Since U Been Gone: The Best Of What I Missed Last Week


Miya Folick "Thingamajig" Premonitions (out 10.26 on Terrible) With each new single, the talented LA vocalist is strengthening the case that her forthcoming LP could be one of the best debuts of the year. Her flexible vocals always stretch further than you expect, and she uses her seemingly unlimited range to exact maximum Read more

Since U Been Gone: The Best Of What I Missed Last Week


Welp, this is embarrassing. The week I roll out a new round-up column, I respond by posting exactly zero times. My editorial staff (of one) was pretty slammed this week, but that's no excuse. Hopefully this piece can make up for it, dear readers. I'll do better this week, because, Read more

Since U Been Gone: The Best Of What I Missed Last Week


I was on vacay in England last week, and as I sat back down at my desk this morning, I realized that a massive amount of new music came out while I was gone. I'm going to try something new with quick one to two sentence recaps of some Read more

Lil Uzi Vert, "New Patek"


Lil Uzi Vert "New Patek" Digital Single Easily one of most joyful songs of the year, the hyperactive, hypertalented Philadelphian returns with six (6!) electric minutes of swirling, tuneful hip-hop. Over Dolan Beats' glorious crystallized piano keys and tiptoeing hi-hats, Uzi goes the fuck in as only he can, slaloming through the beat Read more

Images & Words: How To Dress Well, "Nonkilling 6 | Hunger"


How to Dress Well "Nonkilling 6 | Hunger" The Anteroom (out 10.19 on Domino) Though it was a little bit buried on my "Favorite Songs of 2018, So Far.." list, I'm extremely excited about the experimental direction Tom Krell seems to be going in on his fifth LP. This stunning two-parter pairs Read more

Best Of ’13

Best Songs of 2013 (So Far): Group 1, The Best of the Rest

Posted on by TP1.COM in Best Of '13, Featured | Comments Off on Best Songs of 2013 (So Far): Group 1, The Best of the Rest

And just like that, 2013 is half over. In short, it was an incredible six months of music, and as I do around here, I’ve decided to round up all my favorite songs of the last six months. Instead of putting them all out at once, I’ve decided to group them in five groups of ten(ish), and roll them out one-by-one this week and next. For all of our sakes, I’m going to keep my write ups short and sweet.

Our first group is basically the stragglers. They didn’t really fit into any of the rest of the categories, but they were too good not to write about.

Lil Snupe
“Melo”
804 R.N.I.C. (self-released)
Jonesboro, LA

We start this countdown on a tragic note. In the early hours of June 20th, Meek Mill-protégé Addarren “Lil Snupe” Ross was gunned down in Winnfield, LA. He was only 18 years old. While the passing of any 18 year-old is a tragedy, Ross seemed to have the world at his fingertips. After signing with Meek Mill’s Dream Chaser label, Snupe seemed ready to breakthrough. His debut mixtape, 804 R.N.I.C, showed his incredible promise as a lyricist and a storyteller, harking back to Louisiana’s rich hip-hop history. “Melo” serves as both an example of his tremendous potential that will never get to be fulfilled and a chilling window into the grim reality the fresh-faced teenager spent most of his life, and ultimately death, in. Terribly sad. RIP.

Jens Lekman
“Olivia and Maddy”
Digital Single
Gothenburg, SWE

Though he’s put out three exquisite albums (one of which was my favorite album of last year), Jens Lekman is really at his best on little one-off singles like this. Released just after Hurricane Sandy hit New York, he tells a beautiful little story about a simple act of kindess from two friends. This is just about perfect.

Ace Hood
“Bugatti” (f/ Future, Rick Ross)
Trials & Tribulations (We The Best, YMCMB)
Port St. Lucie, FL

Mike WiLL Made It and Future are usually a pretty formidable combo, especially when you throw in the ever-menacing Rick Ross. And while the beat is insane and the hook is immense, the 25 year-old Ace Hood is actually the unexpected star of the show, lacing his ravenous, loquacious flow over WiLL’s menacing synths and Future’s affected crooning. The result is one of the best rap songs of the year so far. TURNUP, k thx.

