Hot Jam of the Day: T-Pain, "Textin' My Ex" (f/ Tiffany Evans)


T-Pain “Textin’ My Ex” (f/ Tiffany Evans) Oblivion Tomorrow, T-Pain drops his long-awaited fifth LP, the culmination of the most trying era of the R&B innovator’s career. Through no real fault of his own, Pain (né Faheem Najm) went from the jolly ringmaster of a multi-million dollar radio empire to a Read more

Images & Words: SOPHIE, "It's Okay To Cry"


SOPHIE "It's Okay to Cry" Digital Single Every once in a while, somebody puts out something that takes your breath away. "It's Okay to Cry" is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is Read more

Hot Jam of the Day: King Krule, "Logos"


King Krule "Logos" The OOZ (out now on XL) Archy Marshall's excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I'm still digesting all 19 of its songs, the hypnotic, jazzy "Logos" immediately stuck out. Over languid jazz chords Read more

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, "For Robin"


The World is a Beautiful Place & I Am No Longer Afraid to Die "For Robin" Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to Read more

Images & Words: Stormzy, "4PM in London"


Stormzy "4PM in London" Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous "4PM in London" was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy's got the rare ability to Read more

Best of ’14

Best of 2014: The Best Albums of 2014

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25. SD: Truly Blessed (iHipHop Distribution)
It takes guts to step out on your own. It takes real guts to walk away from a successful situation to go solo. Sadiki “SD” Thirston has a lot of things (talent, vision, originality), but more than anything, he’s got guts. Stepping away from GBE and the Chicago drill scene that he came up in, Thirston’s debut is filled with wonky, druggy melodies and anthemic, extroverted choruses that are well-balanced by drill’s insular roots.

24. 18+: Trust (Houndstooth)
Coming off like the XX’s delinquent older cousins, the LA duo’s proper debut saw them going deeper down the rabbit hole they started exploring with their early mixtapes. The boy/girl vocals hold a palpable tension and sensuality that is often lacking in such acts, and the sparse arrangements and sneaky hooks form the perfect seabed for their breathy pillow talk.

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Best of 2014: The Hottest Jams of 2014

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Only a few days late this year, but behold, my Favorite Songs of 2014! Hopefully, everyone had a safe new year and is looking forward to what should be a brilliant year of music in 2015. Thank you for your continued support and readership. It means a lot.

65. Angel Olsen: “Windows” from Burn Your Fire for No Witness
The final song from the St. Louis-raised folkie’s glorious second LP doesn’t employ many words, but it says a helluva a lot. Olsen’s desperate plea to a loved one who is seemingly uninterested in helping themselves is especially moving, as you can hear the weariness in her voice. It’s something that anybody who has been in her position can relate to. Here’s hoping that there was still enough strength in that voice to get through to whoever it was meant for.

64. Shamir: “On The Regular” (digital single)
One of the most playful songs of the year, the 20 year-old Las Vegan introduces himself to the haters and swats them away like Dikembe in one fell swoop. Armed with just some MIDI keys and a cowbell, Shamir Bailey’s enthusiasm is overwhelming, sing-rapping through a frenetic, explosive three minutes that’s perhaps the best indication of why there’s so much hype around him and why it’s so warranted.

63. Doss: “The Way I Feel” from Doss
Ephemera was a powerful weapon in 2014, but few captured wielded it as deftly as this anonymous American producer. This dreamy, romantic single straddles the line between mid-90’s, E’d-out rave and jilted teen’s LiveJournal, bubbling with both an intense desire for human interaction and crippling insecurity. So, you know, it’s basically the sound of high school.

62. Lauryn Hill: “Black Rage” (sketch) (digital single)
A song like this reminds us how much we miss the former Fugee’s powerful, distinct voice. As she is her wont, Hill speaks the truth here, laying out some harsh realities over the once-innocent melody from “My Favorite Things.” Hopefully, this “sketch” will result in some more fully realized paintings in the coming year. Lord knows we need them.

61. Throwing Shade: Sweet Tooth (f/ Emily Bee) from 19 Jewels
The kind of song that you can just melt into, the London producer’s ode to the human face is just as delicious as its title would suggest. Bee’s playful, flitting vocal is the perfect fit for Nabihah Iqbal’s ocean of synth molasses, and its wonky drum pattern gives it the tension it needs to keep the kettle boiling over. The whole thing hangs on a tightrope, constantly threatening to tip over but catching its balance at just the right time.

60. Jacques Greene: “No Excuse” from Phantom Vibrate
When I caught the talented Canadian live earlier this year, it became increasingly clear that with every project, he is moving further and further away from the constraints of the club world that he came from. While his music has always straddled that line (#sensitivehouse), the Marques Houston-sampling “No Excuse” seems more crafted for personal use than professional use, and that is by no means a bad thing. He’s always been a phenomenal DJ and producer, but it’s a joy to watch him grow as a songwriter, and I’d love to see what he’d do with a full-length album.

59. Tommy Kruise: “Hers” from Fête Foreign
From one Montreal native to another, Tommy Kruise’s “Hers” is a ghostly, evocative cut that is almost too pristine to add vocals to. Built around a timid keyboard line and his go-to trap hi-hats, Kruise laces a double helping of emotionality with two disembodied voices, floating menacingly above the fray. Also, make sure to check out its touching music video below, which is one of my favorites of the year.

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Best of 2014: The Hottest Jams of 2014 (Honorable Mention)

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It’s that time of the year again! It’s time for me to spend altogether too much time comparing apples and oranges, trying to figure out which tasty sonic nuggets spoke to me the most clearly this year. I’ve been making this list for the last six years — the last four for Thunder Penguin — and while I don’t get paid to do it anymore, I find myself enjoying it more and more each year.

As last year, let’s kick things off with an aperitif — a handful of songs that I love and feel compelled to write about but couldn’t quite fit on my list.

The-Dream: “Black” (digital single)
2014 was a beautiful year, but it was a hard, profoundly sad one. We were reminded again and again where we really are as a country and how far we must go to reach some modicum of equality. Terius Nash’s Gaye-inspired ballad was one of a handful of powerful protest songs that brought some light and hope to the dismal reality facing so many Americans every day. 

James Blake: “200 Press” from 200 Press EP
The British boy wonder spent most of 2014 looking back to his club roots with delicious effect. Here, Blake ties an Andre 3000 sample in nots over a spacious, carefully constructed arraignment. It’s not quite “CMYK,” but it’s a start.


Travi$ Scott: “Mamacita” (f/ Rich Homie Quan & Young Thug) from Days Before Rodeo

The talented Texan plays best with others, when his prodigious production talents outweigh his lyrical shortcomings. Teaming up with two of the most current voices in hip-hop and producer du jour, Metro Boomin, Scott and co. gleefully cruise through five minutes of stuntin’ over a creeping beat.

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