Hot Jam of the Day: Jae Stephens, "24k"


Jae Stephens "24k" Digital Single Fuck one of the best debuts of the year. The LA-based newcomer just dropped one of the best songs of the year out of thin air. Featuring inch-perfect production from Jam City, Stephens weaves a devastating slow jam that captures the growth of a relationship from anxious first Read more

The Round-Up: The Best Albums of May 2017


After a pair of phenomenal months of music, May's slate looked decidedly more low-key. However, now as I look back at it, there was still a handful of solid releases that deserve your time. Here are a few of my favorites. J Hus Common Sense Black Butter When I looked at the release schedule Read more

Hot Jam of the Day: Lil Durk, "Pressure"


Lil Durk “Pressure” Digital Single Five years into his career, the Chicago native seems to be at a crossroads. After kicking off his career with a string of devastating mixtapes (including my favorite song of 2013), the 24 year-old has been a bit up and down of late, crafting a slew of Read more

Hot Jam of the Day: Kommode, "Fight or Flight or Dance All Night"


Kommode “Fight or Flight or Dance All Night” Analog Dance Music (out June 2017 on Random Two Syllable Word) Good things come to those who wait, and Kings of Convenience fans have been waiting for the debut from Eirik Glambek Bøe’s side project for more than 10 years. Since announcing this project Read more

Hot Jam of the Day: Jlin, "Holy Child"


Jlin "Holy Child" Black Origami (out 05.19 on Planet Mu) Though there's only one more day until the Gary, Indiana footwork innovator's second LP drops, this brilliant and beguiling cut is more than worthy of standing on its own. Like her masterful debut, Dark Energy, this track features multiple, intricate polyrhythms that collide freely without Read more

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Hot Jam of the Day: Jae Stephens, “24k”

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Screen Shot 2017-06-19 at 11.51.59 AMJae Stephens
“24k”

Digital Single
Fuck one of the best debuts of the year. The LA-based newcomer just dropped one of the best songs of the year out of thin air. Featuring inch-perfect production from Jam City, Stephens weaves a devastating slow jam that captures the growth of a relationship from anxious first fling to a fully realized adult thing. Her vocals are transfixing — seductive, yet powerful — and Jam City’s unexpected choices (see: the dissonant guitar chord at the beginning of the hook, the chopped “dun-dun-dun” in the final chorus) are consistently sublime. At this point, there’s not much info about Stephens going around, but I’ll definitely be on the look-out.

The Round-Up: The Best Albums of May 2017

Posted on by TP1.COM in Featured, The Round-Up | Comments Off on The Round-Up: The Best Albums of May 2017

After a pair of phenomenal months of music, May’s slate looked decidedly more low-key. However, now as I look back at it, there was still a handful of solid releases that deserve your time. Here are a few of my favorites.

untitled-article-1444923100J Hus
Common Sense
Black Butter

When I looked at the release schedule back in April, the Londoner’s proper debut was the only thing that really jumped off the page. Unsurprisingly, Hus came through with a classic — a diverse, razor sharp collection of the kind of worldly, melodic bangers that made him one of the UK’s real rising stars.

Every one of the disc’s 17 tracks features at least a couple of tasty hooks, and Hus effortlessly handles a dizzying array of beats that touch on Afrobeats, grime, dancehall, 90’s American rap, and pure pop (to name a few). His voice can shift from booming to soothing in an instant. And lyrically, he’s also impressive, speaking on all elements of his life with his tone changing from playful to serious to menacing to grateful. In short, he does just about everything well and is a true original who is only just getting started.

Stream it on Spotify.

Screen Shot 2017-06-06 at 3.59.01 PMLil Yachty
Teenage Emotions
Quality Control
Speaking of originals, let’s talk about the 19 year-old Atlanta native. His debut “studio album” (whatever that means) picks up where his excellent mixtapes left off, digging deeper into the gleeful, creative world that he built for himself and his friends. Besides the music, the best thing about Teenage Emotions is that Yachty simply refuses to change — to bow to naysayers, gatekeepers, or major label demands. If anything, he’s even weirder, more sincere, and making more divisive music than ever before.

