom” is a microcosm of how Bane’s sound has developed from the retro, Craig David-ish two-step of “Honest” to the essential Afro-swing/Afrobeats sound that has infiltrated the pop charts. Though we’re still waiting for a debut full-length project, Bane is proving to be an even move vital voice with every successive single.

The Round-Up: The Best Albums of The First Quarter

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To be totally honest, I’m not sure it’s been a vintage first quarter for music, as I had fewer albums that I wanted to write about than usual. That said, there are some truly excellent albums on this list, and there’s a lot to look forward coming up soon.

Kacey Musgraves
“Golden Hour”
UMG Recordings
What: The country rising star’s transcendent, all-conquering third studio album
Where: Nashville, TN via Golden, TX
In a Tweet: A balanced, stunning collection of well-sung, beautifully written modern country. Simultaneously extremely consistent and full of highlights. An album to fall in love to, break up to, then get back together to. Kacey is a fucking star.
Start Here: “Space Cowboy” “Golden Hour”

O3 Greedo
“The Wolf of Grape Street”
Alamo
What: The uncompromising, exhilarating breakthrough project from the hyper-prolific MC
Where: Watts, CA
In a Tweet: Possibly the most exciting, unique talent since Young Thug. The 30 year-old is a true iconoclast, crafting emotional, unpredictable modern rap that twists and turns without warning. “Grape Street” is too long, but smart listeners will find absolute gold on this record.
Start Here: “Never Bend” “Zoning”

Bad Gyal
“Worldwide Angel”
Puro
What:
The new mixtape from the rising Spanish reggaeton innovator Alba Farelo
Where: Barcelona, Spain
In A Tweet: Over an electric array of modern, genre-fluid beats, Farelo ratchets up the heat with a sweltering new collection that further cements her unique sound and vital voice. Though it’s true to the sound of her excellent “Slow Wine” tape, it makes subtle upgrades and shows exciting growth.

Negative Gemini
“Bad Baby”
100% Electronica

What: An emotional 6-song EP from the experimental producer, Lindsay French
Where: Brooklyn, NY
In a Tweet: Good luck tagging a genre on this project. Whether its the breathy, deep synth-pop of the title track or the underwater power ballad, “My Innocence,” French is forever confounding but nails everything she does with aplomb. A true original who deserves a lot more shine than she gets.
Start Here: “Bad Baby” “You Weren’t There Anymore”

Tatsuya Shimazaki
“in my”
Self-Released
What:
A breathtaking ambient release from the Japanese composer
Where: Tokyo, Japan
In A Tweet: Though there isn’t much information about Shimazaki around, he’s got an extensive, excellent array of carefully crafted, therapeutic mood music to explore. His work combines delicate pianos, plucked ukulele, resonant synths, and little pangs of percussion — all used judiciously and subtly to extract maximum emotion.
Start Here: “remnent” “disposition

Haley Heynderickx
“I Need To Start a Garden”
Mama Bird
What:
The gentle, woodsy debut from the graceful-voiced singer-songwriter
Where: Portland, OR
In a Tweet: Though you’d probably file it under “folk,” Heynderickx’s excellent LP is delightfully difficult to categorize. She mixes bits of garage rock, indie, and Americana in here — all deftly held together by her elastic voice and nimble guitarwork.
Start Here: “The Bug Collector” “Show You A Body”

Camp Cope
“How To Socialise & Make Friends”
Run For Cover

What: The Sophomore LP from the young sometimes noisy / sometimes quiet Aussie trio
Where: Melbourne, Australia
In a Tweet: A worthy successor to their crushing, beautiful self-titled debut. Vocalist Georgia Maq is one of the bravest, most insightful artists around, and she tackles topics like death, sexual abuse, and loneliness with a directness that will strike you in the head and the heart.
Start Here: “The Face Of God” “I’ve Got You”

Lil Durk
“Just Cause Y’all Waited”
Only The Family Entertainment
What:
The 25 year-old’s first post-Def Jam release
Where: Chicago, IL
In A Tweet: Now that he’s free from a major label deal that never really made sense for him, Durk sounds rejuvenated here. Though there are better rappers and crooners out there, not many do both as well as Durk, and he strikes a potent balance between them on this consistent, heartfelt project.
Start Here: “How I Know” (f/ Lil Baby) “Instigator”

DJ Taye
“Still Trippin’”
Hyperdub
What:
The long-awaited Hyperdub debut LP from the legendary Teklife crew’s biggest young talent
Where: Chicago, IL
In A Tweet: Released a month short of the 4-year anniversary of his mentor DJ Rashad’s death, “Still Trippin’” is the kind of frenetic, exhilarating project that would have made Rashad smile. Though deeply rooted in footwork, Taye beautifully stretches the boundaries of the sound in fresh ways.
Start Here: “I Don’t Know” (f/ Fabi Reyna) “2094”

Soccer Mommy
“Clean”
Fat Possum
What:
The breakthrough project from 20 year-old prolific bedroom singer-songwriter Sophie Allison
Where: Nashville, TN
In a Tweet: “chill but kinda sad” goes Allison’s self-deprecating bio, and it’s actually a pretty apt (if understated) synopsis of this record. “Clean” is full of the kind of broken-winged, yet open-hearted feelings (#feels) that color your early 20s… and, for some of us, early 30s too. 😄
Start Here: “Blossom (Wasting All My Time)” “Scorpio Rising”

awakebutstillinbed
“what people call low self​-​esteem is really just seeing yourself the way that other people see you”
Tiny Engines

What: As the album suggests, this shit is obviously emo
Where: San Jose, CA (woooooo)
In a Tweet: An emotional cyclone of an album led by the raw, honest songwriting of Shannon Taylor. Across nine noisy, but super melodic tracks, Taylor shrieks, shouts, and shares her innermost feelings and struggles, finding solace and strength in the chaos around her. Though not an easy listen, it’s a rewarding one.
Start Here: “floor” “opener”

American Pleasure Club
“A Whole Fucking Lifetime of This”
Run For Cover
What:
The eclectic new album from Sam Ray’s (Ricky Eat Acid) band
Where: Baltimore, MD
In a Tweet: After jettisoning one of the worst band names in music, Teen Suicide, Ray crafted the best album of his career. There’s fuzzy stoner rock, sweetboi ballads, and even a track with a breakbeat. In short, it’s all over the place, but somehow it works, which is a testament to Ray’s taste.
Start Here: “this is heaven & id die for it” “all the lonely nights in your life”

Kalle J
“Aros Catering”
Emotion
What:
The Swedish-language solo debut of Karl X Johan’s Kalle Jönsson
Where: Stockholm, Sweden
In a Tweet: I’ve been waiting years for a Karl X Johan debut, but this melodramatic project from ‘Karl’ will suffice. Though I kind of wish it was sung in a language I speak, the cracked power ballads, sweeping melodies, and dramatic, gauzy arrangements are tasty in any dialect. Get out your lighters.
Start Here: “Strand” “BDSM”