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Images & Words: Mayorkun, “Mama”

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Mayorkun “Mama” Digital Single Already a big hit in his native Nigeria, “Mama” is a gorgeous swoon of a love song that beautifully matches soca and R&B. It’s the latest in a string of impressive singles for the 23 year-old. Blessed with a pure, easy tenor, Mayorkun manages to capture the silly way falling headlong in love can make you feel without coming off jokey or insincere. Delish.

Stream This Shit: Grizzle, “Consort”

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Grizzle “Consort” Liminal Sounds Put down “Super Slimey” for a second, and spend some time with the criminally underrated Mancunian’s long-awaited, Liminal Sounds debut. The grime futurist has been a long-time TP fave, and Consort is exactly the project I’ve been hoping he’d make. Each of the disc’s four tracks is a meticulously crafted, hyper-melodic banger. Though there’s an obvious MssingNo influence on this disc, there’s a ton of new ideas on here as well, and it’s a massive step forward for one of …

Images & Words: SOPHIE, “It’s Okay To Cry”

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SOPHIE “It’s Okay to Cry” Digital Single Every once in a while, somebody puts out something that takes your breath away. “It’s Okay to Cry” is absolutely one of those moments. After spending her early career lurking behind faceless, chaotic, schizophrenic experimental dance music, the 32 year-old has stepped into the light and up to the microphone. The result is pure magic. Built around a twinkling, celestial piano melody, “It’s Okay To Cry” plays out like a tender, ultra-modern Disney ballad. Her voice is sweet and confident, as she consoles …

Hot Jam of the Day: King Krule, “Logos”

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King Krule “Logos” The OOZ (out now on XL) Archy Marshall’s excellent new album feels like a collection of those wonky dream states that exist somewhere in that nether region between being wake and sleep. Though I’m still digesting all 19 of its songs, the hypnotic, jazzy “Logos” immediately stuck out. Over languid jazz chords (think: 7’s and 9’s) and faraway sax, a mumbling Marshall welcomes us into a world that is both racked with childhood terrors and infused with an medicated calm. It’s a perfect example …

Images & Words: Julien Baker, “Turn Out the Lights”

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Julien Baker “Turn Out the Lights” Turn Out the Lights (out 10.27 on Matador) We are officially two weeks away from the 22 year-old’s hugely anticipated second LP, and it’s second single hits just as hard as the confessional, heart-crushing “Appointments.” “Turn Out the Lights” opens as a sparse and haunting take on isolation, as Baker wonders “so why is it easy for everyone else?” The truth is, of course, it isn’t. And when its skyscraping crescendo hits, a sense of hope and …

Hot Jam of the Day: Jaws of Love., “Lake Tahoe.”

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Jaws of Love. “Lake Tahoe.” Tasha Sits Close to the Piano (out now of K-Rizzla) Last week, Local Natives vocalist Kelcey Ayer quietly released a subdued, piano-driven debut solo LP. Though the response has been tepid so far, it’s a gorgeous, grown-up collection of mid-3o’s love songs dedicated to the way that your loved ones can shepherd you through uncertain waters. Though it’s most potent when listened to as one cohesive collection, “Lake Tahoe” is a real standout, showcasing Ayer’s flexible tenor and affecting songwriting. It’s sweet, …

Hot Jam of the Day: The World is a Beautiful Place & I Am No Longer Afraid to Die, “For Robin”

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The World is a Beautiful Place & I Am No Longer Afraid to Die “For Robin” Always Foreign (Epitaph) There are many, many awful things about addiction, but little is as insidious as the way it pushes its victims away from loved ones from their previous life and deeper into their illness. Anybody who has lost someone to addiction will relate to this crushing funeral dirge’s first lines. “Mike called once a week, and then he called once a month. / He called once every few years, …

Images & Words: Stormzy, “4PM in London”

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Stormzy “4PM in London” Digital Single Turning freestyles into anthems is nothing new to the ultra-talented Londoner. And though the ravenous “4PM in London” was probably written, it feels alive in the same way that many of those aforementioned tracks did. Unlike Drake (the man who originally rapped on this beat), Stormzy’s got the rare ability to make any line feel like a hook, so he doesn’t need a chorus or a sticky melody to make a track stick. “4AM in Calabasas” was about as …

The Round-Up: The Best Albums of The Third Quarter

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As you may have noticed, I’ve done my annual “fall behind on a monthly column” thing over the last couple months. That said, that just gives me more ammo for a proper Q3 round up, featuring the best records of that period in alphabetical order. 21 Savage Issa Album Slaughter Gang What: The heartfelt, personal debut solo studio LP from the sharp-tongued MC Where: Atlanta, GA In a Tweet: Issa adds more deft, subtle melody to his singular, nihilistic, uncompromising sound. …

Hot Jam of the Day: The Saxophones, “Aloha”

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The Saxophones “Aloha” Aloha 7″ (out 11.17) As a highly wifed individual in my early 30’s, I can seriously relate to the married Oakland duo’s hushed ballad “Aloha.” Over languid fingerpicked guitars, vocalists Alexi Erenkov and Alison Alderdice coo together, “Aloha, do you even know how wild I can get?” — in a tone that is far more ‘new parent’ than ‘new Freshman’. As feeble as it sounds at first listen, there’s actually a ton of comfort and acceptance here, which underlines the subtle beauty of growing up. Aloha …

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