From ecstatic opener, “Like a Star” to heartfelt closer “Momma,” he charges headfirst into a variety of styles and ideas with reckless abandon. Many of them work. Some do not. I think it’s pretty obvious which songs fit into each category. While many have opted to focus on the latter batch, I prefer to focus on the former. I promise it’ll be a hell of a lot more fun if you do.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.08.13 PMJlin
Black Origami

Planet Mu
To my ears, the Gary, IN footwork deconstructor’s second LP is even more powerful than her critically-acclaimed debut, Dark Energy. Along with being rhythmic savant, Jerrilynn “Jlin” Patton’s melodic chops have grown so much. On standouts like “Kyanite,” “Holy Child,” and “Nandi,” the harmonic interplay between the samples and synths are actually just as engaging and unexpected as her signature percussive magic. And though there still aren’t really “hooks” in any traditional sense, there are more footholds in this project than previous ones, which hopefully will open even more people’s ears to her fascinating, singular sound.

Stream it on Spotify.


c9f7938b
Slowdive
Slowdive
Dead Oceans
After more than 20 years away, the legendary British shoegazers returned with their fourth album. The disc is beautiful and sprawling, and it showcases their rare ability to use a few, simple parts to craft moods that stick with you long after the music stops. Its haunting closer, “Falling Ashes,” best sums up that quality, as the groups repeats a simple piano melody and a soothing vocal mantra (“thinking about love”) for more than eight minutes. Somehow, it doesn’t feel one second too long and gently carries you away.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.15.38 PMForest Swords
Compassion
Ninja Tune
The experimental club producer has kept a pretty low profile since his excellent 2013 debut, Engravings. However, the understated Liverpool native’s second LP was well worth the wait, expounding on his abstract, stripped sound. Though few tracks stand out, they combine to form an affecting statement that both mirrors the uncertainty of our world and demonstrates the power of human compassion.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.31.14 PMJohnny Jewel
Windswept

Italians Do It Better
Let’s be real, Dear Tommy is probably never coming out. Sure, JJ teased us with some news about it recently, but I’ve basically given up hope at this point. However, as a goodwill gesture, the ever-slippery producer dug into his archives and tossed us this hodgepodge collection of goodies. And while more than half of it is sort of aimless synth riffing, there’s some tasty neon, Italo morsels on here.

The stylish, heartfelt ballad “Saturday” is one of my favorite IDIB tracks of recent years, and “Missing Pages” and “Slow Dreams” are two of Jewel’s most lyrical instrumental pieces. Plus, we get an updated version of Ruth Radelet doing Elvis, which is always fun. In short, it’s an inconsequential collection that Jewel probably scrounged together after dinner one night, but when your archives are as strong as his, you’re bound to find something that sticks.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.21.06 PMNite Jewel
Real High

Gloriette
From one Jewel to another, the always under-appreciated Ramona “Nite Jewel” Gonzalez’s second LP of the last 12 months is a strong collection of slick electro-pop that is made more for the bedroom than the dancefloor. Always an explorer, Gonzalez digs deep into classic R&B and quiet storm. And those kinds of arrangements fit her graceful, potent vocals to a T. Tracks like “Obsession” and “Part of Me” are more seductive and emotionally raw than much of her previous work, highlighting her power and vulnerability in equal measure.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.37.44 PMSun Kill Moon / Jesu
30 Seconds to the Decline of Planet Earth
Caldo Verde
Being a Mark Kozelek fan is a simultaneously frustrating and rewarding experience. Since 2013, the 50 year-old has cranked out more than 10 releases. Three of them — Perils from the Sea, Benji, and Mark Kozelek & Desertshore — are legitimate classic albums and incredible feats of songwriting and storytelling. On the other hand, two of them — Universal Themes and Common as Light and Love Are Red Valleys of Blood — are horribly uneven with borderline unlistenable songs. The rest range somewhere between “meh” and “alright, I guess.”