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Best 13 Albums of ’13: High Highs, Open Season (3 of 13)

Posted on by TP1.COM in Best Of '13 | Comments Off on Best 13 Albums of ’13: High Highs, Open Season (3 of 13)

In case you missed it, 2013 has had a breathtaking first quarter. In the last ninety or so days, I’ve counted no less than 25 very good albums and 13 potential classics.

In case you missed any of them, I’ll be rounding them up over the next few days. 

High Highs
Open Season
January 29th, Fine Times

One of the great hidden gems of this quarter came from this pensive Australian duo. While it may come off unassuming and quaint at first, Open Season opens up to a masterful exercise in dynamics, mood, and storytelling. Vocalist Jack Milas’ evocative falsetto wafts effortlessly over Oli Chang’s glorious dollops of warm synths and delicately strummed acoustic guitars.

The duo highlights the growing movement of electronic-leaning artists embracing traces of acoustic and traditional instrumentation to devastating effect (Cloud Boat, James Blake). While some will bemoan a lack of a true standout single, Open Season is an album to be experienced in one sitting, preferably with some good headphones on, something to drink, and a warm blanket to curl up under.

Hottest Jams: “Milan,” “White Water,” “Phone Call”

Thunder Rating: 4.25 penguins out of 5

Best 13 Albums of 2013: Dawn Richard, Goldenheart (2 of 13)

Posted on by TP1.COM in Best Of '13, Featured | Comments Off on Best 13 Albums of 2013: Dawn Richard, Goldenheart (2 of 13)

In case you missed it, 2013 has had a breathtaking first quarter. In the last ninety or so days, I’ve counted no less than 25 very good albums and 13 potential classics.

In case you missed any of them, I’ll be rounding them up over the next few days. 

Up next, we’ve got Dawn Richard’s devastating second LP. 

Dawn Richard
Goldenheart
January 15th, Our Dawn

Fresh off two brilliant genre-bending EPs last year, the ex-Dannity Kane leader could have been forgiven for putting her 4-inch stilettos up for 2013, but barely two weeks into the new year, the New Orleanian unleashed her herculean, 16-track break-up opus on the unsuspecting public. The result is startling sonic experience, that sees the 29 year-old offer an honest take on loss, while fearlessly bringing the listener into her headspace.

Richard refuses to let Goldenheart‘s heavy subject matter weigh her down and brilliantly interjects lightness and humor in all the right places. Musically, it touches on everything from mystical future R&B to full-on Broadway balladeering (see: the show-stopping title track). The album it reminds me most of is 1977, The-Dream’s headfuck of a break-up album. Though I’ve been listening to it for nearly two months, it continues to open up in new ways to me. It’s a stunning achievement from an artist with a fascinating past and a wide-open future.

Hottest Jams: “Tug of War,” “Ode To You,” “Goldenheart”

Rating: 4.9 penguins out of 5

Best 13 Albums of 2013: A$AP Rocky, LONG.LIVE. A$AP (1 of 13)

Posted on by TP1.COM in Best Of '13 | Comments Off on Best 13 Albums of 2013: A$AP Rocky, LONG.LIVE. A$AP (1 of 13)

In case you missed it, 2013 has had a breathtaking first quarter. In the last ninety or so days, I’ve counted no less than 25 very good albums and 13 potential classics.

In case you missed any of them, I’ll be rounding them up over the next few days. 

Up first, we’ve got A$AP Rocky’s triumphant major label debut.  

A$AP Rocky
Long.Live.A$AP
January 15th, RCA


Proving he’s more than a Pretty Muthafucka, the Harlem MC quashed all notions that he was just a flash in a pan with his brilliant sophomore full-length. He’s always been a fantastic cultural curator with an ear for dope beats, but Rocky shows impressive versatility and lyrical nous, here.

I’d recommend steering clear of the 16-track deluxe album, as it makes the whole thing feel a bit labored. That said, the original is a dizzyingly fun ride that is simultaneously versatile and cohesive. Rocky does a nice job of including but not overdoing it on high-profile guests (Kendrick Lamar, Drake, Schoolboy Q) and superstar producers (Clams Casino, Hit-Boy), which results in an album that feels collaborative, yet exclusively Rocky.

Hottest Jams: “Fuckin’ Problems” (f/ Drake, Kendrick Lamar, 2 Chainz), “PMW (All I Really Need)” (f/ Schoolboy Q), LVL

Rating: 4 penguins out of 5