Sade, "The Big Unknown"


Sade "The Big Unknown" Windows Soundtrack (out now on Sony) Though she's only a few months shy of her 60th birthday, Helen Folasade Adu remains a force like nobody else. On the stunning "The Big Unknown," Sade proves that her quiet storm is still a Category 5, as she glides effortlessly over oceanic, Read more

Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Best of ’15

Best of 15: The Best Albums of 2015

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20. 2814
新しい日の誕生 (Dream Catalogue)
I’ve never been to Tokyo, but when I do, I’ll make sure to bring the ambient, post-Vaporware vibes of Dream Catalogue mainman, HKE and producer Telepath with me. The soundtrack to imagined midnight walks through the city, the disc’s cinematic, engulfing eight songs set a palpable mood, sure to keep your eyes closed and your mind wandering.
Hottest Jams: “新しい日の誕生” & “真実の恋”


19. Billboard Brothers
Billboard Brothers (self-released)
Do you love listening to people rap? Then, this is your album. Over 13 joyful tracks, Doughboyz Cashout’s dynamic duo raps their asses off, weaving melodic, adhesive verses over timeless slabs of 90s indebted G-funk. Like Westbrook and Durant, Payroll Giovanni and Big Quis have incredible chemistry, and they work so well together that their verses blend together and stand out at the same time.
Hottest Jams: “Strap on My Lap,” “Do What I Wanna Do,” “White”

18. The Staves
If I Was (Atlantic UK)
Whoever the Staveley parents are, they are fucking lucky. Imagine living in a house with three daughters who sing this beautifully together. On their second LP, they pair their heavenly three-part harmonies with the strongest, most evocative songwriting of their career, picking through the bones of a failed relationship with affecting honesty and relatability. It’s a sad record in places, but the ever-present mellifluousness of their vocals and arrangements guarantee that there’s always plenty of light streaming through the blinds.
Hottest Jams: “Make it Holy,” “Let Me Down,” “Sadness Don’t Own Me”

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Best of 15: The Hottest Jams of 2015

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Welp, that’s it for 2015. It was an incredible year for music, and it was tougher to whittle this list down to 65 than in recent years. Thank you for joining me for another year of ThunderPenguin, and it’s been awesome to see this little site growing. Hopefully, the album list will be up in a day or two.

65. Post Malone
“White Iverson”
Digital Single
I hated it, then I loved it, and then I hated myself for loving it, then I hated it again, and now I’m just confused about it. No matter where I end up with it, the Houston crooner’s ode to the Answer deserves a spot on this list, because of the emotional energy I expended dealing with it.

64. Nicole Dollanganger
“You’re So Cool”
Natural Born Losers (Eerie Organization)
Remember that 90s movie Crazy/Beautiful? The 23 year-old Canadian’s breakthrough LP should really be called Creepy/Beautiful. Its towering closing track is half wedding first dance, half slasher flick, as Dollanganger stretches her unique falsetto to extol the virtues of a love interest who seems to have committed some very grizzly murders (“You got guns for trophies mounted up like animal heads with the skulls of all the high school champs you keep in rows above the bed”). It’s unsettling, romantic, creepy, and very, very beautiful.

63. f(x)
“4 Walls”
4 Walls – The 4th Album (SM Entertainment)
The Korean girl group’s bilingual banger is bright, breezy, and far from the average American perception of what K-Pop is supposed to sound like. There’s bits of R&B, hip-hop, and New Jack Swing (seriously!) in here, and it brings me back to the girl groups of the early 2000s, like Dream, 3LW, and 702, which — in my book — is pretty high praise.

62. Justin Bieber
“Sorry”
Purpose (Def Jam)
I considered “I’ll Show You” (Justin’s very own “I’m not a Girl, Not Yet a Woman”), but I settled on the 21 year-old’s delightfully sarcastic mea culpa. It should really be called “Sorry (Not Sorry),” and Bieber plays the mischievous scamp to perfection, acknowledging his past hijinks (i.e. monkey buying, speeding, this haircut) while hinting that he’s just getting started. Let’s hope he is.

61. Sufjan Stevens
“Should Have Known Better”
Carrie & Lowell (Asthmatic Kitty)
There are a lot of meaningful lyrics on “Should Have Known Better” and many more on the exquisite album that spawned it. But none touched me like the final one here: “My brother had a daughter. The beauty that she brings, illumination.” My sister had a daughter last October, and I’ve been consistently overwhelmed by the staggering mass of power and beauty yielded by someone so small. Much of Carrie & Lowell is focused on the final acts of the people we love, but this special moment of tribute to his niece stands out as a shining beacon of light on a very dark album.

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