Though its inconsistency keeps 30 Seconds far from the classic category, its highlights elevate it above much of his recent output. “A Dream of Winter” is a gorgeous, nylon-stringed love song that feels like something from 2010’s Admiral Fell Promises, and “You Are Me and I Am You” is a powerful rumination about how we become our parents. And the meandering, Red House Painters-recalling guitarwork of “Twenty Something” will give any long-time Koz fan some warm fuzzies. It’s far from his best work, but he’s also not the joke many make him out to be.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.29.51 PMThunder Dreamer
Capture

6131
In a musical landscape obsessed with quick characterization, the Evansville, IN quartet doesn’t play ball. Mixing traces of heartland indie rock, second wave emo, folk, and 90’s alt-rock, Thunder Dreamer’s sounds is both familiar and difficult to put your finger on. The disc’s eight tracks are ultra-tuneful and full of hooks yet still retain a little bit of edge. The interplay between the dual guitars and Steven Hamilton’s strained, dulcet vocals is the disc’s standout quality, resulting in a collection that is consistently compelling and full of sonic footholds.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.27.57 PMNightlands
I Can Feel the Night Around Me

Western Vinyl
While his main band, the War on Drugs, was whipping up one of the most-anticipated albums of 2017, David Hartley quietly released this gorgeous collection of windswept dream-pop. His third LP as Nightlands features some of TWOD’s nostalgic, AM radio tendencies, but Hartley’s ultra-lithe falsetto gives the disc an even more wistful feel. The vocal harmonies are also insanely rich and often recall groups like the Beach Boys and the Eagles.

Stream it on Spotify.

Screen Shot 2017-06-06 at 4.29.09 PMCroatian Amor
Finding People

Posh Isolation
Throughout Danish producer/musician Loke Rahbek’s career, he’s been nearly impossible to tie down. He’s made dark synth-pop with Lust For Youth, droning industrial noise with Damien Dubrovnik, and deconstructed dance music with Croatian Amor. The latter is my favorite LK project, and this recent four song EP is the most cohesive of his career. Finding People has many of the nuts and bolts of dance music, but they are rearranged in a totally unexpected order. Percussion dips in and out, and vocal samples pop up in strange places. The resulting world is often disorienting but always worth stumbling deeper into.

Stream it on Spotify.

Hot Jam of the Day: Lil Durk, “Pressure”

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redeye-lil-durk-redeye-cover-shoot-20150601Lil Durk
“Pressure”
Digital Single
Five years into his career, the Chicago native seems to be at a crossroads. After kicking off his career with a string of devastating mixtapes (including my favorite song of 2013), the 24 year-old has been a bit up and down of late, crafting a slew of solid material that probably hasn’t quite done the numbers that he’d want.

He seems to be a little stuck a little bit between his street rap roots and romantic, R&B fare (á la, the recent gold-certified, “My Beyoncé). For me, his best recent work has tended to veer toward the latter, as this lusty new single does. Durk’s always managed to sing with auto-tune so well, using it to pull even more emotion out of his vocals. And they sound brilliant here, over this airy, luxurious mid-tempo beat. I’m not sure “Pressure” is going to be the big, crossover single that he is clearly looking for, but to my ears, it sounds like a step in the right direction.

Hot Jam of the Day: Kommode, “Fight or Flight or Dance All Night”

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Screen Shot 2017-05-19 at 5.37.31 PMKommode
“Fight or Flight or Dance All Night”
Analog Dance Music (out June 2017 on Random Two Syllable Word)
Good things come to those who wait, and Kings of Convenience fans have been waiting for the debut from Eirik Glambek Bøe’s side project for more than 10 years. Since announcing this project all the way back in 2006, the group has released only two vaguely official singles, and it was starting to feel like the disc would only exist in KOC fanfic. However, earlier this month, the low-key Norwegian surprisingly announced that the quintet’s debut LP would be dropping in June.

Best of all, the news came with this phenomenal, buoyant first single, which conjures up memories of one of KOC’s finest tracks — the one that started my 10+ year love affair with the group — “I’d Rather Dance With You.” Bøe’s voice is calming and flexible, and it glides beautifully over a descending keyboard riff, nimble electric guitars, and swinging drums. Incredibly, not only is it as good as I’d hoped it would be all those years back, somehow it’s actually better.

Hot Jam of the Day: Jlin, “Holy Child”

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Screen Shot 2017-05-18 at 11.42.25 AMJlin
“Holy Child”

Black Origami (out 05.19 on Planet Mu)
Though there’s only one more day until the Gary, Indiana footwork innovator’s second LP drops, this brilliant and beguiling cut is more than worthy of standing on its own. Like her masterful debut, Dark Energy, this track features multiple, intricate polyrhythms that collide freely without ever tripping over themselves. It also features one of her strongest, most coherent melodies — thanks to operatic samples and undulating synths — which help elevate “Holy Child” to incredible heights.

Hot Jam of the Day: J Hus, “Common Sense”

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JHusJ Hus
“Common Sense”
Common Sense (Black Butter)
The wait is almost over. Though the East Londoner’s highly-anticipated proper debut LP drops on Friday, he graced us with another taster to hold us over. Though the lush, soulful instrumentation and live drums are a different look for the MC, it proves to be another monster single that highlights his underrated versatility. The beat feels a little bit 90’s, but Hus’ delivery is purely modern. And he shifts from rapping to singing with ease and delivers sticky bars with melodic hooks for days. One of the biggest talents in music today.

The Round-Up: The Best Albums of March & April

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I skipped last month’s album Round-Up to bang out the My Favorite Tracks of the First Quarter list. So this month’s album list features my picks from March and April. Possibly the strongest batch of the year so far, 2017 is shaping up to be another incredible year in music.

mounteerie-600-5Mount Eerie
A Crow Looked At Me
P.W. Elverum & Sun
I can’t remember two albums released back-to-back that provide such stark, unflinching looks at death as Mount Eerie’s incredible, A Crow Looked at Me, and Sorority Noise’s brutal You’re Not As ____ As You Think.

And while I can relate to some of the tragedies that color the Sorority Noise LP, I cannot even begin to fathom the loss that Phil Elverum chronicles on his ode to his late wife Geneviève Castrée, who passed away from pancreatic cancer at the impossibly early age of 35. Elverum was always crafted deeply affecting songs, but he was also an intensely private figure who seemed to craft albums from some faraway galaxy.

Well, on A Crow Looked At Me, Elverum eschews every inch of that privacy. He lets us all into the deepest crevices of his life — from their bedroom to moments with their daughter to uncomfortable conversations at the grocery store to the life they shared deep in the Washington woods. Though the arraignments are skeletal in the extreme — mostly consisting of Elverum’s strained vocals and meandering, nylon string guitars — each of the eleven tracks are incredibly rich. Not with just information about the characters, but with legitimately insightful, universal wisdom that only this kind of grief can leave behind. An absolute masterpiece.

Listen to it on Spotify.


sorority-noise-pr-photo-pat-nolanSorority Noise
You’re Not As ___ As You Think
Triple Crown
While Elverum penned his record about losing the one you love, the Sorority Noise album is about the especially unsettling feeling that takes place when you are young and lose multiple friends in quick succession. When you feel like every time the phone rings, you will be confronted by another tragedy that you won’t be equipped to deal with. When you start to believe that death is around every corner.

“Just this year I lost a basketball team to heaven” sings Cam Boucher on “Disappeared.” Artists tend to wrap loss in metaphor to soften the blow, but Boucher (like Elverum) is not here to make you comfortable. There are a number of moments on the record that are physically unsettling, as if you are reading someone’s deeply personal journal behind their backs.

It’s not a walk in the park, but as the album moves, little rays of hope start to cut through the clouds. Much of that comes from their raw, yet tuneful riffs and Boucher’s sneaky catchy choruses. It also comes from the knowledge that as the days go by and the shock wears off, it becomes easier to remember your friends as they were in life, not in death.

Listen to it on Spotify.

Screen Shot 2017-05-01 at 4.58.22 PMMr Mitch
Devout
Planet Mu
On the total other end of the spectrum comes the longtime TP-favorite’s second LP. Absolutely teaming with life, the disc is bookended by two gorgeous love-letters. The first is to his partner, which features Mitch’s young sons on vocals. And its heartfelt closer sees Mitch singing to his second son while he was still in the womb.

These are just two of the truly heartfelt, affecting moments on this special album. Mitch has always been a master of building hyper-melodic, emotional soundscapes that drive miles beyond the parameters of grime. But the songwriting on Devout far surpasses anything else he’s put out in his already glittering, genre-redefining career. Probably my favorite album of the year so far.

Stream it now on Spotify.

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Hot Jam of the Day: War on Drugs, “Thinking of a Place”

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Screen Shot 2017-04-21 at 7.39.30 PMWar on Drugs
“Thinking of a Place”
Digital Single
“Thinking of a Place” is first new piece of original music from the Philly group since Lost in the Dream — one of the best albums of 2014. And, my god, was it worth the wait. An expansive and beautiful mid-tempo ballad, it features some of Adam Granduciel’s richest and most melodic songwriting.

Over windswept acoustic strums and a restorative lead riff, Granduciel yearns for a fading connection with an affecting restlessness and melancholy. You can feel him reaching for something that he can’t quite grab and trying to find his way back to a place that doesn’t exist anymore. Most rock songs have no right to go on for 11 minutes, but this one could go on for twice as long. Just stunning.

The War On Drugs – Thinking Of A Place from Record Store Day on Vimeo.

The Round-Up: The Best Songs of the First Quarter

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It’s insane that 2017 is already one quarter over, but it’s been a tremendous three months of music. Here are a few of the best tracks I’ve heard this yera. For both of our sakes, I’m going to (try to) keep my write-ups Tweet length (LOL).

Screen Shot 2017-04-14 at 11.27.55 AMStormzy
“100 Bags”
Gang Signs & Prayer (#Merky)
“Dear Mama” for the year 2017, “100 Bags” is a rare beacon of unobstructed light in these turbulent times. The Londoner makes the song cry for four breathtaking minutes, sharing the boundless, genuine love he has for his Mumzy. “Take a selfie, show ’em how you look mum. Flex on ’em, let ’em know that we’re good mum” is easily my favorite line of the year and makes you root so hard for both of them.

Frank Ocean
“Chanel”
Digital Single
In a world increasingly obsessed with living in black and white, ambiguity is rarer and more important than ever. On “Chanel,” Frank refuses to adhere to anybody’s labels or expectations, gleefully weaving together macho flexes, references to gay sex, drug talk, and ernest affirmations of love without breaking a sweat. It’s subtle but unflinching, inviting listeners to dig a little deeper and not turn away from the grey areas that color all of our lives.

OMB Peezy
“Lay Down”

Digital Single
Born in Alabama but based in Northern California, OMB Peezy takes cues from both regions to cook up a hell of a stew. “Lay Down” matches Bay Area slap with a Southern drawl for a throwback sound that is also purely modern.

Jens Lekman
“How Can I Tell Him”
Life Will See You Now (Secretly Canadian)
The Swede’s gorgeous fourth LP is full of affecting storytelling, but nothing hits quite as close to home as his struggle to reconcile his love for a friend with outdated, damaging notions of masculinity.

future-net-worth-getty_573x300Future
“Fresh Air”
HNDRXX (FreeBandz)
It came out in February, but “Fresh Air” is pure NYC summer. It’s a crackling anthem, built to bump out of cars, apartments, and sweaty ass clubs. God knows we need as many of those as we can get.


MoStack
“Let It Ring”
Digital Single
The next name to know in the popping UK rap scene. MoStack’s breakthrough single glides like a summer breeze, bridging Afrobeats, dancehall, and the North London sound with ease.

RunTown
“Mad Over You”
Digital Single
As African influence spreads across the music world, don’t forget to check out the source. The 27 year-old Nigerian’s gorgeous, sashaying love song has a palpable warmth that is hard to find in modern music.

J Hus 
“Did You See”
Common Sense (out 05.12)
He kept it low-key last year, but the Londoner is primed to drop his proper debut (even though, oh my god, download The 15th Day) and take over 2017. Already getting love on both sides of the Atlantic, his earworm flow and wavey melodies should be the sound of the summer.

Khalid
“American Teen”
American Teen (RCA)

While I’m not sure I love the record as much as many do, its lead single is a heavenly bit of nostalgic pop. The El Paso singer’s pristine vocal captures the freedom and fear of being young.

Don-E ft. Nado
“You Alright Yeah?”
Digital Single
Sunshine in a bottle, the anonymous Londoner’s first single features a nuclear hook that will dig its hook into your brain and leave you asking everyone you see, “You alright, yeah? How’s your mum? She good, yeah?” It just feels so goddamn good.

KWAYE
“Cool Kids”

Digital Single
The best debut pop single of the year, the London vocalist slides through an ultra-slinky, guitar-driven quiet storm, making a strong statement about acceptance in a truly stylish manner.

DaVido
“If”
Digital Single
Already a mega-star in Africa and Europe, the Nigerian vocalist looks poised to make the jump across the Atlantic. “If” is yet another example of the boundless joy his sound delivers.

Chief Keef
“Reload” Feat. Tadoe & Ballout
Digital Single
Though the blogosphere is mostly ignoring him these days, the 21 year-old continues to crank out esoteric, experimental work for his loyal army of fans. On “Reload,” Keef turns the trap house into a Super Mario Bros ghost house, riding triumphantly through dramatic, off-kilter church organs.

Dave
“Samantha” (f/ J Hus)
Digital Single
The rising Londoners link up for a gospel-tinged ballad that pairs Zeytoven-ish piano noodling with the duo’s trademark melodic vocals and personal bars. Though they seem like quite different characters, they sound perfect together.

Jacques Greene
“True” (f/ How to Dress Well)

Feel Infinite (out now)
The MTL producer’s debut LP is full of highlights, but nothing tops his reunion with longtime collaborator, Tom Krell. The Chicago vocalist sounds back to his best, floating over a slice of characteristically emotional house.

Sampha
(No One Knows Me) Like The Piano
Process (Young Turks)
The most aesthetically perfect song of 2017, this beautiful track is more than an homage to the first piano Sampha ever ran his fingers over; it’s a testament to the way that music can help you find your identity and figure out who you are.

Screen-Shot-2017-04-12-at-13.43.27-970x550Mr. Mitch
“VPN” (f/ Palmistry)

Devout (out 04.21 on Planet Mu)
While I remain undecided about dancehall tourist/weepy softboi, Palmistry, “VPN” is all about the glorious synth arrangement, courtesy of the always innovative Mr. Mitch. Devout is shaping up to be one of the albums of the year.

Ryan Adams
“Shiver and Shake”
Prisoner (PAX AM)
“Shiver and Shake” is the most powerful moment from his best record in more than a decade. Adams is at his lowest point, grappling to rebuild a life that heartbreak has reduced to rubble, as “Tunnel of Love” plays in the background.

Father John Misty
“Pure Comedy”
Pure Comedy (Sub Pop)
FJM is A LOT, and somehow the record is even more. But “Pure Comedy” is a powerful distallation of how sharp his pen can be and how strong his voice almost always is.

Jean-Michel Blais & CFCF
“In a Landscape – Rework”
Cascades (Arts & Crafts)
The two Montrealers’ collaborative EP is full of minimalistic, contemplative piano interplay. Their take on John Cage’s modal masterpiece reinterprets the cinematic splendor of the timeless original.

Phoebe Bridgers
“Smoke Signals”
Digital Single (Pax Am)
The rising LA folk singer’s breakthrough single captures the darkness and light of old Hollywood monster movies, telling a story that is both spooky and alluring.

Migos
“T-Shirt”
Culture (Quality Control)
The jewel of the standout commercial rap release of 2017, “T-Shirt” highlights the group’s unmatched lyrical interplay and Quavo’s underrated hook-writing chops.

AJ x Deno
“Ride or Die”
Digital Single
Like an increasing number of young artists, it all started for 14 year-old Londoner Deno Driz on Instagram. Unlike many others, his youthful, elastic tenor (think: early Chris Brown) works just as well in a real recording studio as it does on social media. A young star in the making.

The XX
“Replica”
I See You (Young Turks)
In recent interviews, bassist/vocalist Oliver Sim has bravely disclosed his struggles with hereditary alcoholism. And he sums it up beautifully on this heartrending track, asking “do I chase the night or does the night chase me?”

grouper-ws-710-385Grouper
“I’m Clean Now”
Paradise Valley (YELLOWELECTRIC)
At the end of one of the most chaotic years in recent history, the angel Liz Harris came down from on high to bless us with one of the most peaceful, soothing songs of her career. If only 2017 sounded like this.

Calvin Harris
“Slide” (f/ Frank Ocean, Migos)
Digital Single
The Scot’s first two albums are two of my guiltiest pleasures, so I can’t say “Slide” is a total surprise. That said, I did not see Harris being the man behind one of the strongest pop tracks of the year so far.

RaeLynn
“Love Triangle”

WildHorse
T. Swift probably isn’t ever coming back to Nashville, but there’s a ton of talented young singers who are here to fill that void. The 22 year-old’s debut LP is full of polished, sharp songwriting like this windswept, heartfelt ballad about divorce.

SahBabii
“Pull up with ah Stick” (f/ Loso Loaded)
Digital Single
One of the stickiest, sweetest melodies of the year, the Atlanta native’s breakout single is yet another example of the positive way Young Thug has impacted the sound of the city’s young creators.

(Sandy) Alex G
“Bobby”
Rocket (out 05.19 on Domino)
I’ve never really been an Alex G guy, but his recent pivot toward a dustier, less noisy sound has worked a treat for me. “Bobby” is a cutting look at the way neuroses can keep people from the ones they love.

SamHuntSam Hunt
“Drinkin’ Too Much”

Digital Single
“Marvin’s Room” with a twang. I don’t know exactly what the former quarterback/current fuckboi is up to here, but it certainly sounds like nothing else coming out of Nashville.

Images & Words: Lil Uzi Vert, “XO Tour Llif3”

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091316-shows-hha-performers-the-full-review-lil-uzi-vert-5Lil Uzi Vert
“XO Tour Llif3”
Digital Single
While on tour with the Weeknd, the Philadelphian has dropped a couple of loosies to tie his fans over until his hotly anticipated Luv is Rage 2 mixtape drops later this year. The strongest of the bunch is “XO Tour Llif3” — an emotional track that also bops in vivid color.

Over a keyboard riff that swings like a pendulum, Uzi chronicles life as one of the biggest rising stars on the planet, surrounded by mobs of obsessive, overwhelming fans and feeling further from his real friends than ever. And though there’s sadness there, it’s an Uzi track, so there’s plenty of joy seeping out. That ecstasy is captured beautifully by the electric, lyrical steps of Atlanta dancers SheLovesMeechie, TheRealYvngQuan, Ayo, and Tayo.

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